The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
Peter Pan (Williams) has grown up to be a cut-throat merger and acquisitions lawyer, and is married to Wendy's granddaughter. Captain Hook (Hoffman) kidnaps his children, and Peter returns to Never Land with Tinkerbell (Roberts). With the help of her and the Lost Boys, he must remember how to be Peter Pan again in order to save his children by battling with Captain Hook once again. Written by
Ed Sutton <email@example.com>
One of very few films whose 70mm prints kept the film in its original 2.35:1 aspect ratio (letterboxed within the 70mm 2.20:1 frame), instead of simply being cropped to 2.20:1, as was done with most widescreen films blown up to 70mm. See more »
When Peter is hit in the head with a baseball he falls to the ground. When he lands his head is upon green-colored ground, in the next shot his head is upon brown-colored ground. See more »
[sees Tinkerbell on the Peter Pan statue]
Say it, Peter. Say it and mean it.
I believe in fairies.
You know that place between sleep and awake? That place where you still remember dreaming?
That's where I'll always love you... Peter Pan. That's where I'll be waiting.
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After Tootles flies away and the end credits start, one of the stars in the sky continues to glow. According to the Peter Pan stories, "The second star to the right and straight out till morning" is where NeverLand is located. See more »
Right, I can understand that Spielberg's previous achievements had set the bar really high, but by no means does this make 'Hook' a flop. The story is what is so appealing to a young audience and a mature audience for that matter. The sensitive undertones of such a celebrated story spark much joy and heartfelt moments. The 'what if' factor of the whole story is really adventurous, and the fact that this story stems from the original is brilliant. Its a story of love,family and identity. All three elements resonate with a lot of audiences. From a visual standpoint Spielberg triumphs again! And i don't understand why people beg to differ! For the purpose of entertaining young audiences, it fulfills the intention and more. I must say however, the film owes 50% of its credit to John Williams. His absolutely stunning score supports the story's tenderness. The flying sequence is so thrilling that it literally makes me get up and want to levitate!
The performances are equally stunning and convincing, Robin Williams encompasses both his comedic and dramatic skills towards a full blooded performance. Dustin Hoffman and Bob Hoskins are superb....really really astonishing.
This film has to be one of Spielberg's most overlooked and underrated films of all time. It holds so much promise and warmth that every time I sit back and soak up the high-flying adventure it sends shivers down my spine. I recently watched it after so many years of it lost in my memory that I felt like I had visited a historical landmark..its placed within a treasured set of memories on my part.
I cant express how moving this film is, its just enthralling in every sense of the word..the construction of the story is very clever and realistic - from a child's point of view.
Really guys hold the cynicism and unlock you imaginations and appreciate this work of cinematic art.
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