A down and out cynical detective teams up with a down and out ex-quarterback to try and solve a murder case involving a pro football team and a politician.
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Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Director:
Rowdy Herrington
Stars:
Bruce Willis,
Sarah Jessica Parker,
Dennis Farina
A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why.
Axel Foley returns to Beverly Hills to help Taggart and Rosewood investigate Chief Bogamil's near-fatal shooting and the series of "alphabet crimes" associated with it.
Director:
Tony Scott
Stars:
Eddie Murphy,
Judge Reinhold,
Jürgen Prochnow
An tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.
Director:
Walter Hill
Stars:
Arnold Schwarzenegger,
James Belushi,
Peter Boyle
A down and out cynical detective teams up with a down and out ex-quarterback to try and solve a murder case involving a pro football team and a politician. Written by
Ed Sutton <esutton@mindspring.com>
In the original script, the entire third act was set on water. Also, Hallenbeck's grudge with senator Baynard was completely different from the movie. In the script, Hallenbeck was working security for the Baynard family when Louis Baynard, President Baynard's son, kills a mother and her child in a drunken car accident. When Hallenbeck refuses to cover for the president's son, they plant half a kilo of crack cocaine in his house. Louis Baynard was also a villain in the script, and in the end both he and his father die. See more »
Goofs
Joe's cigarettes disappear and reappear between shots throughout the film. See more »
Quotes
[first lines]
Locker Room Kid:
Billy Cole. Billy Cole.
Head Coach:
The first half stunk! Open the holes up! Get in there like hogs! Like pigs!
Locker Room Kid:
Billy Cole. You got a call on line three.
Head Coach:
Let's go out there in this half and kick some butt! Let's get out of this town as a winner! I hate Cleveland!
See more »
The Last Boy Scout is loud, vulgar, trashy and great entertainment. Bruce Willis plays Joe Hallenbeck, a disgruntled former Secret Service agent struggling with personal demons, a dysfunctional home life and an unsuccessful attempt at living as a private detective. When his newest client, Cory (Halle Berry), is murdered, her boyfriend (Damon Wayans) joins Hallenback to find out why she was killed. What follows is typically Tony Scott accentuated action, male bonding and loads of violent, gruesome deaths followed by outbursts of comic one-liners.
Written by Shane Black (Lethal Weapon) and directed by Scott (Top Gun), Last Boy Scout works thanks to Bruce Willis and Damon Wayans. The script is stupid, borderline ludicrous quickly stretching beyond believability, ending in an explosive (somewhat literally) climax that resorts to all the clichés of the genre. However, there is some self-satire to be found within the material. Villains are referred to consistently as "the bad guys." Loads of genre clichés are fooled with, spun into jokes the car chases and action sequences become satirical in nature, whilst the personal life of Hallenbeck something that might normally be sugar-coated in another genre film is totally f***ed up, leaving us with a pre-teen daughter who uses profanity like it's going out of style, a cheating wife, and a weary father who stopped giving a crap about it all a long time ago.
It's the stuff like this that makes Last Boy Scout succeed past its own sources. Shane Black is excellent at writing this type of stuff, and it really shows. Willis is given the best one-liners of his entire career, making Die Hard's crackling dialog look like child's play. Willis in particular is so good, and so at ease with his character, that his cynical and edgy performance makes the film worth seeing and heck, even worth owning. It's the ultimate Stupid Male Action Film with Great One-Liners and Loads of Action, a genre I'd like to hereby declare official.
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The Last Boy Scout is loud, vulgar, trashy and great entertainment. Bruce Willis plays Joe Hallenbeck, a disgruntled former Secret Service agent struggling with personal demons, a dysfunctional home life and an unsuccessful attempt at living as a private detective. When his newest client, Cory (Halle Berry), is murdered, her boyfriend (Damon Wayans) joins Hallenback to find out why she was killed. What follows is typically Tony Scott accentuated action, male bonding and loads of violent, gruesome deaths followed by outbursts of comic one-liners.
Written by Shane Black (Lethal Weapon) and directed by Scott (Top Gun), Last Boy Scout works thanks to Bruce Willis and Damon Wayans. The script is stupid, borderline ludicrous quickly stretching beyond believability, ending in an explosive (somewhat literally) climax that resorts to all the clichés of the genre. However, there is some self-satire to be found within the material. Villains are referred to consistently as "the bad guys." Loads of genre clichés are fooled with, spun into jokes the car chases and action sequences become satirical in nature, whilst the personal life of Hallenbeck something that might normally be sugar-coated in another genre film is totally f***ed up, leaving us with a pre-teen daughter who uses profanity like it's going out of style, a cheating wife, and a weary father who stopped giving a crap about it all a long time ago.
It's the stuff like this that makes Last Boy Scout succeed past its own sources. Shane Black is excellent at writing this type of stuff, and it really shows. Willis is given the best one-liners of his entire career, making Die Hard's crackling dialog look like child's play. Willis in particular is so good, and so at ease with his character, that his cynical and edgy performance makes the film worth seeing and heck, even worth owning. It's the ultimate Stupid Male Action Film with Great One-Liners and Loads of Action, a genre I'd like to hereby declare official.