| Jeff Daniels | ... | Paul Weaver | |
| Cynthia Sikes | ... | Nancy Weaver | |
| Judith Ivey | ... | Susan Volcheck | |
| John Mahoney | ... | Boomer | |
| Cloris Leachman | ... | Ruth Weaver | |
| Amy Wright | ... | Karen Weaver | |
| Mary Griffin | ... | Sarah Weaver | |
| Tom Allen | ... | David Weaver (as Thomas Allen) | |
| Jo Livingston | ... | Harold Whipkey | |
| Annabelle Weenick | ... | Miriam Whipkey | |
| Matt Carlton | ... | Doug Whipkey (as Matthew Carlton) | |
| Eve Smith | ... | Grandma Whipkey | |
| Jack Willis | ... | Danny Volcheck | |
| Buddy Quaid | ... | Billy Volcheck | |
| Peter Van Norden | ... | Frank | |
| Adrian Ricard | ... | Roxy | |
| Jodi Faith Cahn | ... | Jane | |
| Daren Kelly | ... | Jane's Husband | |
| Larry K. Collis | ... | Doorman | |
| Sam Stoneburner | ... | Bob | |
| Geraldine Court | ... | Laura | |
| Frank Serrano | ... | New York Cabbie | |
| Vernon Grote | ... | Pete | |
| Burton Knight | ... | Flower Delivery Boy | |
| Sean Galaise | ... | Billy's Friend | |
| Emily Warfield | ... | Linda | |
| Michelle DeMarco | ... | Marci | |
| Jean Stephens | ... | Shelly | |
| Haley McLane | ... | Bachelorette #1 | |
| Connie Speer | ... | Bachelorette #2 | |
| Lou Michaels | ... | Bachelorette #3 | |
| John Martin | ... | Sheriff | |
| Chris Hauge | ... | Reverend Hopper | |
| Deana Newcomb | ... | Wedding Photographer | |
| Mona Lee Fultz | ... | Bridesmaid #1 | |
| Jan DeWitt | ... | Bridesmaid #2 | |
| Cynthia Dorn | ... | Bridesmaid #3 | |
| Floyd Dakil | ... | Tony | |
| Doran Ingram | ... | Pool Shark (as Doran Ingrham) | |
| Mary Ann Smith | ... | Caterer | |
| Helena Humann | ... | Lenabelle | |
| Ken Paige | ... | Local Taxi Driver | |
| Andrea Adams | ... | Night Cashier | |
| Robert V. Girolami | ... | Lost New Yorker (as Bob Girolami) | |
| Tim McCarver | ... | Mets Announcer | |
| rest of cast listed alphabetically: | |||
| Tonea Stewart | ... | Puppy Girl (as Tommie) | |
| Dean Denton | ... | Groomsman (uncredited) | |
Directed by | |||
| Bud Yorkin | |||
Writing credits(WGA) | ||
| Ron Nyswaner | (written by) | |
Produced by | |||
| Doro Bachrach | .... | producer | |
| Mitchell Cannold | .... | executive producer | |
| Eva Fryer | .... | associate producer | |
| Steven Reuther | .... | executive producer | |
| Bud Yorkin | .... | producer | |
Original Music by | |||
| Burt Bacharach | |||
Cinematography by | |||
| Adam Greenberg | |||
Film Editing by | |||
| John C. Horger | |||
Casting by | |||
| Deborah Lucchesi | |||
| Shari Rhodes | |||
Production Design by | |||
| Armin Ganz | |||
Set Decoration by | |||
| Leslie E. Rollins | |||
Costume Design by | |||
| Elizabeth McBride | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup artist | |
| Colleen Callaghan | .... | hair stylist | |
| Antony Clavet | .... | hair stylist | |
| Antony Clavet | .... | makeup artist | |
| Carla Palmer | .... | makeup artist | |
Production Management | |||
| Celia D. Costas | .... | assistant unit production manager (as Celia Costas) | |
| Eva Fryer | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Carla Corwin | .... | second second assistant director | |
| Robert V. Girolami | .... | first assistant director | |
| Martha L. Mericka | .... | additional second assistant director (as Marty Mericka) | |
| Jane Paul | .... | second assistant director | |
| Candace Suerstedt | .... | second second assistant director | |
Art Department | |||
| Rick Bioni | .... | assistant property master | |
| David Brace | .... | associate set decorator | |
| Lance Cheatham | .... | set dresser | |
| Paul Dietz | .... | set painter | |
| Barry Franenberg | .... | property master | |
| Hal Hayes | .... | set dresser | |
| Doug Henning | .... | set construction | |
| Chris Henry | .... | construction coordinator | |
| John A. Kelly | .... | set artist (as John Kelly) | |
| Lisa Kight | .... | set dresser | |
| Ann Miller | .... | property master: New York | |
| Angi Neff | .... | art department coordinator | |
| John Parrish | .... | carpenter | |
| Sharon Reed | .... | set dresser | |
| John Shore | .... | set dresser | |
| Rocky Smith | .... | set dresser | |
| Amy Vuckovich | .... | production design intern (as Amy Botefuhr) | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist | |
| Michael DiCosimo | .... | stereo sound consultant: Dolby | |
| Rick Dior | .... | sound re-recording mixer | |
| Gerald Donlan | .... | assistant sound editor | |
| Marshall Grupp | .... | sound editor | |
| George A. Lara | .... | foley mixer | |
| Richard Mader | .... | boom operator | |
| Dennis Maitland II | .... | sound mixer: New York (as Dennis L. Maitland II) | |
| John Pritchett | .... | sound mixer | |
| Mark Rathaus | .... | sound editor | |
| Joel Shryack | .... | boom operator | |
| Susan M. Wagner | .... | assistant sound editor (as Susan Wagner) | |
Special Effects by | |||
| Jack Bennett | .... | special effects coordinator | |
Stunts | |||
| Jamie S. Bunch | .... | stunts (as Jamie Bunch) | |
| Ben Loggins | .... | stunt coordinator | |
| Cliff McLaughlin | .... | stunts | |
| Russell Towery | .... | stunts | |
Casting Department | |||
| Phalia Blassingame | .... | casting assistant | |
| Kay Bostic | .... | casting assistant | |
| Sylvia Fay | .... | extras casting: New York | |
| Stacey Rhodes | .... | extras casting (as Stacy Resch) | |
| Jory Weitz | .... | casting associate: New York | |
Costume and Wardrobe Department | |||
| Mark Burchard | .... | wardrobe consultant: New York | |
| Taneia Lednicky | .... | assistant wardrobe | |
| Keith G. Lewis | .... | wardrobe supervisor | |
| Janet Stein-Powell | .... | assistant to costume designer | |
Editorial Department | |||
| John Craddock | .... | post-production executive | |
| Michael Rotzler | .... | post-production executive | |
| Charles Simmons | .... | assistant editor | |
| Lois Trent-Bring | .... | negative cutter | |
| Jeffrey White | .... | apprentice film editor | |
Music Department | |||
| Daniel Allan Carlin | .... | supervising music editor | |
| Frank DeCaro | .... | music coordinator | |
| Mick Guzauski | .... | music recording engineer | |
| Allan Mason | .... | music supervisor | |
Transportation Department | |||
| Tim Buchanan | .... | picture car coordinator | |
| Daniel T. Dickerson | .... | transportation coordinator | |
| Jim Whelan | .... | transportation captain: New York | |
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| Enemies: A Love Story | Dummy | Queens Logic | Mystic Pizza | Babyfever |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This is an excellent film in every manner with the impulse behind its artistic success being the script by Ron Nyswaner, wry, witty and moving, each in its turn, detailed when it needs to be, and only suggestive, when that is appropriate. Varying concepts of what a person's home is and what it should be molds this comedic drama, the final directoral essay by Bud Yorkin, and unjustly overlooked or carelessly reviewed. Jeff Daniels portrays Paul Weaver, freshly divorced but not having altered his causative rakish ways, obligated to sojourn at the home of his parents for the wedding of his sister (Amy Wright), an awkward circumstance as his former wife (Cynthia Sikes) and two children are temporarily living there due to plumbing troubles in their own house. Paul is eager to become closer to his estranged children, but his daughter Sarah (Mary Griffin) has toted an abundance of resentment with her and is puzzled by the obviously ongoing mutual attraction between her parents. During a hectic nuptial weekend, Paul finds an available exchange of ardour with a bridesmaid (Judith Ivey) and this, along with his damaged association with his father (John Mahoney) supplies additional provender for Nyswaner's well-crafted script. Yorkin's fastidious direction allows for able ad libbing from Daniels and Wright, and is nicely supported by resourceful camerawork from Adam Greenberg who employs classic technique when isolating Weaver within a disquieted environment, by superb editing from John Horger, and by faultless sets and costumes from Leslie Rollins and Elizabeth McBride, respectively. In the last analysis, the film fares well because of attention to detail, originating largely from the writing of Nyswaner who strongly evokes small-city working-class Pennsylvania (although primarily shot near Dallas-Fort Worth) with each scene neatly sculpted and generally avoiding the cliched, helped by strong acting through the final scene, remarkable itself for its insouciant sense of actuality.