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Storyline
David Merrill (Robert De Niro), a fictitious 1950s Hollywood director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on Un-American Activities and he is unable to work until cleared. Before being called, his highest priority had been his work to the extent of leaving his wife (Annette Bening) and son (Luke Edwards) alone for months at a time. He initially refuses to implicate others or himself in a private meeting with Roy Cohn and a studio lawyer. This decision initially to stick to his principles first leaves him unable to work in his profession, even with films and producers he never would have worked with before. Harassment by the FBI leaves him unable to work on Broadway, with advertising agencies, or even in a small film repair shop. Finally, having fallen so far, and tempted with a new offer to direct a film from his old studio (if he testifies), he agrees to go before the Committee, initially planning to ... Written by
Mike Harris <mharris@injersey.com>
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Taglines:
All it took was a whisper.
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Did You Know?
Trivia
Sam Wanamaker, who plays Felix Graff, really was blacklisted by HUAC during the McCarthy era.
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Goofs
There is a Milwaukee Braves baseball pennant on the wall of Merrill's son's room. This film takes place in 1951 and 1952. The Braves didn't move to Milwaukee from Boston until 1953.
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Quotes
Ruth Merrill:
Uh, I'm seeing Dorothy tonight. Paulie's gonna stay at his friends. I thought I'd take her to one of those places out by Malibu.
David Merrill:
Malibu, can you afford that?
Ruth Merrill:
Can you believe you said that?
David Merrill:
No, I'd never say anything like that.
Ruth Merrill:
Wanna go?
David Merrill:
Sure, do you mind?
Ruth Merrill:
Yeah.
[
she leaves]
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Connections
References
Gentlemen Prefer Blondes (1953)
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Soundtracks
"I'M JUST A LUCKY SO AND SO"
Written by
Duke Ellington
Lyrics by
Mack David
Performed by
Louis Armstrong and
Duke Ellington
Courtesy of Blue Note Records (Roulette)
A division of Capitol Records, Inc.
By Arrangement with CEMA Special Markets
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I consider this period of the early 90's to be Robert DeNiro's second wind, if you will, after many great films he starred in the 70's. This film, along with the excellent Goodfellas, Awakenings, Night and the City, A Bronx Tale, and Cape Fear highlighted a great actor's resume. He hasn't done many great films in a while, but his acting chops speak for themselves. He stars here as David Merrill, a blacklisted director in Hollyweird, who's basically accused of being a communist and certain government factions want him to name names. His performance, although subdued, is very solid as he struggles with the decision to either report his friends, who are thought to be Communist in order to rescue his once promising career, or refuse to give up any names so their lives and careers won't be destroyed also. There's a moving scene between Merrill and congress as they bombard him with questions and accusations. This is probably the most memorable scene, but I thought it tries to wrap the film up in a neat little ball, as opposed to letting us know exactly what went on in those supposedly communist meetings Merrill was a part of, and what was discussed there and who attended these meetings.
George Wendt does a commendable job as Bunny Baxter, even though it's difficult to see him other than Norm from Cheers, but I digress. Annette Benning and Patricia Wettig also give solid performances in this forgotten little film based on a true story.