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K-9000 (1991) (TV)
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Overview
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Release Date:
1 July 1991 (USA)
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Plot:
A policeman and a female scientist team up to recover her latest creation, a cybernetic, crime-fighting dog. | Add synopsis »
User Reviews:
Okay idea marred by poor execution...
See more (10 total) »
Cast
(in credits order) (complete, awaiting verification) | Chris Mulkey | ... | Eddie Monroe |
 | Catherine Oxenberg | ... | Aja Turner |
 | Dennis Haysbert | ... | Nick Sanrio |
 | Dana Gladstone | ... | Capt. DeLillo |
 | Jerry Houser | ... | Niner (voice) |
 | Judson Earney Scott | ... | Anton Zeiss |
| Anne Haney | ... | Mrs. Wiffington |
| Tom McFadden | ... | Banks |
| David Renan | ||
| Ivan E. Roth | ... | Danny |
 | Rick Aiello | ... | Waiter |
 | Ted Barba | ... | Factor |
| Jim Burk | ... | Zeiss Man |
| Jason Corbett | ... | Zeiss Man |
| Kenny Endoso | ... | Zeiss Man |
| Ed Evanko | ... | Butler |
 | Mitch Hara | ... | Dijon |
| Jeff Imada | ... | Zeiss Man |
| Jim Ishida | ... | Rocky Araki |
| Waldemar Kalinowski | ... | Zeiss Doctor |
| Henry Kingi | ... | Zeiss Enforcer |
| Fred Ottaviano | ... | Dock Worker |
| David Perna | ... | Zeiss Man |
| Patricia Raymond | ... | Charity Lady |
| Nicholas Shaffer | ... | Zeiss Tech |
| Sammy Thurman | ... | Store Owner |
| Charles Walker | ... | Johnson |
| Danny Weselis | ... | Dial |
| Steve Whiteford | ... | Waiter |
| Deborah Wilkes | ... | Nurse |
| rest of cast listed alphabetically: | |||
| Timothy Olague | ... | Animal Rights Activist (uncredited) |
Directed by | |||
| Kim Manners | |||
Writing credits(in alphabetical order) | ||
| Steven E. de Souza | ||
| Michael Part | ||
Produced by | |||
| Steven E. de Souza | .... | executive producer | |
| J. Rickley Dumm | .... | producer | |
| Charles W. Fries | .... | executive producer | |
| Michael Part | .... | co-producer | |
Original Music by | |||
| Jan Hammer | |||
Cinematography by | |||
| Frank Raymond | |||
Film Editing by | |||
| J.P. Farrell | |||
Casting by | |||
| Pamela Basker | |||
| Fern Champion | |||
Production Design by | |||
| Elliot Gilbert | |||
Set Decoration by | |||
| Ellen Garvey | |||
Costume Design by | |||
| Judy B. Swartz | |||
Makeup Department | |||
| Patti Brand | .... | hair stylist | |
| Belinda Bryant | .... | key makeup artist | |
| Vince Tremonti | .... | hair stylist | |
Production Management | |||
| Robert Della Santina | .... | unit production manager (as Bob Della Santina) | |
| Charles M. Fries | .... | production supervisor | |
| S. Bryan Hickox | .... | executive in charge of production | |
| Al Kraus | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Richard Forrest | .... | first assistant director | |
| Peter C. Graupner | .... | second assistant director | |
| Patrick Regan | .... | second second assistant director | |
Art Department | |||
| Al Eisenmann | .... | property master | |
| Audrey Stanzler | .... | set dresser | |
| Joe Wood | .... | construction coordinator | |
Sound Department | |||
| Charles Bruce | .... | sound editor | |
| Bob Costanza | .... | sound effects editor | |
| Vince Garcia | .... | sound mixer | |
Stunts | |||
| Gregory J. Barnett | .... | stunts | |
| Steve Hart | .... | stunts | |
| Lane Leavitt | .... | stunts | |
| David Perna | .... | stunt coordinator | |
| Bryan Renfro | .... | stunts | |
Camera and Electrical Department | |||
| Tim Collins | .... | key grip | |
| Terry Hall | .... | gaffer | |
| Larry Nemi | .... | best boy | |
| Frank Raymond | .... | camera operator | |
| Howard Rose | .... | first assistant camera | |
| Bill Shea | .... | best boy | |
| Ron Turowski | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Karen Galardi | .... | costume supervisor | |
Editorial Department | |||
| David Helfand | .... | additional editor | |
Music Department | |||
| Ken Johnson | .... | music editor | |
Transportation Department | |||
| Bob Hendrix | .... | transportation coordinator | |
| Kenneth A. Owen | .... | mechanic (as Ken Owen) | |
Other crew | |||
| Doris Braden | .... | production coordinator | |
| Stephen Dorsch | .... | script supervisor | |
| Michael Jarvis | .... | location manager | |
Production CompaniesDistributors
- Fox Network (1991) (USA) (TV) (original airing)
- Metro-Goldwyn-Mayer (MGM) (2003) (USA) (all media)
Additional Details
Also Known As:
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Parents Guide:
Runtime:
96 min
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Certification:
Filming Locations:
Company:
Did You Know?
Goofs:
Revealing mistakes: After Eddie shoots the deadbolt lock (which wouldn't have opened the lock anyway) in the back door of the room where the incubator was located, the door is opened to reveal there is no strike plate or even a hole in the door frame to accept the bolt. The deadbolt could not have been locked. The strike plate for the doorknob is visible, but there should have been another one above it.See more »
Movie Connections:
Featured in "Bad Movie Beatdown: Beverly Hills Cop III (#1.7)" (2009)See more »
FAQ
This FAQ is empty. Add the first question.See more (10 total) »
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An 
company.
Whoever came up with this rather derivative quasi sci-fi idea of a dog who is part computer and able to communicate via an implant is probably dismayed at the way it was all put together. It looks like a pilot for a series that wasn't picked up, and no wonder thanks to the lame direction and overall weak production work.
First, what 's the idea of introducing the dog halfway through the film, rather than earlier? That's pretty bad form, as the whole idea of the dog/cop team is what piques our interest here. And then, even though it's 1991, everything looks like leftover 1985 Miami Vice stuff, especially Chris Mulkey's mullet haircut. Also, there's no pacing, no suspense nor tension anywhere in the film, and very few laughs provided by the dog/cop interaction, where one would expect more than what's given here.
Skip it.