A deliciously biting satire about both the world of Grand Opera and United Europe. A Hungarian conductor (Arestrup) attempts to mount a bold new production of Richard Wagner's "Tannhäuser" ...
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Young honest public official is sworn in after his predecessor had to leave due to a corruption scandal. Soon, the young idealist discovers just how far-reaching the corruption is in his town and how easy it is to become corrupt yourself.
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Klaus Maria Brandauer,
Hans Christian Blech,
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of... See full summary »
Klaus Maria Brandauer,
During WW2 Hungarian resistance hides a married couple from the officials. The woman is sent to act as the wife of one of the resistance members who is also in hiding and pretending to be somebody else. They slowly begin to fall in love.
Albert Nobbs struggles to survive in late 19th-century Ireland, where women aren't encouraged to be independent. Posing as a man so she can work as a butler in Dublin's most elegant hotel, Albert meets a handsome painter and looks to escape the lie she has been living.
A deliciously biting satire about both the world of Grand Opera and United Europe. A Hungarian conductor (Arestrup) attempts to mount a bold new production of Richard Wagner's "Tannhäuser" while navigating the snares and pitfalls of artistic egos, rampant nationalism, internal company and union politics, and precarious funding. Written by
Dawn M. Barclift
The director's name, István Szabó, translates as Stephen Tailor, and one running gag in the film is that several people are called this in different languages: Stefan Schneider, Steve Taylor, Stefano Sarto (three of the singers), and Etienne Tailleur (the stage manager). See more »
this movie, besides giving the casual viewer a glimpse into the operatic world, also affords the viewer a casual glimpse into the world and the business, of music making, and it ain't pretty. but it's accurate.
as a professional musician in an international setting for more than 25 years, let me assure you that the evils of the music business are all here on display, and they are represented accurately: complaining musicians, managers for whom the word 'know' was replaced by the word 'no' at an early age (perhaps in their infancy), smarmy interfering union reps, and please God, save us all from short conductors with bleeping inferiority complexes.
and then there are the operatic singers. oh my!! (dr. georg szell called opera singers, " 'unmusical beasts', who have to have every note beaten into them by a vocal coach". this is true, by my experience).
the only really weak moment that i noticed was when the conductor left the podium during a rehearsal to knock on the door of the singer. this is absolutely improbable/impossible in my experience. conductors get their 'power' by being on the podium. they do not leave the podium
orchestra conducters get/force sex by more sordid means, not by leaving the podium.
this movie has a lot to recommend it, on many different levels- check it out.
i give it a 9.2.
watch it in a 'Robert Altman' frame of mind, i think that you will see what i mean.
it's not 'terror in tiny town'. and it's not, 'the godfather, part one'. it's somewhere in between. it's really a fine movie.
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