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Directed by | |||
| Akira Kurosawa | |||
Writing credits | ||
| Kiyoko Murata | (novel "Nabe no Naka") | |
| Akira Kurosawa | and | |
| Ishirô Honda | uncredited | |
Produced by | |||
| Seikichi Iizumi | .... | associate producer | |
| Mike Y. Inoue | .... | associate producer | |
| Hisao Kurosawa | .... | producer | |
| Toru Okuyama | .... | executive producer | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Takao Saitô | |||
| Shôji Ueda | |||
Film Editing by | |||
| Akira Kurosawa | |||
Production Design by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Kazuko Kurosawa | |||
Makeup Department | |||
| Tameyuki Aimi | .... | makeup artist | |
| Yumiko Fujii | .... | hair stylist | |
| Yamada Katsura | .... | hairdresser | |
| Yamada Katsura | .... | wigs | |
| Sakai Nakao | .... | hair stylist | |
| Norio Sano | .... | makeup artist | |
| Kazuhiro Tsuji | .... | special makeup effects artist | |
| Shoshichiro Ueda | .... | makeup artist | |
Production Management | |||
| Masahiko Kumada | .... | unit manager | |
| Teruyo Nogami | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Vittorio Dalle Ore | .... | assistant director | |
| Takashi Koizumi | .... | chief assistant director | |
| Naohito Sakai | .... | assistant director | |
| Toru Tanaka | .... | assistant director | |
| Okihiro Yoneda | .... | assistant director | |
Art Department | |||
| Koichi Hamamura | .... | set director | |
| Kyôko Heya | .... | art assistant | |
| Nami Ishida | .... | property master | |
| Junichiro Konnai | .... | set construction | |
| Takeshi Koshimizu | .... | set construction | |
| Katsuji Maruyama | .... | set construction | |
| Koichi Nonaka | .... | property master | |
| Satoshi Ota | .... | property master | |
| Yasuyoshi Ototake | .... | art assistant | |
| Tadao Shibuya | .... | set construction | |
| Tsuyoshi Shimizu | .... | art assistant | |
| Tsuneo Shimura | .... | art assistant | |
| Tetsuji Tatsuta | .... | property master | |
| Kazuharu Tsuboi | .... | set construction | |
| Ichiro Utsuki | .... | set construction | |
Sound Department | |||
| Kenichi Benitani | .... | sound | |
| Soichi Inoue | .... | sound assistant | |
| Ichirô Minawa | .... | sound effects editor | |
| Masatoshi Saito | .... | sound effects editor | |
Camera and Electrical Department | |||
| Yukio Choya | .... | lighting technician | |
| Hisanori Furukawa | .... | lighting technician | |
| Daizaburo Harada | .... | still photographer | |
| Masahiko Hayashi | .... | assistant camera | |
| Hidehiro Igarashi | .... | assistant camera | |
| Miyanobu Inori | .... | lighting technician | |
| Hiroshi Ishida | .... | assistant camera | |
| Tadatoshi Kitagawa | .... | lighting technician | |
| Hiroyuki Kitazawa | .... | assistant camera | |
| Motonobu Kiyoku | .... | assistant camera | |
| Kenzo Masuda | .... | set lighting rigging | |
| Isamu Miwano | .... | grip | |
| Makoto Sano | .... | lighting technician | |
| Takeji Sano | .... | lighting technician | |
| Tetsuo Sawada | .... | lighting technician | |
| Yoshinori Sekiguchi | .... | assistant camera | |
| Kazuo Shikayama | .... | grip | |
| Shigeo Suzuki | .... | assistant camera | |
| Yukio Tanaka | .... | set lighting rigging | |
| Shintaro Tazaki | .... | lighting technician | |
| Hiromatsu Toyoyama | .... | grip | |
| Satoshi Tsuyuki | .... | grip | |
| Isao Yasui | .... | lighting technician | |
Casting Department | |||
| Tsuyoshi Sugino | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Yoko Nagano | .... | wardrobe | |
| Mitsuru Otsuka | .... | wardrobe | |
Editorial Department | |||
| Tome Minami | .... | negative cutter | |
| Masaru Muramoto | .... | assistant editor | |
| Ryusuke Otsubo | .... | assistant editor | |
Transportation Department | |||
| Hiroto Kurokawa | .... | transportation | |
| Haruo Nakajima | .... | transportation | |
| Ken Ogata | .... | transportation | |
Other crew | |||
| Peter Grilli | .... | advisor: Japanese dialogue, Richard Gere | |
| Ishirô Honda | .... | creative consultant | |
| Shushin Hosoya | .... | head production assistant | |
| Hiroko Idetsu | .... | production accountant | |
| Ryosetsu Imai | .... | title calligraphy | |
| Naotaka Kacho | .... | unit publicist | |
| Kenji Kanai | .... | organ tuning | |
| Toshiaki 'Sampei' Kimura | .... | production assistant | |
| Shuji Matsumoto | .... | production accountant | |
| Magosaka Osada | .... | location manager: Gotemba | |
| Shizuo Osada | .... | location manager: Gotemba | |
| Ryusuke Otsubo | .... | instructor: Nagasaki dialect | |
| Satoshi Shimozawa | .... | production assistant | |
| Izuhiko Suehiro | .... | production coordinator | |
| Kimihiko Tsurugaya | .... | production assistant | |
| Kazutoshi Wadakura | .... | production assistant | |
| Ryohei Yamaoka | .... | advisor: ants march | |
Thanks | |||
| Eric Roth | .... | special thanks | |
| Kazuhiro Sawa | .... | thanks | |
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| Australia | Grave of the Fireflies | The Notebook | Empire of the Sun | The Last Atomic Bomb |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section |
I had missed a viewing of this film a few months ago and waited with anticipation for another viewing to take place. I thought the film was quite fascinating when the grandmother told stories about life around the bombing of Nagasaki in WW2. Her moments with her grandchildren were what made the film a pleasure for me. It shows me that no matter where the location is there is still a grandmother telling young children tales of the ole days. The film is at times uneven mainly because it can not decide if it wants to focus on the grandchildren and their matriarch or discuss her half american nephew(Richard Gere) coming to visit. I believe that Kurasawa was using grandma as a casualty of war. She shows in her tales how the war has haunted her. It never leaves. There is one story she tells about her seeing an eye in the sky as the mushroom cloud flashes in the sky as the bomb drops. Other stories tell about a man running off with a shoemaker's wife to a place where two trees committed "double suicide". The film works best when grandma is able to be the center of the story..she was the most intriguing character. I always wanted to hear what she had to say. The film has good moments with Richard Gere,but they are way too short. The ending is a haunting image of what war can do to a person who lives with that tragedy. ****/*****