"Police Academy" clone, about some nerds who inherit an academy for morticians, which is run by a corrupt closet necropheliac. Of course, the most incompetent students possible are accepted... See full summary »
Ana is an equestrian sharpshooter for a one ring circus in Madrid for a week. Marcos is a reporter doing a Sunday supplement piece. He interviews her and she invites him to dinner with the ... See full summary »
The Summerking's daughter has been kidnapped, and the legendary hero of the desert comes to her rescue as he did when she was young. The Lone Runner proves to be an unstoppable hero with ... See full summary »
Enrique Chacon kills Oscar Romero, a Catholic archbishop in San Salvador. The CIA calls a special agent, Malko Linge, a ruined prince who lives with an expensive woman - Countess Alexandra ... See full summary »
A serial killer who makes his living as an adult video maker/editor, becomes involved with an artist neighbour. He tries to keep his secret from her, but the police are slowly closing in on... See full summary »
Mike Jacobs Jr.
Witness the romance and tragedy of one man's undying passion that led him to sell his soul. In this epic horror, Vlad Dracula exchanges salvation for immortality so that he may avenge the ... See full summary »
Faye Hanlon is a community-college professor with an emotionally depressed husband and an abundance of sexual frustration. Her sister drags her to a male strip-club for a girl's night out, ... See full summary »
John G. Avildsen
Lesley Ann Warren,
Cameron King has gotten a hold of the Emperor's Pearl, a large and valuable gem. He is planning to hold an auction, where the minimum bid is a million dollars. Only very wealthy criminal bosses have seats at the bidding table. The police have coerced young Catherine Tracey to win King's heart over, and learn the secrets of King's casino and operation. Written by
Sean Kilby and Jason Parker <firstname.lastname@example.org>
A Story Of Romantic Confidence Trickery That Never Quite Holds Fast.
Dedee Pfeiffer, an undervalued actress who has found it tough going to withdraw from beneath the shadow of her celebrated sister Michelle, has nonetheless achieved substantial success in works that generally offer little in the way of viewer pleasure, such as in the instance of this moderately absorbing but hardly memorable crime flavoured melodrama that is flattened at the hands of weak direction, a limply structured script, and a lead actor suffering from deficiencies in charisma and proficiency. Cameron King (Miles O'Keefe), who is conducting an illicit gambling operation upon the top floor of his nightclub, has also illegally come into possession of the "Emperor's Pearl", a legendary gem coveted by many, and has organized a private auction for a wealthy handpicked few to submit bids upon the jewel, but several difficulties arise for King as the transfer date nears, most seemingly involving an attractive photographer, Katie (Pfeiffer) who has aggressively wormed her way into a job at the night spot, taking photographs of customers, while also gaining the close attention and romantic affection of a vulnerable Cameron. Katie enjoys a brisk business at the club, selling to patrons photos that she has taken of them, but King's predominant henchman, Sebastian (performed with villainous glee by Fred Ottaviano) is suspicious of her motives for wishing to be close to his boss and it becomes apparent that there are others as well who are clearly interested in probing King's activities, such as the local police department, the FBI, and a young newly hired bartender (Christopher Atkins) who has rallied to the moral support of Katie against Sebastian's strong feelings of distrust. Shot in Florida, and titled SHOOT upon its original VHS release, and later KING'S RANSOM, this film's principal drawback to a viewer is the scenario's lack of balance that results in a failure to emphasise sundry plot twists. O'Keefe displays his customary acting range, that of a cigar store Indian, except for those blessedly few episodes when he impersonates Clint Eastwood, while Pfeiffer handily earns the acting laurels in a work that lacks storyline impact, instead merely dwindling to an insipid conclusion.
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