7.2/10
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79 user 26 critic

A Midnight Clear (1992)

R | | Drama, War | 24 April 1992 (USA)
This WW2 psychological drama plays out at Christmas. US GIs hold an isolated cabin in the Ardennes against a handful of Germans cut off from their main force. Combat-weary and short of rations, both sides are determined to survive.

Director:

Writers:

(novel), (screenplay)
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1 nomination. See more awards »

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Cast

Complete credited cast:
...
Bud Miller
...
Cpl. Mel Avakian
...
Stan Shutzer
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Sgt. Will Knott
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Vance 'Mother' Wilkins
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Paul 'Father' Mundy
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Major Griffin
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Lieutenant Ware
David Jensen ...
Sergeant Hunt
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Older German Soldier
Rachel Griffin ...
Janice
Timothy S. Shoemaker ...
Eddie (as Tim Shoemaker)
Kelly Gately ...
Bill Osborn ...
American Sentry
...
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Storyline

Set in 1944 France, in the Ardennes forest region, an American Intelligence Squad locates a German platoon wishing to surrender rather than die in Germany's final war offensive. The two groups of men, isolated from the war at present, put aside their differences and share a Christmas celebration. The surrender plan includes a mock battle that turns bad when one of the soldiers is unaware of the surrender plan. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for language, war violence and a scene of sensuality | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

24 April 1992 (USA)  »

Also Known As:

Section 44  »

Filming Locations:


Box Office

Budget:

$5,000,000 (estimated)

Gross:

$1,526,697 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The mansion was actually a three-wall set, constructed in a remote area in the Utah hills. See more »

Quotes

Will Knott: Griffin was a mortician in civilian life, and he seemed to be spending most of his military life producing work for his army counterparts.
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Soundtracks

The Jersey Bounce
Recorded by Studo Music Department
Written by Buddy Feyne, Bobby Plater (as Bobby Platter), Tiny Bradshaw and Edward Johnson
Published by Lewis Music Publishing Co., Inc.
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User Reviews

 
A Dead Boy Named Matt
28 August 2002 | by (Houston, Texas) – See all my reviews

There is the classic, or `Golden Age,' of WWII based movies, from the 50s, 60s and 70s; and then there is the age of ultra-realism: those movies about WWII (or any war for that matter), that because you can show more on film, be more graphic in war's depiction, and because cinema has changed so much, it allows us to see more of how war actual was, instead of the watered down versions we had been getting for years. Don't get me wrong. When most of us speak of such classics like `Sands of Iwo Jima,' `The Longest Day,' or `A Bridge Too Far' (and so many other great WWII movies), we are perfectly right to sing our praises of such timeless standards. Nevertheless, there is a good chance that we should be even more grateful for these modern WWII gems that have raised the bar to permit us a closer glimpse of how this war really felt to those who fought in it. I suppose all I can say at this point would be to watch `A Midnight Clear,' and perhaps you would understand why I would choose this movie to be ranked only behind the likes of `Band of Brothers' and `Saving Private Ryan.' Then watch some other modern ultra-real WWII flicks like `When Trumpets Fade,' `Das Boot' and maybe even `Cross of Iron;' and then gauge for yourself. `A Midnight Clear,' though not really smacking of anti-war themes, yet showing the futility and absurdity that only propels us to hold our breath; it is a perfect example of not only reality, but of how a WWII movie works with probably no more than 50 rounds fired throughout the whole film. Poetic (though not as much as `The Thin Red Line'), great dialog, and a premise that is built much on fact. Largely based upon a true story, and taken from the book by a WWII veteran that was actually there, this movie keeps great company among the new ultra-real films; and it simply moves me. I hope it moves you, as well. 9.4


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