| Francis Ford Coppola | ... | Himself (as Francis Coppola) | |
| Eleanor Coppola | ... | Herself | |
| Orson Welles | ... | Himself - from 1938 radio broadcast (archive footage) (voice) | |
| John Milius | ... | Himself | |
| George Lucas | ... | Himself | |
| Tom Sternberg | ... | Himself | |
| Sam Bottoms | ... | Himself | |
| Albert Hall | ... | Himself | |
| Frederic Forrest | ... | Himself (as Fred Forrest) | |
| Laurence Fishburne | ... | Himself (as Larry Fishburne) | |
| Gia Coppola | ... | Herself (as Gia) | |
| Roman Coppola | ... | Himself (as Roman) | |
| Sofia Coppola | ... | Herself (as Sofia) | |
| Dean Tavoularis | ... | Himself | |
| Fred Roos | ... | Himself | |
| Martin Sheen | ... | Himself | |
| Vittorio Storaro | ... | Himself | |
| Robert Duvall | ... | Himself | |
| Rona Barrett | ... | Herself (archive footage) | |
| Tom Snyder | ... | Himself (archive footage) | |
| Monty Cox | ... | Himself | |
| Doug Claybourne | ... | Himself | |
| Dennis Hopper | ... | Himself | |
| Marlon Brando | ... | Himself |
Directed by | |||
| Fax Bahr | |||
| George Hickenlooper | |||
| Eleanor Coppola | (documentary footage) | ||
Writing credits(in alphabetical order) | ||
| Fax Bahr | ||
| George Hickenlooper | ||
Produced by | |||
| Doug Claybourne | .... | executive producer | |
| Michael Doqui | .... | supervising producer | |
| Les Mayfield | .... | producer | |
| Fred Roos | .... | executive producer | |
| George Zaloom | .... | producer | |
Original Music by | |||
| Todd Boekelheide | |||
Cinematography by | |||
| Larry Carney | |||
| Shana Hagan | |||
| Igor Meglic | |||
| Steven Wacks | |||
Film Editing by | |||
| Michael Greer | |||
| Jay Miracle | |||
Production Management | |||
| Steven Hewitt | .... | executive in charge of production | |
Sound Department | |||
| Robert Gravenor | .... | sound mixer | |
| George R. Groves Jr. | .... | sound re-recording mixer | |
| Craig M. Otte | .... | sound effects editor | |
| Tim Philben | .... | sound re-recording mixer | |
| Troy Porter | .... | sound re-recording mixer | |
| Brian Risner | .... | sound editor | |
Camera and Electrical Department | |||
| Ron Bahara | .... | assistant camera | |
| Les Blank | .... | camera operator | |
| Andrew Parke | .... | assistant camera | |
Music Department | |||
| Brian Risner | .... | music prelay mixer | |
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| Full Tilt Boogie | Burden of Dreams | Baadasssss Cinema | Going to Pieces: The Rise and Fall of the Slasher Film | Lost in La Mancha |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Francis Ford Coppolla made a undeniable masterpiece with Apocalypse Now and became (for me at least) one of the greatest films ever made and the best war picture ever. To have this documentary sitting about is like having a documentary about success, failure and what life is, craziness. That is the essence caught in this film.
The film follows the events of the making of Apocalypse Now, including some moments of insight I almost couldn't believe (George Lucas might've been the director, Harvey Keitel was the original Willard, Coppolla almost gave up on the project, etc) and behind the camera footage I thought was ludicrous- in a good way. For instance, being a long time fan of Marlon Brando, it was as much cringe like as it was interesting to see deleted, improvised footage of Brando spouting lines and such. But the centerpiece here is Coppolla himself, as we see his descent into almost like what Kurtz went through, and that might be the most extraordinary part of all (considering that he is one of the best American directors of the last quarter century). One of the best pictures of 1991. A+