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A down and out cynical detective teams up with a down and out ex-quarterback to try and solve a murder case involving a pro football team and a politician.
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Director:
Rowdy Herrington
Stars:
Bruce Willis,
Sarah Jessica Parker,
Dennis Farina
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
Director:
Jonathan Lynn
Stars:
Bruce Willis,
Matthew Perry,
Rosanna Arquette
Jimmy the Tulip's (Willis) quiet new life is shaken up by his old pal Oz (Perry), whose wife (Henstridge) has been kidnapped by a Hungarian mob. The Tulip and his wife Jill (Peet) spring into action.
Director:
Howard Deutch
Stars:
Bruce Willis,
Matthew Perry,
Natasha Henstridge
Walter Davis is a workaholic. His attention is all to his work and very little to his personal life or appearance. Now he needs a date to take to his company's business dinner with a new ... See full summary »
Director:
Blake Edwards
Stars:
Kim Basinger,
Bruce Willis,
John Larroquette
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
Eddie Hawkins, called Hudson Hawk has just been released from ten years of prison and is planning to spend the rest of his life honestly. But then the crazy Mayflower couple blackmail him to steal some of the works of Leonardo da Vinci. If he refuses, they threaten to kill his friend Tommy. Written by
Harald Mayr <marvin@bike.augusta.de>
The most intricate and ambitious scenes filmed in New York City found the film company closing the outbound side of the Brooklyn Bridge for an entire week [five nights according to director Michael Lehmann on his audio-commentary, which makes an entire week a normal working days week]. From 10 pm at night until 5 am the next morning, the filmmakers created their own rush hour, with Bruce Willis weaving in and out of treacherous, but painstakingly choreographed, traffic on an out-of-control hospital gurney, which was motorized and controllable and not-freewheeling. See more »
Goofs
When Hudson Hawk is being dragged behind the ambulance on the gurney, Cesar Mario shoots at him hitting the IV bag. The IV bag is plastic but the sound effect is that of glass shattering. See more »
Quotes
[first lines]
Narrator:
Long ago, the Duke of Milan commissioned a little known artist to erect a Mammoth statue of a horse. The time was 1481... The artist was Leonardo da Vinci... The guy on the donkey's just a guy on a donkey.
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I'm torn on HUDSON HAWK. After watching it, part of me went, "What the hell was that?" But another part suggested that maybe I wasn't hip enough to "get" what it was trying to do. Part of me thought it was a completely ridiculous waste of time. Part of me thought it was just good, clean fun.
Though certainly not for everybody, there are enough redeeming qualities in HUDSON HAWK to avert its dismissal as a multimillion-dollar turkey. Bruce Willis is Eddie "Hudson Hawk" Hawkins, a cat burglar intent on retiring but who is forced to steal Da Vinci works of art for a (gasp!) world domination plot. Along for the ride are Tommy Five-Tone (Danny Aiello), mysterious nun Anna Baragli (Andie MacDowell) and conniving bad guy George Kaplan (recognize that name?) played by the late James Coburn.
The plot sounds like it could have made for a good DIE HARD-style caper, but director Michael Lehmann had other ideas. As he reveals in the DVD version's audio commentary, HUDSON HAWK was meant first and foremost as a comedy. Trouble is, it was promoted more as a Bruce Willis action blockbuster. Audiences were left scratching their heads as their favorite tough guy engaged in Stooge-like slapstick, sipped cappuccino and, most astoundingly, crooning Crosby classics.
Not that mistaken expectations are the only thing wrong here. Indeed HUDSON HAWK is simply too silly for its own good. The gags frequently fall flat, nearly embarrassing the talented performers involved. The plot is overly convoluted, and Richard E. Grant and Sandra Bernhard as the villainous Mayflowers are a bit hard to take. At its lowest points, you'll be astounded something like this could receive a theatrical release.
To get the most out of HUDSON HAWK, go in with an open mind. It's unlike anything you've seen before -- in both good and bad ways.
35 of 46 people found this review helpful.
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I'm torn on HUDSON HAWK. After watching it, part of me went, "What the hell was that?" But another part suggested that maybe I wasn't hip enough to "get" what it was trying to do. Part of me thought it was a completely ridiculous waste of time. Part of me thought it was just good, clean fun.
Though certainly not for everybody, there are enough redeeming qualities in HUDSON HAWK to avert its dismissal as a multimillion-dollar turkey. Bruce Willis is Eddie "Hudson Hawk" Hawkins, a cat burglar intent on retiring but who is forced to steal Da Vinci works of art for a (gasp!) world domination plot. Along for the ride are Tommy Five-Tone (Danny Aiello), mysterious nun Anna Baragli (Andie MacDowell) and conniving bad guy George Kaplan (recognize that name?) played by the late James Coburn.
The plot sounds like it could have made for a good DIE HARD-style caper, but director Michael Lehmann had other ideas. As he reveals in the DVD version's audio commentary, HUDSON HAWK was meant first and foremost as a comedy. Trouble is, it was promoted more as a Bruce Willis action blockbuster. Audiences were left scratching their heads as their favorite tough guy engaged in Stooge-like slapstick, sipped cappuccino and, most astoundingly, crooning Crosby classics.
Not that mistaken expectations are the only thing wrong here. Indeed HUDSON HAWK is simply too silly for its own good. The gags frequently fall flat, nearly embarrassing the talented performers involved. The plot is overly convoluted, and Richard E. Grant and Sandra Bernhard as the villainous Mayflowers are a bit hard to take. At its lowest points, you'll be astounded something like this could receive a theatrical release.
To get the most out of HUDSON HAWK, go in with an open mind. It's unlike anything you've seen before -- in both good and bad ways.