Documentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director.
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A behind-the-scenes look at the trials and tribulations of filmmaker Francis Ford Coppola directing his first film in ten years, "Youth Without Youth" (2007). The documentary also includes ... See full summary »
Francis Ford Coppola,
Documents the sensational events surrounding the making of 'Apocalypse Now' and Francis Ford Coppola's struggle with nature, governments, actors, and self-doubt. Includes footage and sound secretly recorded by Elanor Coppola, wife of Francis. Written by
Murray Chapman <firstname.lastname@example.org>
Francis Ford Coppola initially had no desire to release the documentary on DVD, due to him disagreeing with the way he is depicted. It was finally released on DVD in 2007, albeit with an optional Coppola commentary track that clears many things up. In 2010, it was even released in the "Full Disclosure" Blu-ray edition of Apocalypse Now (1979). See more »
In the end credits for musical listings under the Doors song The End, Elektra (Records) is misspelled (as "Electra.") See more »
The most insightful (if not, one of the most) documentaries ever made
Francis Ford Coppolla made a undeniable masterpiece with Apocalypse Now and became (for me at least) one of the greatest films ever made and the best war picture ever. To have this documentary sitting about is like having a documentary about success, failure and what life is, craziness. That is the essence caught in this film.
The film follows the events of the making of Apocalypse Now, including some moments of insight I almost couldn't believe (George Lucas might've been the director, Harvey Keitel was the original Willard, Coppolla almost gave up on the project, etc) and behind the camera footage I thought was ludicrous- in a good way. For instance, being a long time fan of Marlon Brando, it was as much cringe like as it was interesting to see deleted, improvised footage of Brando spouting lines and such. But the centerpiece here is Coppolla himself, as we see his descent into almost like what Kurtz went through, and that might be the most extraordinary part of all (considering that he is one of the best American directors of the last quarter century). One of the best pictures of 1991. A+
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