IMDb > To meteoro vima tou pelargou (1991)

To meteoro vima tou pelargou (1991) More at IMDbPro »


Overview

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7.4/10   684 votes »
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Release Date:
4 December 1991 (France) See more »
Genre:
Plot:
Alexandre, a TV reporter, is working for a few days in a border town, where a lot of refugees from Albania... See more » | Full synopsis »
Awards:
1 nomination See more »
NewsDesk:
Robert Boyle obituary
 (From The Guardian - Film News. 10 August 2010, 10:21 AM, PDT)

User Reviews:
A Soul in Suspended Animation See more (6 total) »

Cast

  (in credits order) (verified as complete)

Marcello Mastroianni ... Missing Politician

Jeanne Moreau ... The Woman
Gregory Patrikareas ... Alexandre the Reporter (as Gregory Karr)
Ilias Logothetis ... Colonel
Dora Hrisikou ... The Girl
Vasilis Bouyiouklakis ... Production Manager
Dimitris Poulikakos ... Chief Photographer

Gerasimos Skiadaressis ... Waiter
Tasos Apostolou ... Perchman
Akis Sakellariou ... Sound Operator
Athinodoros Prousalis ... Hotel-keeper
Mihalis Giannatos ... Shopkeeper
Christoforos Nezer ... Parliament's President
Yilmaz Hassan ... Hanged Man
Benjamin Ritter ... Sound Operator
Konstadinos Laggos ... Little Boy
Thodoris Atheridis ... Married man (as Thodoros Atheridis)

Nadia Mourouzi ... Alexandre's Friend
Photos Lambrinos ... TV Program manager
Rodolphe Moronis ... TV CEO
Freddy Vianellis ... TV Reporter
Giannis Dantis ... Accordionist
Dominique Ducos ... Driver TV Team
Yannis Vranas ... Orthodox priest
rest of cast listed alphabetically:
Giannis Voglis ... Missing Politician (uncredited)
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Directed by
Theodoros Angelopoulos 
 
Writing credits
(in alphabetical order)
Theodoros Angelopoulos  idea
Theodoros Angelopoulos 
Tonino Guerra 
Petros Markaris 
Thanassis Valtinos 

Produced by
Theodoros Angelopoulos .... producer
Phoebe Economopoulos .... executive producer
Kostas Lambropoulos .... assistant producer
Bruno Pésery .... producer
Angelo Rizzoli Jr. .... co-producer
Nikos Sekeris .... assistant producer
Ruth Waldburger .... co-producer
 
Original Music by
Eleni Karaindrou 
 
Cinematography by
Giorgos Arvanitis 
Andreas Sinanos 
 
Film Editing by
Yannis Tsitsopoulos 
 
Casting by
Harris Papadopoulos 
 
Production Design by
Robert Boyle 
 
Art Direction by
Mikes Karapiperis 
 
Costume Design by
Giorgos Patsas 
Rita Riggs 
 
Production Management
Emilios Konitsiotis .... production manager
Pierre-Alain Schatzmann .... production manager
Serena Severini .... production manager
 
Second Unit Director or Assistant Director
Takis Katselis .... assistant director
 
Sound Department
Marinos Athanasopoulos .... sound
 
Other crew
Marie-Christine Malbert .... unit publicist
 

Production CompaniesDistributors
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Additional Details

Also Known As:
Runtime:
143 min | Greece:126 min
Language:
Color:
Sound Mix:
Certification:
Filming Locations:

Did You Know?

Trivia:
Part I of "A Trilogy of Borders".See more »

FAQ

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24 out of 31 people found the following review useful.
A Soul in Suspended Animation, 14 January 2004
Author: david melville (dwingrove@qmuc.ac.uk) from Edinburgh, Scotland

Having only ever seen one Angelopoulos film before - The Travelling Players, which thrilled me about as much as paint drying on a wall - I was unprepared for the revelation that is The Suspended Step of the Stork. Shot over a decade ago, this long metaphysical tale of desperate refugees and disenchanted politicians has become more contemporary with each intervening year. As if a lone Greek film-maker had somehow prophesied the horrors of Bosnia, Afghanistan and Iraq - and the creeping paralysis that has overtaken Western democracy.

It begins in a refugee camp on the Greek-Albanian border, where a TV journalist spots an elderly man (Marcello Mastroianni) and decides he is a leading politician who went missing years before. Tracing the man's 'widow' (Jeanne Moreau) the reporter gropes his way towards the film's central dilemma. What could make a progressive intellectual lose all faith in humanity, to the extent that he gives up not only his political career but also his very identity?

This sounds like dry stuff indeed, and so it might be without the alchemical power of Angelopoulous's camera. There are sequences here that beg for inclusion in an anthology of all-time cinema greats. The tracking-shot along a disused train, each carriage inhabited by a penniless refugee family. The wedding across the river, with bride and groom stranded on opposite sides by the arbitrary idiocy of national borders, which veers perilously close to kitsch but never succumbs.

Moreau is magnificent, Mastroianni his genial hangdog self, but neither actor could ever mistake this film for a star vehicle. If there is a star here, it's the soul of humanity itself. A soul neither living nor dead, but held in suspended animation.

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