Hearts of Darkness: A Filmmaker's Apocalypse
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Index 46 reviews in total 

Film still holds up.

Author: jason_rest_45 from United States
26 November 2012

A likely classic since it's based on one of the best films ever. Films like these sometimes don't always stand the test of time. But this one def does. This film seems to get better with age. Especially when taking into account the massive film he was shooting. Watching Coppola stew in frustration as the Philippine army abandons him during the filming of complicated sequences is revealing and fascinating. Very few who make their living in cinema would open themselves up to such ruthless dissection. But just as the making of the movie was compellingly unique, so was Coppola's defined approach, which is luckily taped unrelentingly in personal recordings. Make sure to watch.

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1 out of 2 people found the following review useful:

Just want to see another documentary with this much depth

Author: dvmb65 (dvmb65@yahoo.com) from Somewhere in Berks
25 August 2005

*** This review may contain spoilers ***

It can not be touched. A documentary about the making of a film the actually elevates the film. I was drained and to an extent bored my Apocalypse Now. Long, overwrought, pretentious, if Vietnam was like this no one would have left, everyone would have been sound asleep. I mean that negatively because I don't think Francis knew diddly about war movies, or Vietnam. (I do wonder about the screenplay he wrote for Patton, which was brilliant.) He had talent, but ended up with more of a cartoon than cinema.

Now for Hearts of Darkness. Seems that the wife had incredible talent in picking and choosing.

She not only bought the film making process alive she bought the film to life. I could follow the plot and appreciate some to the choices that Francis was confronted with, he had a beast and he had to tame it.

By seeing what was rejected, I could appreciate what was left in.

1)Some the story boards with lines about soldiers who felt like gods, suddenly made I love the smell of napalm in the morning seem subtle and understated.

2)Clearly the difficulties with Martin Sheen's heart attack, and the walking disasters that were Dennis Hopper and Marlon Brando.

I mean I suddenly found myself wanting to see it again, not because of a yearning to see a jumbled mess about the jumbled mess of Vietnam, but because if you want to see an unquenchable thirst to tell a tale, and how fine a balance that is...and the interesting tale about the tale, this is unmatchable. It's truly like being there.

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1 out of 2 people found the following review useful:

where's the DVD?

Author: steveryan22101 from United States
14 March 2005

I rented this title when it first came out on VHS, and naturally loved it. I can only guess that it is Francis Coppola's massive Hollywood influence and ego that is preventing the film's release on DVD. Like most collectors with any respect for great films, I own the DVD of Apocalypse Now (Redux, in my case,) and would very much love to complement it with this making-of masterpiece. Is Coppola himself keeping this unflattering documentary out of the hands of DVD devotees? I certainly want to own this great film, but the ridiculous thought of purchasing a VHS title makes me glance at the calendar to be sure that it is in fact the year 2005. As I remember it from so many years ago, Hearts of Darkness is a fantastic documentary that deserves to be available to DVD viewers.

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3 out of 7 people found the following review useful:

Coppola goes crazy

Author: tieman64 from United Kingdom
28 April 2009

*** This review may contain spoilers ***

"We were in the jungle, there were too many of us, we had access to too much money, too much equipment, and little by little we went insane." - Francis Ford Coppola.

"I tell you from the bottom of my heart that I am making a bad film. We are all lost. I have no idea where to go with this." - Francis Ford Coppola.

This is an interesting documentary. Some points...

1. Coppola's rant on pretence is priceless. He says that all artists dream of saying something great, deep and meaningful. At the same time, all great artists are aware that depth must be invisible. If it isn't, you run the risk of being called pretentious. "There's nothing worse than a bad movie that thinks it's important," Coppola says. Here he acknowledges the flaw of "Apocalpyse Now", which, despite its cinematic bravura, genuinely said less than it appeared to.

2. Coppola spends weeks fretting over how to end his film. He has no idea what to do or what he wants to say. He paces about his giant sets, acutely aware of what not to do (he doesn't want a clichéd ending, he doesn't want a giant gun fight), but incapable of finding something of substance to say. He's essentially gone down the river and doesn't know why.

3. Faced with no ending, Coppola lets Marlon Brando improvise for 3 full weeks. Brando makes up all his dialogue, the other actors bouncing off of him. Together Brando and Coppola shoot hundreds of hours of improv, Coppola still not sure what he's doing. Only months later, in the editing rooms, does he sculpt some plausible ending together out of bits of footage. The great rip off of "Apocalpyse Now" is that it ends on a note ambiguous enough to be taken as profound and low key enough to not be accused of pandering to action junkies.

4. While Coppola frets about his ending, Marlon Brando is just in it for the money. Brando simply doesn't care. He behaves like a professional, but one sees that he has simply shut his mind off and entered his own little personal space. There's something funny about Brando improvising whatever comes to his head, trying to sound profound and then saying, "I can't think of anything else to say" or "I have a bug in my mouth."

5. Coppola is shown to be a broken man in this documentary. The sheer passion and love he has for his film is staggering. He is trying so hard, putting every once of energy, of his brain, of his soul, into this picture, and comes up against nothing but hurdles and problems.

6. In one great scene Coppola contemplates suicide, trying to figure out a way to get out of the picture whilst still maintaining his artistic credibility. Poor guy.

7. The documentary illustrates the true merit of "Apocalypse Now". It shows us a man who demands control, but is nevertheless at the mercy of chance and accidents. It shows us a man who believes in insight, but has none. Ultimately, this documentary shows that "Apocalypse Now" is less about Vietnam, man or combat, but more about the sheer obsessiveness of art and the sheer madness of the artist. Being an artist requires one to be almost insane. You have to be willing to venture into the jungle in order to pluck something of beauty, of interest of intellect, from the bushes. Coppola went into the jungle and came out with something beautiful, interesting and (this is what kills him) stupid. In this respect "Apocalpyse Now" neatly mirrors "Fitzcarraldo" and "Mosquito Coast", two other films about crazy white men who seemingly conquer the jungle in the name of art, but actually accomplish nothing at all. The merit of these films is the "artistic risk" and the act of "surviving horror" rather than the actual final product.

8/10 - Compare this doc with the behind the scenes documentary of James Cameron's "The Abyss". "The Abyss" is an equally pretentious and silly film, but look how calmly director James Cameron handles his mammoth production. The guy spends 3/4 of his day underwater or depressurizing himself in a giant tank, and yet rarely looses his cool. A decade later, with "Titanic", he would subject himself to another mad, mammoth production. Coppola's "meltdown" thus has less to do with the sheer scope of his picture or his need to marshal large amounts of hardware, but his problems wrestling which things on a more thematic, intellectual level.

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2 out of 6 people found the following review useful:


Author: Cosmoeticadotcom (cosmoetica@gmail.com) from United States
29 July 2009

*** This review may contain spoilers ***

Hearts Of Darkness glosses over one of the more important aspects of the film's creation, the hiring and firing of the first actor, Harvey Keitel, to portray Lt. Willard. We are simply told it was not working, and cut to Francis's hiring of Martin Sheen. But, we never see any of the footage shot with Keitel, we never learn if he was simply too different from Francis's vision of Willard to work, or was he simply doing a poor job, a malcontent, or clashing too frequently with Francis. For a so-called documentary to leave such wide open says much of the aims of the documentarian, in this case Eleanor. Also left open-ended is a much talked about aspect of the filming that the documentary does not cover, and that is Francis's infidelity on the set, and how that contributed to the distance between the couple. How this affected Eleanor's documentary, much less Apocalypse Now, is certainly ripe for discussion. This is the rare instance where such is not mere gossip for gossip's sake, but pertinent information about the director's state of mind in the improvisatory aspects of the film. Was his film more gloomy because of the infidelity's consequences? Hearts Of Darkness does a great disservice to its viewers by totally avoiding such questions, even as it claims a rare intimacy, due to Eleanor's claim to have surreptitiously recorded conversations without Francis's knowledge.

Overall, the DVD package is barely worth an investment, especially if a Coppola fan, but once again the studio that put out the DVD could have offered so much more for so little an investment. Hearts Of Darkness: A Filmmaker's Apocalypse is a good and worthwhile 'Making Of' feature for a DVD release, but, as a stand alone documentary, it is rather lacking. Thus, with two making of documentaries, and no real feature, the package is saved by the aforementioned pluses alone. Better than nothing, but most viewers will wind up asking, 'Well, that's it?'


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5 out of 12 people found the following review useful:

One Oar, One Sail, Two Currents

Author: tedg (tedg@filmsfolded.com) from Virginia Beach
11 February 2006

You make few major choices in life... things so basic they transcend the ordinary obsessions about who we are and how we live. The basic choices have to do with how we approach such issues, how we structure the parts of the worlds we live in.

We have power over that, the world. You choose your world. Art is your best friend in this, both the potential art of yourself and certainly the art you choose to digest from others. And of these, both of these, cinema can have a place. For most of us, it must have a place. Indeed, for most of us, the grandest decisions we make about the world and ourselves are made without our knowledge through being seduced by what comes our way through movies.

But we do have a choice about this. Film has two main hemispheres in this regard and "Apocalypse" is a visit to the jungles of one.

What we have in Coppola is the tradition that the world revolves around people. People have lives, those lives move and in moving generate an electricity that powers the forces that surround us. More, the smell of us flavors those forces. Everything we know is the simple aggregation of these forces into grand rivers whose currents we can fight or surf. In cinema, this tradition is rooted in Italian artistic traditions, hence is represented by Italian Americans in Hollywood: Coppola, Scorsese and those that follow in their streams like Lucas. ("Star Wars" is simply "Godfather" with different sets.)

It can create powerful cinema, should you choose to relinquish your soul to it. That's because one strength of film is the ability to inflate a single actor with qualities that clarify this mechanism, that the world bends to humans, and human "motivations." Copolla's voyage, Kurtz's world, Brando's approach are what makes "Apocalypse" a sort of touchstone for this philosophy — the absolute commitment to "discovery" with the tools of examining self.

The other hemisphere of film cosmology is noir, the notion that the viewer and filmmaker collectively spin a world with dynamics apart from the mere humans therein. These incidentally get toyed with. The camera examines the world, not the beings though naturally the drama of those beings is always the focus. Noir is uniquely cinematic and equally powerful.

"Apocalypse" is a war movie from the one hemisphere where Kubrick and Malick chose the other. "Apocalypse" is a "Heart of Darkness" personal voyage by a filmmaker who folds his life into the enterprise, while "Fitzcarraldo" of about the same time is the complement. If it comes to choices — as it always must — I choose Herzog, Malick, Kubruck and the others.

Now we have a better option. This documentary is a view from one hemisphere about a man, events and a film in the other. Coppola's wife, his other half, gives us this view of a man buffeted by accident, a man who believes in insight and control but has neither for his film about struggles with the same. One world folded into the other.

Apart from being a fascinating story, this documentary gives us exactly what we need, the balance of looking from one world into the evil snappings of the other. If you need a character, the wife is the fascinating one here. All the others kick at the world as if they can sculpt it. Look at her closely and appreciate the other half that actually bears children, in her a thin, patient mage.

And now we have two of the skinny kids she has suckled (and we see here) as full filmmakers in their own rights. And we are presented with choices all over again. I choose Roman.

Ted's Evaluation -- 3 of 3: Worth watching.

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1 out of 5 people found the following review useful:

Probably only for HUGE fans of the film...

Author: planktonrules from Bradenton, Florida
26 October 2011

"Hearts of Darkness" is a documentary chronicling the making of "Apocalypse Now". The title is a variation on the novel "Heart of Deakness" by Joseph Conrad--a book that was the basis for much of the film.

This documentary gives extraordinary insight into the filming of "Apocalypse Now" because instead of making the documentary way after the fact like most 'making of' films, Coppola's wife was filming behind the scenes throughout the film shoot. It's surprising, then, that it took so long for this documentary to come to light. I think it is clearly a testament to the cult-like adoration of "Apocalypse Now" by some devoted fans.

Some highlight of the film include: Laurence Fishburne's comments about 'how fun the war must have been'. These were incredibly stupid and naive, but you do need to remember that he was only 14--a little kid playing a man. So, to him it might have seemed that way when he made the film.

Dennis Hopper was clearly 'hopped up' during the filming. His use of drugs is no bit surprise and here you get to see him in all his flaky splendor.

Watching the documentary, it's amazing that the finished film was any good. Marlon Brando, despite receiving a MASSIVE salary to participate, wasn't the least bit prepared. Much of what they filmed with him was gibberish and it was all pieced together months later to try to make a coherent ending.

You really cannot watch this documentary without first watching movie.

My feeling about all this is that the film, though it has some interesting moments, is NOT a must-see film unless you absolutely adore the film. Otherwise, you'll probably be a bit bored by it after a while--which I was.

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1 out of 5 people found the following review useful:

If you are a film student, it's not for you

Author: Hans from Germany
3 May 2011

I'm still trying to understand what "making of" means. As a film student I was expecting to grasp useful informations that could explain to me why "Apocalypse Now" took so much time to be produced, why Coppola tried to kill himself and so on. Unfortunately I can say it's one of the most tedious making of I've ever watched, because all the horror, the problems, the dreadful filming diary don't explain anything, in the end I feel like the irresponsibility or Coppola own's money took over so that many production problems would come up due to over-pretension.

Maybe I'm being harsh, but for me the documentary was pointless to watch, there are very few things you can take into account, I turned off my TV and thought Coppola speaks too much and says nothing on Hearts of Darkness, he's not being clear but redundant all the time.

If you are like me and want something more solid, go for "Lost in La Mancha" that tell us Terry Gilliam's nightmare, It's much better, interesting and rather sad.

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3 out of 9 people found the following review useful:

Pretentious but interesting

Author: rottingcarrot (rottingcarrot@hotmail.com) from Toronto Canada
27 August 2005

After reading some reviews on Hearts of Darkness I was looking forward to seeing total chaos unfolding behind the scenes of the production of apocalypse now. I was somewhat disappointed to find out that the supposed chaos that went on during the filming of apocalypse now was greatly overstated. Its true that the film faced many setbacks and some really bad luck but it wasn't as gripping a struggle as I was hoping for.

We get to see a lot of scenes with Coppola whining about things like the Filipino army taking the helicopters away from the production to fight a war, how he's disappointed in martin sheen for having a heart attack and being worried about the film going over budget, but overall the problems they faced didn't give me the feeling that the film was all that out of control. Coppola's raving about how he's going insane in the jungle just comes across as pretentious.

Hearing all the hype about this movie you'd think that the crew were living in shacks and eating bugs but in reality they were all living in expensive hotels and being pampered with catered food like any other big budget Hollywood production.

If you want to see a documentary about the making of a film that really has you scared for the sanity of the cast and crew I suggest watching either Empire of Dreams: the making of the star wars trilogy. (only for the making of star wars though, the rest of it is completely self serving) or Apocalypse soon: the making of citizen toxie. These documentaries do a much better job portraying the desperation a filmmaker can go through trying to complete their vision.

Even though i seem to be bashing the movie I would still recommend it. If you're a fan of Apocalypse Now you will definitely enjoy seeing what was going on behind the scenes.

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1 out of 6 people found the following review useful:

Next: A Film Maker's Apolaypse REDUX...

Author: André-7 from Montreal, Canada
20 August 2001

When one sees Coppola saying what a disastrous movie he is making, or sitting on the set and telling the actors (with absolute belief) that the french plantation scene is not at all what he imagined and that it would never never never find its way into the finished film...

One wonders at how MONEY changes a man's values. The lesson here is that you do not tamper with a thing after you've put it aside. EVER. Get on with the rest of your life Francis and leave your masterpieces alone. You only succeed in devaluating them for posterity.

The documentary film makers should go back and add two or three minutes on how, after a lackluster decade as a has-been film maker in the 90's, Coppola needed major studio backing for his up-coming MEGALOPOLIS, and so enthusiastically went back to pee on Apocalypse Now to curry favor.

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