IMDb > Hearts of Darkness: A Filmmaker's Apocalypse (1991)
Hearts of Darkness: A Filmmaker's Apocalypse
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Hearts of Darkness: A Filmmaker's Apocalypse (1991) More at IMDbPro »

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Overview

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Release Date:
6 December 1991 (UK) See more »
Genre:
Tagline:
The magic and madness of making "Apocalypse Now"
Plot:
Documentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director. Full summary » | Add synopsis »
Awards:
Won 2 Primetime Emmys. Another 7 wins & 3 nominations See more »
User Reviews:
this is the end ... all the children are insane See more (49 total) »

Cast

  (in credits order)

Francis Ford Coppola ... Himself (as Francis Coppola)
Eleanor Coppola ... Herself

Orson Welles ... Himself - from 1938 radio broadcast (archive footage) (voice)

John Milius ... Himself

George Lucas ... Himself
Tom Sternberg ... Himself

Sam Bottoms ... Himself

Albert Hall ... Himself

Frederic Forrest ... Himself (as Fred Forrest)

Laurence Fishburne ... Himself (as Larry Fishburne)

Gia Coppola ... Herself (as Gia)

Roman Coppola ... Himself (as Roman)

Sofia Coppola ... Herself (as Sofia)
Dean Tavoularis ... Himself
Fred Roos ... Himself

Martin Sheen ... Himself

Vittorio Storaro ... Himself

Robert Duvall ... Himself
Rona Barrett ... Herself (archive footage)
Tom Snyder ... Himself (archive footage)
Monty Cox ... Himself

Doug Claybourne ... Himself

Dennis Hopper ... Himself

Marlon Brando ... Himself

Directed by
Fax Bahr 
George Hickenlooper 
Eleanor Coppola (documentary footage)
 
Writing credits
(in alphabetical order)
Fax Bahr 
George Hickenlooper 

Produced by
Doug Claybourne .... executive producer
Michael Doqui .... supervising producer: ZM
Fred Fuchs .... supervising producer: Zoetrope
Les Mayfield .... producer
Fred Roos .... executive producer
George Zaloom .... producer
 
Original Music by
Todd Boekelheide 
 
Film Editing by
Michael Greer 
Jay Miracle 
 
Production Management
Thomas Dugan .... post-production supervisor (as Thomas C. Dugan)
Steven Hewitt .... executive in charge of production
Leslie Jett .... production manager
 
Sound Department
Peter Bettendorff .... sound mixer: USA (as Peter Bettendorf)
Larry Carney .... sound mixer: Philippines
Robert Gravenor .... sound mixer: USA (as Bob Gravenor)
Wm. Grimes .... sound mixer: USA
George R. Groves Jr. .... sound re-recording mixer
Steve Hawk .... sound mixer: USA
Richard Mortillaro .... sound mixer: USA (as Rich Mortillaro)
Craig M. Otte .... sound effects editor
Tim Philben .... sound re-recording mixer
Troy Porter .... sound re-recording mixer
Brian Risner .... sound editor
Burton Weinstein .... supervising sound editor (as Burton M. Weinstein)
Richard Hymns .... assistant editor (uncredited)
 
Camera and Electrical Department
Ron Bahara .... assistant camera
Les Blank .... camera operator: USA
Larry Carney .... camera operator: Philippines
Eleanor Coppola .... camera operator: Philippines
Shana Hagan .... camera operator: USA
John M. Heller .... camera operator: USA (as John Heller)
Igor Meglic .... camera operator: USA
Bill Neil .... camera operator: Philippines
Kevin O'Brien .... camera operator: USA
Andrew Parke .... assistant camera
Douglas Ryan .... camera operator: Philippines (as Doug Ryan)
Steven Wacks .... camera operator: USA (as Steve Wacks)
 
Editorial Department
Anthony Bank .... post-production assistant
Jackie Cole .... negative cutter
Syd Cole .... negative cutter
Grady Cooper .... post-production assistant
Daniel Gillett .... post-production coordinator
Wm. Grimes .... second assistant editor
Shana Hagan .... assistant editor
T.J. LaManna .... post-production coordinator
Kevin Lillestol .... post-production coordinator
David March .... apprentice editor
John Pace .... post-production coordinator
Walter Rose .... color timer
 
Music Department
Evan Greenspan .... music clearance
Brian Risner .... music prelay mixer
 
Other crew
Kary Antholis .... business affairs
Paul Bernhard .... additional interviews
Denise Gigante .... research
Toby Reisz .... additional interviews
Marie Snyder .... research
 

Production CompaniesDistributors

Additional Details

Also Known As:
MPAA:
Rated R for language
Runtime:
96 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
Australia:M | Canada:R (Manitoba) | Canada:A (Nova Scotia) | Canada:AA (Ontario) | Canada:13+ (Quebec) | Philippines:R-18 | Portugal:M/12 | UK:15 | USA:R

Did You Know?

Trivia:
Feature directorial debut for Fax Bahr and George Hickenlooper.See more »
Goofs:
Factual errors: In the end credits for musical listings under the Doors song The End, Elektra (Records) is misspelled (as "Electra.")See more »
Quotes:
Francis Ford Coppola:If Marty dies, I wanna hear that everything's okay, until I say, "Marty is dead."See more »
Movie Connections:
Featured in On the Set of 'CQ' (2002) (V)See more »
Soundtrack:
Son AndatiSee more »

FAQ

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23 out of 32 people found the following review useful.
this is the end ... all the children are insane, 5 June 2002
Author: rogierr from Amsterdam, Netherlands

'Are my methods unsound?' - 'I don't see a method at all, sir.'

Hearts of darkness: a filmmaker's apocalypse has become the mother of all making-of documentaries. At least that's what Coppola had in mind. I guess every making-of ever made wanted to be something like Hearts has accomplished. Problems in production, actors, story, editing, financing and directing are revealed. However, not much attention is paid to the actual adaptation of the original story and the difference in vision that was obviously there. The trouble surrounding Apocalypse Now as presented in this documentary makes you wonder how on earth Apocalypse Now was actually released at all. On the other hand that might just be exploitation of a supposedly disastrous production, like the trouble with 'The African Queen' (Huston, 1951). In that case, it would mean Coppola created a legend out of some futile problems to emphasize that you HAVE to see the final product.

Nevertheless his film IS spectacular. The helicopter action in Black Hawk Down can't top the impact of the lauded Huey-attack. And Apo features one of the greatest scores and (awardwinning) sound designs in history of cinema. With the emphasis on lunacy and despair in the form of surrealist cacophony. I would have liked to hear some more in this docu about the sound design that was as revolutionary as that of 'the Right Stuff' and 'Star Wars'. I really couldn't say that we were all tricked into pretensions and reputation-building (which IS the case with Vertigo if you ask me) for commercial purposes.

Almost forty years after Orson Welles wanted to make his first film out of Joseph Conrad's book 'Heart of Darkness' (yes, that's 3 years before Citizen Kane), Coppola started to create his own loose adaptation of the book. In this documentary is even an excerpt of Welles' 1938-radio adaptation of Heart of Darkness. I hope it will come with the docu when it is released on dvd (will it ever?).

Apo was supposed to be a sort of journey of a man into the past (hence the newly restored scene on the french plantage), almost maybe like Bergman's Wild Strawberries, but only the form and the surrealism, not the content of course. But if we may believe this docu, the production resembled just as much turmoil as the lunacy in the story itself. The French plantage (with french actress Aurore Clément ('Paris, Texas')) illustrates the fifties: the idea of the French still being in the forest and representing the fifties politics. Coppola elucidates why he initially shot and later cut out the scene. Fortunately it would later be presented to the world in the 'Redux' version. The story of Apo was supposed to take us back in time, to re-live Kurtz' adventure. Maybe even like the extraordinary 'Paris, Texas' (Wenders, 1984) that in content is also a journey into the past of a man.

For most people, this docu will be a delight just to see behind the scenes footage, because they don't see they're being manipulated by the actual SELECTION of footage and mutilation of interviews. It's very entertaining, but ultimately some points do not convince. How can the director of 'the Godfather 1+2' and 'the Conversation' let a production get out of hand like the way it's presented in 'Hearts'? And, the real heart of the concept isn't really touched by any of the interviewees. But, as an admirer of Apo, I say it's a must see, not only for the background stories (Welles), the problems created by actors (Sheen's attack, Brando's corpulence) and the lunacy on the set itself (idiodyssey?), but also to hear Francis Ford Coppola say that the film will not be good and a 20 million dollar disaster, while it was becoming the greatest warmovie ever made (right behind Catch-22 ;-). And for that, mr and mrs Coppola, I salute you. 9/10

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