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L.A. Story (1991)

PG-13 | | Comedy, Drama, Fantasy | 8 February 1991 (USA)
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.

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Cast

Cast overview, first billed only:
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...
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Susan Forristal ...
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Mr. Perdue, Maitre D' at L'Idiot
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Bob, News Anchor
Gail Grate ...
Gail, News Anchor
Eddie De Harp ...
Maitre D' at Brunch (as Eddie DeHarp)
M.C. Shan ...
Rap Waiter at L'Idiot
...
June
...
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Storyline

Harris K Telemacher is a 'wacky weekend weatherman' for a local Los Angeles television station who is searching for meaning in his otherwise cliche ridden Los Angeles life. With the help of an insightful and talkative Freeway sign, Harris embarks on a journey through Los Angeles in pursuit of Sarah, an English reporter who has been sent to the City of Angels to research an article for the London Times. Written by TheMovieHippo

Plot Summary | Add Synopsis

Taglines:

Something funny is happening in L.A.


Certificate:

PG-13 | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

8 February 1991 (USA)  »

Also Known As:

Los Angeles Story  »

Box Office

Gross:

$28,862,081 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Rick Moranis: as the gravedigger. See more »

Goofs

When driving along Pacific Coast Highway from Los Angeles to San Diego, both cars are heading north rather than south, based on the Pacific Ocean being west of the highway; San Diego is south of Los Angeles. See more »

Quotes

Harris: You know, you're really nobody in L.A. unless you live in a house with a really big door.
See more »

Crazy Credits

SanDeE* (Sarah Jessica Parker) is very peculiar about how her name is spelled. Still, the character is listed as "Sandy" in the credits. See more »

Connections

Referenced in Game K N B: Episode dated 5 October 2006 (2006) See more »

Soundtracks

Do Wah Diddy, Diddy
Written by Jeff Barry and Ellie Greenwich
Performed by Manfred Mann
Courtesy of BMI, A Division of Capitol Records, Inc.
By Arrangement with CEMA Special Markets
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User Reviews

Martin at His Best
9 March 2003 | by (Flagstaff, AZ) – See all my reviews

When Steve Martin is hot, he's really hot. L.A. Story, written by Steve Martin, is hot. The entire film keeps you in a state of constant chuckling. And, the movie has more than a few moments of comedic genius. It's the cumulative effect of little jokes littered throughout the film, both verbal and visual, that keeps you in stitches. On top of that, it piques your interest.

Here's what I mean: while Martin mercilessly it pokes fun of L.A. for it's flakiness, it's love and tolerance of idiosyncrasies, it's constant preoccupation with image, it's narcissism, the humor is never vulgar, crass, or shallow. For example, one scene takes place in the municipal art museum. We see Harry Telemacher (Steve Martin), with his friends, rapt in admiration for a painting. The camera angle comes from the canvas itself, where we watch Harry, deep in thought, dissertate on the subjects in the portrait, their motives, actions, and hidden agendas. He moves forward, backward, forward again, as if in active dialogue with the lacquer. At last, moving backward, he concludes his remarks by wrinkling his nose in disgust and saying `Look at the way he's holding her: it's almost filthy!' And then the camera moves around to Telemacher's perspective. The painting's a total abstraction. There isn't a distinct line in the entire rectangular frame. In the argot of Postmodernism, one might call it a `readerly' work of art.

It's the perfect metaphor for L.A., where you may interpret anything, any way you like. There's no standard, except one's own `personal reality.' No one can use social norms as a personal club to tell someone else, `You're wrong,' because there is none. It's all `what-E-verrrr.'

Best of all, L.A. Story is a love story, the kind of love that adores someone as much for their faults as for their virtues. Martin's satire is so effective because he loves the city so much.


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