A tough female district attorney is investigating a man who picks out women from public places by posing as a famous photographer, then takes pictures of them, then pushes on their ... See full summary »
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A tough female district attorney is investigating a man who picks out women from public places by posing as a famous photographer, then takes pictures of them, then pushes on their submissive tendencies and takes advantage of them physically and financially. The trouble is that none of these women want to press charges, because they feel fulfilled in some way by their encounter. The DA arranges to meet him and finds herself in a similar situation as the other victims, and has to come to grips with her own submissive desires. Written by
Ed Sutton <email@example.com>
This film is listed among The 100 Most Amusingly Bad Movies Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE. See more »
In the shots before and during Dana's attack on David with the knife, the fish blood on her face disappears and reappears. See more »
You know, there are fish in the North Atlantic, a species of ray, that have genitals just like that of a woman's. It's a well known fact that sailors and fisherman often have sex with them. What do you think of that?
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Important film dealing with the dark side of female sexuality.
Lizzie Borden's Love Crimes is an important film, dealing with the dark side of female sexuality (and including full frontal female nudity, which sure beats the male kind). It flirts with sadomasochism and the captive falling in love with captor theory.
This treatment of feminine libido is sometimes shallow and jerky, but Borden has travelled well beyond feminist dogma of females gaining power through their insatiable lust.
One striking scene exposes the female fetish for horses, when the antagonist, a counterfeit fashion photographer, is seducing an older woman wearing breeches by asking her to show how she rides a horse. He shoves a riding crop between her legs, pressing it against her crotch, and this greatly increases her excitement.
Then suddenly he leaves her home and she swears abjectly at the closed door.
Patrick Bergin plays the con artist, and though he falls a long distance from handsome, he picks on plain Janes and has enough screen presence to make one believe the women could swallow his line. By all reports, Sean Young proves a weird person, and she is scarcely beautiful. Yet in this film as the district attorney her intense face and long-limbed slender body and accentuated hips and periodically disjointed movement alchemize into erotic fascination. Her performance is forceful and complex.
Borden possesses an intriguing worldview, and the fact that it stands so at odds with the modern feckless zeitgeist I truly appreciate.
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