IMDb > The Indian Runner (1991)
The Indian Runner
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The Indian Runner (1991) More at IMDbPro »

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The Indian Runner (1991) -- Open-ended Trailer from MGM

Overview

User Rating:
7.0/10   3,432 votes
MOVIEmeter: ?
Up 14% in popularity this week. See why on IMDbPro.
Director:
Sean Penn
Writer (WGA):
Sean Penn (written by)
Contact:
View company contact information for The Indian Runner on IMDbPro.
Release Date:
20 September 1991 (USA) more
Genre:
Drama more
Plot:
An intensely sad film about two brothers who cannot overcome their opposite perceptions of life. One... more | add synopsis
Awards:
1 nomination more
User Comments:
Not just a fine work more (49 total)

Cast

  (Cast overview, first billed only)

David Morse ... Joe Roberts

Viggo Mortensen ... Frank Roberts

Valeria Golino ... Maria

Patricia Arquette ... Dorothy

Charles Bronson ... Mr. Roberts
Sandy Dennis ... Mrs. Roberts

Dennis Hopper ... Caesar
Jordan Rhodes ... Randall
Enzo Rossi ... Raffael
Harry Crews ... Mr. Baker
Eileen Ryan ... Mrs. Baker
Trevor Endicott ... 12-Years-Old Joe Roberts
Brandon Fleck ... 7-Years-Old Frank Roberts
Kathy Jensen ... Lady at Carwash
James Devney ... Deputy #1 (as Jim Devney)
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Additional Details

Also Known As:
Indian Runner (Japan: English title)
more
MPAA:
Rated R for violence, language, and some drug use.
Runtime:
127 min
Country:
USA | Japan
Language:
English
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby SR
Filming Locations:
Council Bluffs, Iowa, USA more

Fun Stuff

Trivia:
Sean Penn and Viggo Mortensen later appeared in the film Carlito's Way (1993). more
Goofs:
Continuity: After the chase scene near the end of the film between Joe in the police car and Frank in the Buick, Joe turns off the red police lights, then the car's headlamps and steps out of the car and stands next to it. In the final scene we see Joe still standing next to the police car but the car's headlamps have mysteriously come on again. more
Quotes:
Joe: You got a place to stay? You got money?
Frank: I already took forty dollars from your wallet.
more
Movie Connections:
Features "Gilligan's Island" (1964) more
Soundtrack:
RED TEXAS SUNSET more

FAQ

This FAQ is empty. Add the first question.
25 out of 29 people found the following comment useful.
Not just a fine work, 24 November 2004
10/10
Author: John Dunton-Downer (john@horsepowerprods.com) from Los Angeles, California

I spent over a decade watching and reviewing films for my job at MTV Europe. Even before and since I voraciously consume cinema of truly all kinds as a passion, I don't care about genre or even subject, only that a work is honest, inspired, effective. As with any art, of course.

I saw The Indian Runner at its Cannes film festival debut in 1991 and left the Grand Palais screening speechless. Where to start? We often hear about the usual checklist of script, acting, cinematography, editing, music, and so on, and of course all are stellar here. But it's the magic of the mix of all these and so many more subtleties about the experience of this film that makes it not just a terrific, achingly beautiful thing, moving, illuminating, but, I believe, having revisited it so many times over the last thirteen years (like so very few others among the hundreds seen once), one that is important and bound for a belated re- positioning as a cinematic gem in the history books of the future.

Cassavetes is clearly a major force behind this in the best possible way; he'd have stood up and applauded the way Penn took his spirit, his openness and gave it a more cinematic scope, color, pace, size, without compromising his own direct gaze on the human condition. Before this film Cassavetes' huge contribution had not been properly picked up, the baton in some respects still dangling where the late auteur had left it years back. In Indian Runner Penn points the way forward for this bold tone of cinematic voice (in a way to my mind even more clear than in his subsequent The Crossing Guard and The Pledge). The moment at the start of the film when Joe's dead victim's father begins singing a work song at the police station still stands out as the revelation that this movie had its own palette. I could go on and on but I'd probably bore... even ME (like Frank, no?).

What struck me in Cannes and forever since is how this massive achievement was so overlooked by other critics and then the public. I felt I was simply out of step but never wavered in my commitment to the film as a private cause which I'm pleased to say everyone I've talked into seeing it has agreed during exciting post-mortems. Also, as with great works in general, I notice it only gets better with repeated visits over the years. And seeing the comments about it on this site has cheered me up no end. I'm not alone!

It's one thing for a film to endure; another entirely for it to emerge from obscurity years after it was made and left aside. That very trajectory, likely, it seems now, for The Indian Runner, is going to become one of its many very special qualities. Conversations about its simple and complex strengths are gaining a new dimension with this look into what it was that made it so inaccessible to most of its viewers for its first decade and what it is and will be that finally unmasks the gem that until now was so oddly neglected. Suddenly it's on DVD and people are discussing it. Could it be good taste or whatever you call this kind of appreciation is on the rise? Wow. Reasons to be cheerful indeed.

And for those of us who first came across Viggo Mortenson here, imagine how itchy it made us sitting through his fine but passionless Lord of the Rings!

Here's to poetry, vision, and honesty about pain and life without judgment. Lord knows it's rare these days.

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more (49 total)

Message Boards

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Top 10 of 1991 the_beer_hunter
Dorothy's Hair malcam66
last line onelinedrawing
Looking for a song !? mxky
Ending Quote pyrochick1689
One of the Most Erratic Movies I Have Ever Seen LaurieMann
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