A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use ... See full summary »
When Juvenal, a presumed miracle worker, appears on the scene Bill Hill attempts to exploit him but his plans go astray with the untimely intervention of August Murray and the developing ... See full summary »
Three workers, Zeke, Jerry and Smokey, are working at a car plant and drinking their beers together. One night when they steal away from their wives to have some fun they get the idea to ... See full summary »
An English couple holiday in Venice to sort out their relationship. There is some friction and distance between them, and we also sense they are being watched. One evening, they lose their ... See full summary »
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his... See full summary »
The siblings Patty and Joe Rasnick live in an industrial suburb in Cleveland, Ohio. While Patty is focused on their rock band, The Barbusters, Joe also cares for the family and the ... See full summary »
A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (... See full summary »
A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use him for deliveries worry about his mental well-being and his effectiveness at his job. Meanwhile someone is killing women in apparently drug-related incidents. Written by
Ed Sutton <email@example.com>
In one scene, John LeTour (Willem Dafoe) is shown sitting on his bed watching old photographs and listening to some CDs. One of the CDs is the soundtrack from Walter Hill's Streets of Fire (1984), which was Dafoe's first starring role. See more »
[Angry at John LeTour for being late]
You want me to suck your dick? Fine. You want a raise? No.
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When the subject of modern noir films is discussed, there are always a small group of films that is mentioned. "The Last Seduction", "Blood Simple", "L.A. Confidential", etc. All worthy selections in their own right. Even better, I think, is "Light Sleeper", which is a noir film right down to the core of its being. Taking place almost entirely in afterhours Manhattan, it's the story of John LeTour (Willem Dafoe), a drug courier who works for Ann (Susan Sarandon), delivering cocaine to upscale clients. LeTour wanders around the city, chauffered about in a black sedan by a silent driver named Carlos. It's a lonely existence, one that has "noir" written all over it. But this isn't a shallow or violent or ironically self-aware redux of noir films. Much like another recent Schrader-scripted film, this plunges right into the heart of the story, not standing back at all, undetached. Unlike other recent noir films, such as "The Usual Suspects", this film's soul lies not in convoluted twists and turns, but in redemption. LeTour spends the film searching for a meaning to his life, looking in the wrong place, and eventually finding meaning and hope in a somewhat unlikely place. But in the end, he realizes that it's all he has left to hang onto. A beautiful film.
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