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Homicide (1991)

7.0
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Ratings: 7.0/10 from 3,877 users  
Reviews: 38 user | 36 critic

A Jewish homicide detective investigates a seemingly minor murder and falls in with a Zionist group as a result.

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Title: Homicide (1991)

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3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Bobby Gold
...
Tim Sullivan
...
Lt. Senna
J.J. Johnston ...
Jilly Curran
...
Frank
Lionel Mark Smith ...
Charlie Olcott
Roberta Custer ...
Cathy Bates
Charles Stransky ...
Doug Brown
Bernard Gray ...
James
Paul Butler ...
Commissioner Walker
...
Walter B. Wells
Louis Murray ...
Mr. Patterson
Christopher Kaldor ...
Desk Sergeant
Linda Kimbrough ...
Sgt. Green
Robin Spielberg ...
Records Officer
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Storyline

Policeman Bob Gold has to capture a murderer that not even the FBI has been able to find. But before he can even start he is re-assigned to the murder of an old Jewish lady in a black area. The evidence points at a Jewish hate group and he discovers connections between them and his previous case. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Detective Robert Gold. Whatever he chooses to do is going to be wrong. He still has to make a choice. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language and violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 August 1991 (France)  »

Also Known As:

A gyilkossági csoport  »

Filming Locations:


Box Office

Gross:

$2,971,661 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Stereo)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

David Mamet's script began as an adaptation of his friend William J. Caunitz's novel 'Suspects', but the more Mamet wrote, the more his story diverged from the novel, until it ultimately became an original screenplay. See more »

Goofs

Toward the end of the film, when two policemen take Randolph away from Bob Gold, Bob's right arm is hanging. In the next shot, Bob's right arm is stretched. See more »

Quotes

Jilly Curran: Hey Bobby - don't let 'em get you down.
See more »

Connections

Referenced in Magnolia (1999) See more »

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User Reviews

Problems in the narrative will bother some viewers but mostly fans of Mamet will find what they are looking for
15 March 2007 | by (United Kingdom) – See all my reviews

While on his way to the case that will make his name, homicide detective Bobby Gold gets sidelined to the scene of a murder of an elderly Jewish woman in a candy shop. Present when the family arrives, Gold is then transferred from his case to this murder – much to the annoyance and sympathy of the rest of his team. At first Gold resents the assignment and doesn't believe any of the paranoid theories about the murder put forward by the family, but digging deeper he finds there may be more to the case than he first thought.

I came to this film because I generally like the work of Mamet and specifically the great pattern and flow of dialogue that he delivers. And yet again, in this regard, I was not disappointed because the film does have a great flow to the script that gives each character energy and presence. I always struggle to describe what it is Mamet does (and have failed here as well) but it works and those that know of it will find more of it here. The problem for me does rather lie in the narrative though. The ending is quite unsatisfying and leaves many questions unanswered. Now, to me, I could accept this if the film was about Gold rather than the two cases in play, and, in a way I think that was the intension. However the script is not strong enough to make the film all about his character – which is a shame because I wanted to understand him more.

Mantegna delivers the character well anyway. He is the heart of the film and his presence and delivery bring out Mamet's script. He is surrounded by a famous support cast, all of whom do equally as well with the dialogue even if they have lesser roles. Macy, Guastaferro, Wallace and others all turn in good support. So mostly a good film and certainly one that will appeal to fans of other work from Mamet. The narrative may leave some viewers feeling a bit disappointed but it still has enough forward motion and energy to engage throughout.


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