I Don't Kiss (1991)
"J'embrasse pas" (original title)

A young man leaves his native town in southern France to discover Paris. Being too unexperienced and too naive, he drops into the reality of Paris 1991. He soon gives up his dream of ... See full summary »

Director:

André Téchiné

Writers:

Isabelle Coudrier-Kleist (contributing writer), Michel Grisolia,

Stars:

Philippe Noiret, Emmanuelle Béart, Manuel Blanc

1 win & 3 nominations.

Cast

Cast overview, first billed only:
Philippe Noiret	...	Romain
Emmanuelle Béart	...	Ingrid
Manuel Blanc	...	Pierre Lacaze
Hélène Vincent	...	Evelyne
Ivan Desny	...	Dimitri
Christophe Bernard	...	Le Mac
Roschdy Zem	...	Saïd
Raphaëline Goupilleau	...	Mireille
Michèle Moretti	...	Professeur d'art dramatique
Philippe Adam	...	Professeur d'art dramatique
Jean-Christophe Bouvet	...	Le client au bois
Paulette Bouvet	...	La mère d'Evelyne
Kleber Bouzzone
Valery Caucigh
Serge Caytan

Storyline

A young man leaves his native town in southern France to discover Paris. Being too unexperienced and too naive, he drops into the reality of Paris 1991. He soon gives up his dream of becoming an actor and prostitutes himself. Throughout all these modern relationships, he keeps his innocence but becomes very emotionally blocked.

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Plot Keywords:

france | pimp | sex | violence | hustler | 

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Taglines:

I'll do almost anything for money. ...but I don't kiss.

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Genres:

Drama

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Details

Country:

France Italy

Language:

French

Release Date:

20 November 1991 (France)

Also Known As:

I Don't Kiss

Filming Locations:

Mont-de-Marsan, Landes, France

Company Credits

Production Co:

Bac Films, Ciné Cinq, Gruppo Bema

Technical Specs

Runtime:

115 min 107 min (cut)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Soundtracks

"Lenda das Sereias, Rainha do Mar"
Written by Vicente Mattos, Dinoel and Arlindo Velloso
Performed by Marisa Monte

User Reviews

A masterly character study

I am unable to escape the impression that French cinema has lost its way in recent years. So many examples I see are shallow and trite. A few of the old masters are still around. Chabrol was almost back on form with "La Ceremonie" (1995) and Rohmer can generally be called upon to delight, particularly with work as agreeable as "Conte d'Hiver" (1992). But what of the younger generation? Erick Zonca's "The Dream Life of Angels" (1998) was a work of masterly perception but it seems to be a one-off. However, although not on this level the films of Andre Techine are worth exploring. I did not much care for "Les Voleurs", a conventional heist film: "The Young Reeds", although infinitely more interesting, showed some signs of strain in its struggle to focus on a wide range of characters (Techine is no Edward Yang). However of his works I have so far seen I would commend "J'embrasse pas" as a welcome ray of light in the French darkness. Although, as in Techine's other work, there is still rather too much peripheral detail that does not always illumine the situation of the central character, there is no denying that this is a masterly study of a young country innocent who comes to Paris to make a career for himself, totally unaware of his intellectual and social limitations. In Manuel Blanc's Pierre we have one of the outstanding performances of French cinema. We are able to empathise with this young man to an extraordinary extent, so much so that our gradual understanding of his shortcomings is a process almost as slow as his. When he breaks down during an unsuccessful attempt to get into a stage character he is trying to portray we feel his humiliation deeply. Although Pierre is heterosexual his adoption of the role of a rentboy after this is all part of the process of the inevitable downward spiral. That he emerges from degrading experiences unbeaten and ready to take on Paris for a second time reveals that he has gained a certain strength if only through learning to posture. Psychologically it all rings terribly true.