| Photos (see all 15 | slideshow) |
Directed by | |||
| Akira Kurosawa | |||
Writing credits | ||
| Kiyoko Murata | (novel "Nabe no Naka") | |
| Akira Kurosawa | writer and | |
| Ishirô Honda | uncredited | |
Produced by | |||
| Seikichi Iizumi | .... | associate producer | |
| Mike Y. Inoue | .... | associate producer | |
| Hisao Kurosawa | .... | producer | |
| Toru Okuyama | .... | executive producer | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Takao Saitô | |||
| Masaharu Ueda | |||
Film Editing by | |||
| Akira Kurosawa | |||
Production Design by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Kazuko Kurosawa | |||
Makeup Department | |||
| Tameyuki Aimi | .... | makeup artist | |
| Yumiko Fujii | .... | hair stylist | |
| Yamada Katsura | .... | hairdresser | |
| Yamada Katsura | .... | wigs | |
| Sakai Nakao | .... | hair stylist | |
| Norio Sano | .... | makeup artist | |
| Kazuhiro Tsuji | .... | special makeup effects artist | |
| Shoshichiro Ueda | .... | makeup artist | |
Production Management | |||
| Masahiko Kumada | .... | unit manager | |
| Teruyo Nogami | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Vittorio Dalle Ore | .... | assistant director | |
| Takashi Koizumi | .... | chief assistant director | |
| Naohito Sakai | .... | assistant director | |
| Toru Tanaka | .... | assistant director | |
| Okihiro Yoneda | .... | assistant director | |
Art Department | |||
| Koichi Hamamura | .... | set director | |
| Kyôko Heya | .... | art assistant | |
| Nami Ishida | .... | property master | |
| Junichiro Konnai | .... | set construction | |
| Takeshi Koshimizu | .... | set construction | |
| Katsuji Maruyama | .... | set construction | |
| Koichi Nonaka | .... | property master | |
| Satoshi Ota | .... | property master | |
| Yasuyoshi Ototake | .... | art assistant | |
| Tadao Shibuya | .... | set construction | |
| Tsuyoshi Shimizu | .... | art assistant | |
| Tsuneo Shimura | .... | art assistant | |
| Tetsuji Tatsuta | .... | property master | |
| Kazuharu Tsuboi | .... | set construction | |
| Ichiro Utsuki | .... | set construction | |
Sound Department | |||
| Kenichi Benitani | .... | sound | |
| Soichi Inoue | .... | sound assistant | |
| Ichirô Minawa | .... | sound effects editor | |
| Masatoshi Saito | .... | sound effects editor | |
Camera and Electrical Department | |||
| Yukio Choya | .... | lighting technician | |
| Hisanori Furukawa | .... | lighting technician | |
| Daizaburo Harada | .... | still photographer | |
| Masahiko Hayashi | .... | assistant camera | |
| Hidehiro Igarashi | .... | assistant camera | |
| Miyanobu Inori | .... | lighting technician | |
| Hiroshi Ishida | .... | assistant camera | |
| Tadatoshi Kitagawa | .... | lighting technician | |
| Hiroyuki Kitazawa | .... | assistant camera | |
| Motonobu Kiyoku | .... | assistant camera | |
| Kenzo Masuda | .... | set lighting rigging | |
| Isamu Miwano | .... | grip | |
| Makoto Sano | .... | lighting technician | |
| Takeji Sano | .... | lighting technician | |
| Tetsuo Sawada | .... | lighting technician | |
| Yoshinori Sekiguchi | .... | assistant camera | |
| Kazuo Shikayama | .... | grip | |
| Shigeo Suzuki | .... | assistant camera | |
| Yukio Tanaka | .... | set lighting rigging | |
| Shintaro Tazaki | .... | lighting technician | |
| Hiromatsu Toyoyama | .... | grip | |
| Satoshi Tsuyuki | .... | grip | |
| Isao Yasui | .... | lighting technician | |
Casting Department | |||
| Tsuyoshi Sugino | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Yoko Nagano | .... | wardrobe | |
| Mitsuru Otsuka | .... | wardrobe | |
Editorial Department | |||
| Tome Minami | .... | negative cutter | |
| Masaru Muramoto | .... | assistant editor | |
| Ryusuke Otsubo | .... | assistant editor | |
Music Department | |||
| Christopher Hogwood | .... | conductor: Vivaldi | |
Transportation Department | |||
| Hiroto Kurokawa | .... | transportation | |
| Haruo Nakajima | .... | transportation | |
| Ken Ogata | .... | transportation | |
Other crew | |||
| Peter Grilli | .... | advisor: Japanese dialogue, Richard Gere | |
| Ishirô Honda | .... | creative consultant | |
| Shushin Hosoya | .... | head production assistant | |
| Hiroko Idetsu | .... | production accountant | |
| Ryosetsu Imai | .... | title calligraphy | |
| Naotaka Kacho | .... | unit publicist | |
| Kenji Kanai | .... | organ tuning | |
| Toshiaki 'Sampei' Kimura | .... | production assistant | |
| Shuji Matsumoto | .... | production accountant | |
| Magosaka Osada | .... | location manager: Gotemba | |
| Shizuo Osada | .... | location manager: Gotemba | |
| Ryusuke Otsubo | .... | instructor: Nagasaki dialect | |
| Satoshi Shimozawa | .... | production assistant | |
| Izuhiko Suehiro | .... | production coordinator | |
| Kimihiko Tsurugaya | .... | production assistant | |
| Kazutoshi Wadakura | .... | production assistant | |
| Ryohei Yamaoka | .... | advisor: ants march | |
Thanks | |||
| Eric Roth | .... | special thanks | |
| Kazuhiro Sawa | .... | thanks | |
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| The Notebook | Big Fish | Kuroi ame | Hiroshima mon amour | Day One |
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When I saw this movie, I remembered Louis-Ferdinand Celine's book, "Journey to the End of the Night", a anti-war book. Reading reviews about the movie, listening to what people in the US had to say, seeing the reaction of the American media to this movie, I was sad, simply sad. This movie is not about Japan, it's not about America, it could have been anywhere a war had happened.
This movie is a poem against war and the scars it leaves forever deep in the mind of the people who suffered those wars. Those who didn't suffer a war are lucky, and shouldn't be blamed for being this lucky, but they should see movies like this to understand what war is about. The world is never better after war. The first ones to agree to settle things through warfare are the ones who didn't suffer war. There are no winners in a war, just remember.
I'm sorry that all those who felt attacked in their pride as Americans are missing the point of this movie. If your father or your grandfather, or your friend has been to war, just listen to them.
The performance of the grandmother will make you forget you're watching a movie! It is filmed simply and un-pretentiously, though is a very emotional film.
Enjoy.
PS: Oh and I'm not Japanese...