| Philippe Noiret | ... | Romain | |
| Emmanuelle Béart | ... | Ingrid | |
| Manuel Blanc | ... | Pierre Lacaze | |
| Hélène Vincent | ... | Evelyne | |
| Ivan Desny | ... | Dimitri | |
| Christophe Bernard | ... | Le Mac | |
| Roschdy Zem | ... | Saïd | |
| Raphaëline Goupilleau | ... | Mireille | |
| Michèle Moretti | ... | Professeur d'art dramatique | |
| Philippe Adam | ... | Professeur d'art dramatique | |
| Jean-Christophe Bouvet | ... | Le client au bois | |
| Paulette Bouvet | ... | La mère d'Evelyne | |
| Kleber Bouzzone | |||
| Valery Caucigh | |||
| Serge Caytan | |||
| Jean-Daniel Delrieux | |||
| Jacques Goujon | |||
| Martine Grimbert | |||
| Frank Kirson | |||
| Clotilde Le Grand | |||
| Marc Lemasson | |||
| Max McCarthy | |||
| Reginaldo | |||
| David Nalepka | |||
| Jorge Pereira | |||
| Françoise Pont | |||
| David Rouvelou | |||
| Xavier Schliwanski | |||
| Nathalie Schmidt | ... | Marguerite, assistante de Romain | |
| Arnaud Simon | |||
| Guillaume Vial | |||
| rest of cast listed alphabetically: | |||
| Grégory Herpe | ... | Le Bel Etudiant (uncredited) | |
Directed by | |||
| André Téchiné | |||
Writing credits(in alphabetical order) | ||
| Isabelle Coudrier-Kleist | contributing writer | |
| Michel Grisolia | ||
| Jacques Nolot | screenplay | |
| Jacques Nolot | story | |
| André Téchiné | ||
Produced by | |||
| Maurice Bernart | .... | producer | |
| Alain Centonze | .... | executive producer | |
| Jean Labadie | .... | producer | |
| Jacques-Eric Strauss | .... | producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Thierry Arbogast | |||
Film Editing by | |||
| Claudine Merlin | |||
| Edith Vassart | |||
Production Design by | |||
| Vincent Mateu-Ferreur | |||
Costume Design by | |||
| Claire Fraisse | |||
Production Management | |||
| Jean-Jacques Albert | .... | production manager | |
| Didier Carrel | .... | assistant unit manager | |
| Catherine Chouridis | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Didier Carrel | .... | assistant director | |
| Didier Charles | .... | trainee assistant director | |
| Philippe Landoulsi | .... | assistant director | |
| Michel Nasri | .... | second assistant director | |
| Catherine Puertas | .... | first assistant director | |
Sound Department | |||
| Jacques Lévy | .... | post-synchronization | |
| Jérôme Lévy | .... | foley artist | |
| Jean-Luc Marino | .... | assistant sound editor | |
| Jean-Louis Ughetto | .... | sound | |
| Claude Villand | .... | sound | |
Special Effects by | |||
| Philippe Hubin | .... | special effects | |
Stunts | |||
| Cécile Pitel | .... | stunts | |
Camera and Electrical Department | |||
| Pierre Gros d'Aillon | .... | still photographer | |
| Aleksander Kaufmann | .... | assistant camera | |
| Jeanne Lapoirie | .... | camera operator | |
Casting Department | |||
| Jacques Grant | .... | casting coordinator | |
Editorial Department | |||
| Yvan Lucas | .... | color timer | |
Music Department | |||
| Hubert Bougis | .... | orchestrator | |
| Harry Rabinowitz | .... | conductor | |
Other crew | |||
| Michèle Andreucci | .... | script supervisor | |
| Vincent Mateu-Ferreur | .... | decoration | |
| Cécilia Mignon | .... | administrator | |
| Florence Ridoux | .... | production assistant | |
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| Coup de grâce | My Own Private Idaho | Midnight Cowboy | The Beat That My Heart Skipped | CQ |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
The release last year of a DVD 4-Pack of Téchiné films allows us to look at the early work of a prominent director. J'embrasse pas traces the progress of young Pierre from small town in the South-West of France to hospital job and acting lessons in Paris, followed by prostitution and a brutal beating by the pimp of the girl he falls for. Along the way, he meets some people who try to guide him in the right direction, principally Romain, an aging TV intellectual, and Évelyne, a fortyish spinster whose neurosis serves to scare Pierre away from her.
Psychology was never Téchiné's strong suit; you can ask "why did he do that" many times over the two hours, but the camera work is always evocative--the Bois de Boulogne never looked more attractive, whether by day or night--the locales well-chosen--the tranny bar is great--and the actors give fine performances, particularly Noiret as the gay man desperate for a son and Hélène Vincent as the desperate spinster. The ending works if you don't take Pierre at his word.