Biographical epic of the controversial and influential Black Nationalist leader, from his early life and career as a small-time gangster, to his ministry as a member of the Nation of Islam and his assassination.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
On November 22, 1963, president John F. Kennedy is assassinated in Dallas. Lee Harvey Oswald is arrested for the crime and subsequently shot by Jack Ruby, supposedly avenging the president's death. An investigation concludes that Lee Harvey Oswald and Jack Ruby acted alone in their respective crimes, but Louisiana district attorney Jim Garrison is skeptical. Assembling a trusted group of people, Garrison conducts his own investigation, bringing about backlash from powerful government and political figures. Written by
Dr. Marion Jenkins, the anesthetist, plays himself in the film. He was genuinely surprised at the level of detail and research that had gone into preparation for that key scene. Even the tiles for the set of Trauma Room One were exactly the same shade of green he remembered (even though the scene itself is black and white in the finished film). See more »
When Garrison is speaking with David Ferrie, Ferrie's wig frequently changes position from high on his forehead to low, almost to the eyebrows. He's doing this intentionally with his hands because he is nervous. See more »
"To sin by silence when we should protest makes cowards of men." - Ella Wheeler Wilcox
...We have been compelled to create a permanent armaments industry of vast proportions. And to do this three and a half million men and women are directly engaged in the defense establishement. We annually spend on military security alone...
January, 1961. President Dwight D. Eisenhowers's Farewell Address to the Nation.
...This conjunction of an immense military establishment and arms industry ...
[...] See more »
Closing dedication: Dedicated to the young in whose spirit the search for truth marches on See more »
In the time since I first saw the film "JFK", I have found myself inexplicably drawn to the events in Dallas, TX on November 22, 1963. I have researched online and in libraries to learn the truth of these events, and I would say that my outlook on those matters has changed substantially. But underneath that, and the controversy that developed from it, there is one universal and almost indisputable truth regarding the film: JFK is simply an excellent movie. And no difference of opinion can refute this.
I have seen my fair share of films over the years, I'm not a cinema maniac by any means. But I think I can judge a quality product when I see one and that's simply what this picture presents. It is, as Tom Wicker of the New York Times said at it's release, propaganda; but the same can be said for every film by Michael Moore... of whom I'm NOT a fan... but they are still strong pictures.
JFK runs the difficult task of presenting fact, fiction, conjecture and opinion, twisting them all to present the increasingly difficult to dispute conclusion that Lee Harvey Oswald did not act alone (and according to director Oliver Stone, did not act) in the assassination of President Kennedy.
The films accomplishments though, past this controversial thesis, are many: 1.) Kevin Costner turns in one of the greatest performances of his career. While his accent is stronger than Garrison and the physical resemblance not astonishing, Costner three dimensionalizes a character and lives in it throughout the film.
2.) An impressive and versatile cast is used superbly. The film is loaded with quality stars such as Kevin Bacon, Tommy Lee Jones (in an Oscar nominated role), Gary Oldman, and Joe Pesci (who share an intense and crucial scene); as well as character actors and actresses such as Michael Rooker, Sissy Spacek, and Jay Saunders. Stone even navigates a dramatic turn from the late comedy great John Candy and utilizes Hollywood legends Ed Asner, Jack Lemmon, Walter Matthau and Donald Sutherland superbly.
3.) With the possible exception of the lone gunman theory, every possibility of truth is explored, at least in dialogue. Because the case has never been fully elaborated on no one can say for certain what the truth is; Stone presents all views while advancing his theory.
4.) The film is a masterwork of editing. It won the Oscar for film editing in 1991, and deserved it. I once read in Entertainment Weekly that a normal film has roughly 200 cuts in it; there are more than sixty in the opening minutes alone here. Even more impressive when you consider the variety of film used.
JFK is not absolute fact, it does not truly pretend to be. By Stone's own admission, Laurie Metcalf, Michael Rooker, and Kevin Bacon play composites or dramatized characters, not the real thing. But standing alone as a movie, JFK is untouchably excellent. And if it does force you to question, as Costner's Garrison asks in the closing moments "of what is our government made?", then it's all for the better.
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