A tough female district attorney is investigating a man who picks out women from public places by posing as a famous photographer, then takes pictures of them, then pushes on their ...
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A tough female district attorney is investigating a man who picks out women from public places by posing as a famous photographer, then takes pictures of them, then pushes on their submissive tendencies and takes advantage of them physically and financially. The trouble is that none of these women want to press charges, because they feel fulfilled in some way by their encounter. The DA arranges to meet him and finds herself in a similar situation as the other victims, and has to come to grips with her own submissive desires. Written by
Ed Sutton <email@example.com>
This film is listed among The 100 Most Amusingly Bad Movies Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE. See more »
In the shots before and during Dana's attack on David with the knife, the fish blood on her face disappears and reappears. See more »
You know, there are fish in the North Atlantic, a species of ray, that have genitals just like that of a woman's. It's a well known fact that sailors and fisherman often have sex with them. What do you think of that?
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Atlanta D.A. Dana Greenway (Sean Young) takes risks in a sting putting her investigator Hannah on the line. Colleen Dells comes to her complaining about David Hanover (Patrick Bergin). He pretends to be a well-known famous photographer and scared her into posing nude even having sex. A second victim comes with a similar story except this time he took her car. Dana's boyfriend/superior Stanton Gray suggests perversity could be more conviction worthy than the actual crime. With no one willing to file charges, Dana tracks down Hanover in Savannah putting herself in the position of his next victim.
Sean Young gels back her hair so hard that it looks like it hurts. It's an overly overt visual cue to denote a hard cold female lawyer. This movie is caught between a salacious sexploitation B-movie and a serious take on the reality of rape. It makes this very awkward and unappealing. It tries to go into some dark murky psychological space but it feels more like a melodrama. I don't know what exactly her plan was going to his place. It seems very close to entrapment. It would have worked so much better if he could pick her up from the bar or the photo lab. The movie feels awkward in many places. Following Hannah tracking down Dana is not compelling. The movie should have ended after Dana gets out of imprisonment. The drama can't go any higher and the last section runs too long. Director Lizzie Borden has made mostly erotic fiction and this doesn't have the best production value.
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