While in prison, Jack had two momentous experiences: he got religion, and met the woman who would become his wife. He and Alison are devoted to the idea of staying in God's good graces, so ... See full summary »
An evil succubus is preying on libidinous black men in New York City, and all that stands in her way, is a minister-in-training, an aspiring actor, and a cop that specializes in cases involving the supernatural.
This is a sequel to the movie, Superfly. In it Nathan Purdee is now playing the role of Priest who was played by Ron O'Neal in the previous movie. In it Eddie, Priest's old partner, was ... See full summary »
Leonard L. Thomas
Dostoevsky-inspired drama set in 1900s Prague about a bored arrogant playboy who spends time seducing other men's wives and dueling. He begins an affair with his friend's wife, but falls in love with her. She becomes pregnant. Is it his?
A beach runner and bookworm (Goldblum) has difficulty communicating with his son. He meets a psychic on a pier at the beach and soon his world turns topsy-turvy with a serial killer coming ... See full summary »
Fun-loving Bobby is a mail boy in a big firm, but he has a trump card, his best friend Waymon, a "white" African-American who is almost a partner in the firm. They make a deal: Waymon will ... See full summary »
Joseph C. Phillips,
Nick is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth, will move to Butte, MT, which he's read is "the city of the future." "I read ... See full summary »
This little-known movie boasts remarkable performances by an unusual ensemble. Tim Roth powerfully carries the film, and Alexis Arquette effectively conveys the sensitive, gentle personality beneath the ruins of Danny's drug addiction. The astonishing Danitra Vance, in the last of her few film appearances, burns a hole in the screen with her baleful glare -- you can't take your eyes off her. Kathleen Chalfant (a famous New York stage actress, almost unknown in the movies) is staggering in her one scene as the mother; it's been years since I saw the film and I can still hear her heart-wrenching reading of the line, "Tell him I'm sorry I couldn't see him." The brothers' time together takes on something of the quality of an odyssey over the course of the film. The movie's final confrontation, and in particular the last shot, with the camera pulling away from Danitra Vance until she seems to be running in place, are unforgettable. "Jumpin'" affected me very deeply in a way that is difficult to describe. Unbelievable that Jeff Stanzler never made another full-length movie.
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