Story of the model who was assaulted that left her face disfigured. It begins when she comes to New York City and would get work as a model. A guy she met on one of her shoots gets her an ...
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Derek Bradshaw, a 33-year-old lawyer, courts and wins Amy Miller, an 18-year-old high school cheerleader. The affair progresses until she learns that he is married and has a family. During ... See full summary »
A scarred, unattractive young woman is conned into helping with a robbery of her employer. As a result, she is sent to prison, gets plastic surgery, and returns to seek revenge on those who wronged her.
A charismatic Real Estate agent, Kevin Coe, is publicly proud of his mother, a prominent socialite, but privately he must put up with her constant belittlement's and taunts. And while his ... See full summary »
A beautiful young computer technician starting off her career in Silicon Valley during the Eighties, is stalked and harassed by a nerdy, dangerous and mentally-unstable colleague with a twisted obsession.
Story of the model who was assaulted that left her face disfigured. It begins when she comes to New York City and would get work as a model. A guy she met on one of her shoots gets her an apartment in a building he manages. He is constantly hitting on her but she rebuffs him. When he can't take it anymore he sends two men to attack her. Written by
I was unaware that this film was based upon a true story so judged it purely on its merits. The subject matter of a beautiful model disfigured by a rejected suitor is pretty unsettling. Somehow the soft focus photography and background muzak never quite work with the subject matter.
Kirk Baltz plays the psychotic stalker well, and his motivation is well observed.However the attack is shown briefly at the start, reprised two thirds of the way through the film and then the courtroom drama becomes the final act. The balancing of this does not work and might better have been told from the courtroom.
Cheryl Pollack makes a decent fist of the title role, but ultimately this is formulaic routine fare that never rises above that standard.
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