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Storyline
Harris K Telemacher is a 'wacky weekend weatherman' for a local Los Angeles television station who is searching for meaning in his otherwise cliche ridden Los Angeles life. With the help of an insightful and talkative Freeway sign, Harris embarks on a journey through Los Angeles in pursuit of Sarah, an English reporter who has been sent to the City of Angels to research an article for the London Times. Written by
TheMovieHippo
Plot Summary
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Taglines:
Something funny is happening in L.A.
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Did You Know?
Trivia
In the very first draft of the script it was revealed that the signs could interact with people because an alien disguised as a repair man tampered with it. The role of the alien was written with
Jon Pertwee in mind, he couldn't accept it due to failing health. The script was quickly re-written and the alien was written out.
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Goofs
As Sarah tells Harris of her weekend plans with her ex-husband, her hands change position on the car door between shots.
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Quotes
Mr. Perdue, Maitre D' at L'Idiot:
You think with a financial statement like this you can have the duck?
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Crazy Credits
Just before the credits begin, the freeway sign flashes the message, "WHAT I REALLY WANT TO DO IS DIRECT"
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Connections
References
La Dolce Vita (1960)
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Soundtracks
"La Mer"
Written by
Charles Trenet
Performed by
Django Reinhardt and The Quintette of the Hot Club of France with
Stéphane Grappelli
Courtesy of RCA Records, A Division of BMG Music
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Okay, I was raised in the LA area, so I appreciate "LA Story" more than many might, but it's still just an incredibly wonderful romantic comedy regardless of where you grew up. The script is fabulous, and the soundtrack featuring the music of Enya is the perfect counterpoint to this wonderfully wicked lampoon of Southern California culture.
The humor is much more intelligent than early Steve Martin features such as "The Jerk", but it isn't snobbish. It has wit, charm, and pure satirical funniness. Whether it's watching Martin roller-skate through a museum of Old Masters, seeing a restaurant full of jaded Californians casually ride out a minor earthquake as their tables gracefully vibrate across the room, or the absurdity of a freeway sign giving out cryptic personal messages that change the course of the principal character's lives, the movie simply works.
Steve Martin is at his best here, equal to his wonderful performance in "Roxanne". Victoria Tennant is the perfect choice as the off-beat, tuba-playing British journalist Martin's character falls for. Sarah Jessica Parker is absolutely priceless as SanDeE* (that's her spelling, not a typo), the young would-be spokesmodel/bimbette who "likes to point". Even Rick Moranis as the comedic Cockney grave digger is wonderful, despite his having one of the least believable accents since Dick van Dyck as the chimneysweep Bert in "Mary Poppins". Forget the comment about Moranis' accent... you'll enjoy him anyway.
Overall, this is one of my two favorite movies of all time, and considering how many I've enjoyed, that's saying volumes.