The son of Torren learns of his heritage, goes to avenge the deaths of his fellow villagers, and rescue his sister/love interest from the evil Dakkar and his spider cult. Ator battles giant... See full summary »
Liberty, Bash, and their friend Jesse served together in a war in Central America. Now Liberty and Bash work with youths, helping them stay out of crime and becoming a positive part of the ... See full summary »
Myrl A. Schreibman
Addison Terrill (Howell), a Dallas attorney, comes home one night to find his wife brutally murdered with the words "We're even now" scrawled across the bedroom wall. The cops suspect he ... See full summary »
The Fighting Eagle returns again, sans Thong, to the legendary realm of Dragor to do battle with Phaedra, an evil sorceress. Her main weapon is an unstoppable warrior, known as the Master ... See full summary »
When boredom, pride and a mad second of misjudgement leaves a hunter shot dead by one of five combat veterans also hunting in the Canadian hills, it is expected a police investigation will ... See full summary »
Todd Barret is an aspiring businessman. He's got what it takes, but what he doesn't have is enough money to stay in college. So he cooks up a plan to make the first ever all male sports ... See full summary »
Ed Okin's life is somewhat out of control. He can't sleep, his wife betrays him and his job is dull. One night he starts to drive through Los Angeles and he finally ends in the parking ... See full summary »
Cameron King has gotten a hold of the Emperor's Pearl, a large and valuable gem. He is planning to hold an auction, where the minimum bid is a million dollars. Only very wealthy criminal bosses have seats at the bidding table. The police have coerced young Catherine Tracey to win King's heart over, and learn the secrets of King's casino and operation. Written by
Sean Kilby and Jason Parker <email@example.com>
A Story Of Romantic Confidence Trickery That Never Quite Holds Fast.
Dedee Pfeiffer, an undervalued actress who has found it tough going to withdraw from beneath the shadow of her celebrated sister Michelle, has nonetheless achieved substantial success in works that generally offer little in the way of viewer pleasure, such as in the instance of this moderately absorbing but hardly memorable crime flavoured melodrama that is flattened at the hands of weak direction, a limply structured script, and a lead actor suffering from deficiencies in charisma and proficiency. Cameron King (Miles O'Keefe), who is conducting an illicit gambling operation upon the top floor of his nightclub, has also illegally come into possession of the "Emperor's Pearl", a legendary gem coveted by many, and has organized a private auction for a wealthy handpicked few to submit bids upon the jewel, but several difficulties arise for King as the transfer date nears, most seemingly involving an attractive photographer, Katie (Pfeiffer) who has aggressively wormed her way into a job at the night spot, taking photographs of customers, while also gaining the close attention and romantic affection of a vulnerable Cameron. Katie enjoys a brisk business at the club, selling to patrons photos that she has taken of them, but King's predominant henchman, Sebastian (performed with villainous glee by Fred Ottaviano) is suspicious of her motives for wishing to be close to his boss and it becomes apparent that there are others as well who are clearly interested in probing King's activities, such as the local police department, the FBI, and a young newly hired bartender (Christopher Atkins) who has rallied to the moral support of Katie against Sebastian's strong feelings of distrust. Shot in Florida, and titled SHOOT upon its original VHS release, and later KING'S RANSOM, this film's principal drawback to a viewer is the scenario's lack of balance that results in a failure to emphasise sundry plot twists. O'Keefe displays his customary acting range, that of a cigar store Indian, except for those blessedly few episodes when he impersonates Clint Eastwood, while Pfeiffer handily earns the acting laurels in a work that lacks storyline impact, instead merely dwindling to an insipid conclusion.
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