Documentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director.
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Francis Ford Coppola,
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Documents the sensational events surrounding the making of 'Apocalypse Now' and Francis Ford Coppola's struggle with nature, governments, actors, and self-doubt. Includes footage and sound secretly recorded by Elanor Coppola, wife of Francis. Written by
Murray Chapman <email@example.com>
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The film Francis is making is a metaphor for a journey into self. He has made that journey and is still making it. It's scary to watch someone you love go into the center of himself and confront his fears, fear of failure, fear of death, fear of going insane. You have to fail a little, die a little, go insane a little, to come out the other side. The process is not over for Francis.
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Hurricanes, Bickering Egos, heart ailments, and even war were all obstacles that Mr. Coppola had to overcome in making one of the most pivotal movies of the 1970's, and possibly the best film about the war, no, the experience in Vietnam, Apocalypse Now. Hearts of Darkness details the emotional distress and utter insanity of Francis Ford Coppola as he worked for three years to put the massive project on screen. Along the way, budgets spiraled, heat insued, and rumors of failure were abound, as Francis Ford Coppola tried to finish the nightmare that was Apocalypse Now. As the story begins, we see that Orsen Welles attempted the Heart of Darkness Story, and did not succeed, and how 30 years later, it turned into Apocalypse Now. The ambition of Francis turns to dread and near suicidal tendencies as the first film of his movie studio, American Zoetrope, is plagues with problems: typhoons wreck most of the sets, Martin Sheen has a Heart Attack, The film goes 15 million overbudget, Marlon Brando is unprepared, and a Phillilpino war against communism causes many shots to be ruined. Interviews and retrospectives give shed light on the hectic shoot that lasted 238 days.
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