A filthy rich businessman bets a corporate rival that he can live on the streets of L.A. without the comforts of home or money, which proves to be tougher than he thought.
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After a single, career-minded woman is left on her own to give to birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Director:
Amy Heckerling
Stars:
John Travolta,
Kirstie Alley,
Olympia Dukakis
Ron Burgundy is San Diego's top rated newsman in the male dominated broadcasting of the 1970's, but that's all about to change when a new female employee with ambition to burn arrives in his office.
Director:
Adam McKay
Stars:
Will Ferrell,
Christina Applegate,
Paul Rudd
A rich businessman makes a bet he can survive on the streets of a rough Los Angeles neighborhood for 30 days completely penniless. During his stay he discovers another side of life and falls in love with with a homeless woman. Written by
John Sacksteder <jsackste@bellsouth.net>
[Bolt is in an over-medicated coma]
Molly:
I know you wanna give up, but you're wrong. Even without money, life is good.
[Bolt shakes his head; he can hear her]
Molly:
No? What about when-when you didn't eat for two days and then you had your first big meal at the mission? Wasn't that good?
[Bolt shakes his head]
Molly:
Remember the other night? When we drank champagne and danced... and rolled around in rags?
[Bolt raises his eyebrows]
Molly:
I know they're only moments, but that's all life is: Just a bunch of moments. Most ...
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This is easily the most underrated film inn the Brooks cannon. Sure, its flawed. It does not give a realistic view of homelessness (unlike, say, how Citizen Kane gave a realistic view of lounge singers, or Titanic gave a realistic view of Italians YOU IDIOTS). Many of the jokes fall flat. But still, this film is very lovable in a way many comedies are not, and to pull that off in a story about some of the most traditionally reviled members of society is truly impressive. Its not The Fisher King, but its not crap, either. My only complaint is that Brooks should have cast someone else in the lead (I love Mel as a Director and Writer, not so much as a lead).
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This is easily the most underrated film inn the Brooks cannon. Sure, its flawed. It does not give a realistic view of homelessness (unlike, say, how Citizen Kane gave a realistic view of lounge singers, or Titanic gave a realistic view of Italians YOU IDIOTS). Many of the jokes fall flat. But still, this film is very lovable in a way many comedies are not, and to pull that off in a story about some of the most traditionally reviled members of society is truly impressive. Its not The Fisher King, but its not crap, either. My only complaint is that Brooks should have cast someone else in the lead (I love Mel as a Director and Writer, not so much as a lead).