Kafka, an insurance worker gets embroiled in an underground group after a co-worker is murdered. The underground group is responsible for bombings all over town, attempting to thwart a secret organization that controls the major events in society. He eventually penetrates the secret organization and must confront them. Written by
Ed Sutton <email@example.com>
In addition to naming supporting characters after dissimilar characters in Franz Kafka's novels and stories, this film also uses other names with some literary or cinematic significance - the mysterious Dr. Murnau is named after the great director F.W. Murnau, whilst the bomb outrage is said to take place in "the Musil district", named after the great German novelist Robert Musil, whose work has often been linked to Kafka's. See more »
When a document is sent to the Medical Records Division, is it possible to recall it for a view?
The Keeper of the Files:
Of course not. Who'd want to let in a bunch of riff-raff off the street?
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Some see this film as a step down from Steven Soderbergh's brilliantly-constructed debut feature, "sex, lies and videotape." I see it as a significant step in his artistic development (even if its commercial and critical failure limited the audiences for his next several films). Certainly no one expected him to follow the low-key, character-driven "sex, lies" with such a complicated, stylized film as "Kafka."
An inspired script by Lem Dobbs and a great cast drive Soderbergh's visually rich film. Besides the leads, of note are Joel Grey as the self-important bureaucrat Burgel, Brian Glover as the menacing Castle Henchman, and Keith Allen and Simon McBurney as Kafka's side-splittingly incompetent "assistants." And Cliff Martinez's score (inspired by "The Third Man") is ingenious.
To call this film underrated would be a severe understatement.
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