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L.A. Story (1991)

6.7
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Ratings: 6.7/10 from 23,423 users   Metascore: 65/100
Reviews: 92 user | 42 critic | 10 from Metacritic.com

With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.

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Title: L.A. Story (1991)

L.A. Story (1991) on IMDb 6.7/10

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Cast

Cast overview, first billed only:
...
...
...
...
...
Susan Forristal ...
...
...
...
Mr. Perdue, Maitre D' at L'Idiot
...
Bob, News Anchor
Gail Grate ...
Gail, News Anchor
Eddie De Harp ...
Maitre D' at Brunch (as Eddie DeHarp)
M.C. Shan ...
Rap Waiter at L'Idiot
...
June
...
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Storyline

Harris K Telemacher is a 'wacky weekend weatherman' for a local Los Angeles television station who is searching for meaning in his otherwise cliche ridden Los Angeles life. With the help of an insightful and talkative Freeway sign, Harris embarks on a journey through Los Angeles in pursuit of Sarah, an English reporter who has been sent to the City of Angels to research an article for the London Times. Written by TheMovieHippo

Plot Summary | Add Synopsis

Taglines:

Something funny is happening in L.A.


Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

8 February 1991 (USA)  »

Also Known As:

Los Angeles Story  »

Box Office

Gross:

$28,862,081 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

EASTER EGG: On the DVD, click left on the main menu. When the taillights of the car light up, hit ENTER. A short interview with the director is shown about his opinions of the movie. Also, on the Special Features menu, press left to have the traffic sign light up (says "KISS HER") and you see a similar interview with Steve Martin. See more »

Goofs

As Harris is driving south on the 110 freeway after the "Open Season on the L.A. Freeway scene", you see absolutely no traffic on the northbound side, even though it is mid-day. See more »

Quotes

Harris: If confusion about your love life is ruining your day, I think it's good to go over to your best friend's house and ruin her day too.
See more »

Crazy Credits

SanDeE* (Sarah Jessica Parker) is very peculiar about how her name is spelled. Still, the character is listed as "Sandy" in the credits. See more »

Connections

Referenced in Getaway: Episode #17.16 (2008) See more »

Soundtracks

Amazing Grace
Arrangement by Fairbairn
Performed by The Pipes and Drums and Military Band of the Royal Scots
Dragoon Guards
Courtesy of RCA Records, A Division of BMG Music
See more »

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User Reviews

Martin at His Best
9 March 2003 | by (Flagstaff, AZ) – See all my reviews

When Steve Martin is hot, he's really hot. L.A. Story, written by Steve Martin, is hot. The entire film keeps you in a state of constant chuckling. And, the movie has more than a few moments of comedic genius. It's the cumulative effect of little jokes littered throughout the film, both verbal and visual, that keeps you in stitches. On top of that, it piques your interest.

Here's what I mean: while Martin mercilessly it pokes fun of L.A. for it's flakiness, it's love and tolerance of idiosyncrasies, it's constant preoccupation with image, it's narcissism, the humor is never vulgar, crass, or shallow. For example, one scene takes place in the municipal art museum. We see Harry Telemacher (Steve Martin), with his friends, rapt in admiration for a painting. The camera angle comes from the canvas itself, where we watch Harry, deep in thought, dissertate on the subjects in the portrait, their motives, actions, and hidden agendas. He moves forward, backward, forward again, as if in active dialogue with the lacquer. At last, moving backward, he concludes his remarks by wrinkling his nose in disgust and saying `Look at the way he's holding her: it's almost filthy!' And then the camera moves around to Telemacher's perspective. The painting's a total abstraction. There isn't a distinct line in the entire rectangular frame. In the argot of Postmodernism, one might call it a `readerly' work of art.

It's the perfect metaphor for L.A., where you may interpret anything, any way you like. There's no standard, except one's own `personal reality.' No one can use social norms as a personal club to tell someone else, `You're wrong,' because there is none. It's all `what-E-verrrr.'

Best of all, L.A. Story is a love story, the kind of love that adores someone as much for their faults as for their virtues. Martin's satire is so effective because he loves the city so much.


24 of 29 people found this review helpful.  Was this review helpful to you?

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