Popular broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Eddie Hawkins, called Hudson Hawk has just been released from ten years of prison and is planning to spend the rest of his life honestly. But then the crazy Mayflower couple blackmail him to steal some of the works of Leonardo da Vinci. If he refuses, they threaten to kill his friend Tommy. Written by
Harald Mayr <firstname.lastname@example.org>
The Brooklyn Bridge tollbooth scene was actually filmed at the Brooklyn-Battery Tunnel, as the Brooklyn Bridge had no toll at that time. See more »
When Hudson Hawk gets out of the crate, the packing peanuts stuck to his face move around and change shape. One of them is behind his ear when he looks out the window at the Coliseum. In the adjoining scene when the Butler says, "Welcome to Rome," Hawk turns around and the Styrofoam piece behind his ear isn't there. See more »
Long ago, the Duke of Milan commissioned a little known artist to erect a Mammoth statue of a horse. The time was 1481... The artist was Leonardo da Vinci... The guy on the donkey's just a guy on a donkey.
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This movie was on my list of movies generated by actors as personal projects. That's because you really get to know these guys when you see what they really want to do. Bruce worked on this for a very long time.
If you check out Willis' acting stuff, it is a particular style, very much like Mel Gibson's. The idea is to focus on the character in a serious way, but always let the audience know that there is a carefree guy doing it. The formula is subtle and depends on the genuine take on life that the actor has.
If you allow for the incompetent editing and execrable score, this is a very clever movie. In particular, it is a very clever placement of a movie about other movies. It walks through the various motions of a real movie, with lots of references to remind you. But it is really a bunch of jokes that make the broadest fun of movies. The position and distance that this film has to real movies is precisely the same as Bruce's acting stance to the job he does in portraying the character.
Check it out. It's got some problems, but it tells you a lot about Bruce in whatever of his other films you like, and will likely enhance that film.
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