Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Walter Davis is a workaholic. His attention is all to his work and very little to his personal life or appearance. Now he needs a date to take to his company's business dinner with a new ... See full summary »
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
An LA detective is murdered because she has microfilm with the recipe to make cocaine cookies. A "Lethal Weapon" style cop team tries to find and stop the fiends before they can dope the ... See full summary »
Samuel L. Jackson,
Eddie Hawkins, called Hudson Hawk has just been released from ten years of prison and is planning to spend the rest of his life honestly. But then the crazy Mayflower couple blackmail him to steal some of the works of Leonardo da Vinci. If he refuses, they threaten to kill his friend Tommy. Written by
Harald Mayr <email@example.com>
When checking out of prison the clerk places Hudson Hawk's jacket over a drawing of Leonardo Da Vinci's "Mona Lisa". See more »
When Hudson Hawk gets out of the crate, the packing peanuts stuck to his face move around and change shape. One of them is behind his ear when he looks out the window at the Coliseum. In the adjoining scene when the Butler says, "Welcome to Rome," Hawk turns around and the Styrofoam piece behind his ear isn't there. See more »
Long ago, the Duke of Milan commissioned a little known artist to erect a Mammoth statue of a horse. The time was 1481... The artist was Leonardo da Vinci... The guy on the donkey's just a guy on a donkey.
See more »
You will either groove on its knowing brand of low comic silliness or you'll hate it
Just sprung from prison Hudson Hawk finds himself being chased by an insane and insanely rich couple, the CIA and the Vatican in a mad chase to get bits of a gold making machine made by Da Vinci. Along the way stupid jokes are told, the plot is ignored or twisted in the name of a joke and the entire cast winks at the audience repeatedly as if to say that even they can't believe the silly things they are doing in the name of fun.
When this movie opened it was crucified by critics across the country as an unfunny vanity project. It sunk the promising career of the director and made people take a second look at Bruce Willis. very few people braved the reviews and saw this in theaters. Me? I'm one of the six people in America that went to see this on opening night. I've loved this movie from the first and my opinion has grown with each viewing. I remember arguing with people for weeks afterward that they should see this movie because it was damn funny. No one listened to me, and it wasn't until cable and home video that people discovered this wrongly dismissed gem. This is more proof that sometimes critics don't get it.
Then again all humor is subjective and what one person finds funny is not what other people find funny. I love this knowingly dumb, puny, go for the obvious, nothing is sacred or too stupid to try collection of jokes and gags. Other people are offended or utterly bored by its often infantile antics. I find it charming and harmless, other people find it cruel (Bunny Ball Ball!). I can't say which camp you'll fall into, but I think that you should ignore the critics and just see this movie. Its mindless fun of the highest order.
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