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Storyline
In 1950s England, slow-witted Derek Bentley falls in with a group of petty criminals led by Chris Craig, a teenager with a fondness for American gangster films. Chris and Derek's friendship leads to their involvement in the true case which would forever shake England's belief in capital punishment. Written by
Scott Renshaw <as.idc@forsythe.stanford.edu>
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Taglines:
The shocking story of an unbelievable miscarriage of justice.
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Did You Know?
Trivia
The comic book used in the film is a 1970s reprint of an authentic U.S. comic of the period (probably the EC title Shock Suspenstories #12 with a cover date of Dec 1953/Jan 1954). The front cover and contents would have been virtually identical to the original, but the back cover of the U.S. original would have had a period advertisement rather than the single comics panel on the reprint, as shown in the movie.
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Goofs
In the scene with Craig and Bentley by the railway line, the approaching train is pulled by engine 76079. This is a former British Railways 'Class 4MT' locomotive which wasn't introduced into service until 1953 - after Derek Bentley's death.
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Quotes
Chris Craig:
[
picking up Derek's comic]
Hey I like these. You got good taste.
Vincent Montgomery:
Or he can't read, like you.
Chris Craig:
[
in American accent]
Hey! Shut ya mouth college boy!
Vincent Montgomery:
[
also in American accent]
You gonna make me, wise guy?
Chris Craig:
I'll make ya!
[
mimes shooting him]
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Connections
Version of
To Encourage the Others (1972)
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This movie is one of the saddest pictures ever made. Made even more sad by the fact that this is based on a true story. I couldn't believe this was Christopher Eccleston's 2nd movie; I hadn't seen him in anything before JUDE. I'm utterly speechless to talk about this movie. I noticed someone commented saying this is like DEAD MAN WALKING; that movie does not compare to this. Bare in mind that LET HIM HAVE IT WAS MADE 4 years before DMW. I felt this one was much, much, much more rendering and mournful. God bless you Brits for making films on social content with such potency; American audiences could take a lesson from you: SCUM, LONELINESS OF THE LONG DISTANCE RUNNER, ALFIE, ...if, TRAINSPOTTING (best movie ever made)