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Impromptu (1991)

 -  Biography | Comedy | Music  -  May 1991 (USA)
7.0
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Ratings: 7.0/10 from 3,521 users  
Reviews: 39 user | 15 critic

In 1830s France, pianist/composer Frédéric Chopin is pursued romantically by the determined, individualistic woman who uses the name George Sand.

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Title: Impromptu (1991)

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Cast

Cast overview, first billed only:
...
George Sand / Aurora
...
...
...
...
...
...
Anton Rodgers ...
...
...
David Birkin ...
Maurice
Nimer Rashed ...
Didier
Fiona Vincente ...
Solange
John Savident ...
Buloz
...
Young Aurora
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Storyline

Novelist George Sand ('Judy Davis') falls in love with composer Frédéric Chopin (Hugh Grant). She tries to profess her love for him at a weekend hosted by a pretentious, artistically minded duchess for famous musicians, artists, and writers of the day. The gentle and sickly Chopin is wary of the outspoken Sand, but finds himself strangely drawn to her, as well. Written by Liza Esser <essereli@student.msu.edu>

Plot Summary | Add Synopsis


Certificate:

PG-13 | See all certifications »
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Details

Official Sites:

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Release Date:

May 1991 (USA)  »

Also Known As:

Chopin - min elskede  »

Box Office

Gross:

$4,076,211 (USA)
 »

Company Credits

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Technical Specs

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Did You Know?

Quotes

[Alfred's satirical play begins]
Franz Liszt: Good evening. I am God. In the time that I am relating, I have grown disappointed in my master creation, the human race. I endowed them with everything: the riches of the land, and of the sea, and of the air... and enough intelligence to worship me.
See more »

Connections

Version of A Song to Remember (1945) See more »

Soundtracks

Fantasie Impromptu Op. 46
Music by Frédéric Chopin
See more »

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User Reviews

 
probably the best film ever made on Chopin and Sand
25 December 2002 | by (Jyväskylä) – See all my reviews

This excellently written, splendidly acted, marvellously sound-tracked and beautifully filmed picture is most probably the best film ever made on Chopin and Sand, that subject most difficult to approach without crashing into drab sentimentality. The film is a comedy solidly anchored in historical and biographical data and impregnated with a deep love for Chopin's music as well as an understanding of the complex relationship between him and Sand. Through its apparently light touch, the film manages to convey deep sorrow, longing, extatic joy and true sensuality (the scene where the relationship between Chopin and Sand becomes physical is a master example of how such scenes should be made: Sand's naked shoulder speaks more than hours and hours of steamy make-believe, because it is the spectator who fills in the experience in his mind). Anybody who has made music will recognise the excitement and satisfaction in the scene where Chopin and Liszt play à quatre mains and manage to find JUST the right note at JUST the right second. Witty, almost farcical comedy alternates with most delicate, expressive, sober dialogue - witness Judy Davis' face when Sand tells Chopin what the reality behind her free love propaganda is. Hugh Grant shows himself once again to be the good actor that he is when working with a good director - compare this film with "Maurice", "The Remains of the Day", "An Awfully Big Adventure". It is as if this film were an enchanted one, not a single element being amiss. And last but not least, it makes you fall in love with Chopin's music, in case for some reason it hadn't happened to you before.


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