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Grand Canyon (1991)

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Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from ... See full summary »

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Nominated for 1 Oscar. Another 3 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Claire
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Dee
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Roberto
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Deborah
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Otis
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The Alley Baron
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Vanessa
Destinee DeWalt ...
Kelley
Candace Mead ...
Claire's Baby
Lauren Mead ...
Claire's Baby (as Loren Mead)
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Rocstar
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Storyline

Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from different races and classes brought together when one finds himself in jeopardy in the other's rough neighborhood. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

In the 1980's, director Lawrence Kasdan brought you "The Big Chill". Welcome to the 90's. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 January 1992 (USA)  »

Also Known As:

Au coeur de la ville  »

Filming Locations:

 »

Box Office

Gross:

$33,243,020 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The customized license plate on movie producer Davis (Steve Martin)' car read "GRSS PTS" meaning "gross points", a film industry term relating to how much percentage of the total box office an individual can earn. See more »

Goofs

When Claire is driving Roberto home after summer camp, its obvious the vehicle she is driving is on a trailer, as her steering wheel movements do not match the change in the vehicle's direction. See more »

Quotes

[first lines]
Davis: You know what your problem is? You're always talking about X. But you're thinking about Y. You gotta learn to talk about Y. Forget about X. X is gonna take care of itself.
Mack: What are you talking about?
Davis: I'm just asking you to hear yourself. Listen to what you're really saying and under what you really saying: control, control, control. When are you gonna realise nothing can be controlled? We live in chaos. It's the central issue in everyone's life. Mack, look around you. Everyone in ...
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Connections

References The Big Chill (1983) See more »

Soundtracks

Searching for a Heart
Written and Performed by Warren Zevon
Courtesy of Giant Records
By Arrangement with Warner Special Products
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User Reviews

 
Kasdan's vision is expertly shown
6 June 2002 | by (San Diego) – See all my reviews

Perhaps you won't care for the social commentary, or the film makers point of view (I myself am mystified at the ‘insignificance' angle Kasdan seemed to promote – when clearly, the actions taken in the movie promote CERTAIN significance. The ending confused me). However, there's absolutely no denying the manner in which the story is presented; the magnificent symbolism throughout; the threaded character arcs; visuals; dialogue – is absolute masterwork. I've watched the movie dozens of times, and I still marvel at its perfection. There's not a moment, action, cut, or line that doesn't have everything to do with the theme. Realistic human performances from all the actors. Scene to scene it's woven fantastically.

I have a pretty level sap-meter. The buzzer never went off during this film. If you're a thinker (rather than a casual viewer) – this movie delivers. Exponentially. Absolutely mesmerizing. (Do you have to agree with the message to appreciate the display? Who cares if it made you warm and fuzzy or not, was it interesting?)

Personally, the movie affected me – significantly. In my top 5.

Note: The front-page reviewer clearly speaks from a flawed African American perception. What he may have failed to recognize, is, there was a hand – shake. Not a hand - out. The ‘spiritually dead white man', simply saw a man to respect, and admire. And he did something about it. The fact he was black had little, if anything, to do with it (color is simply used to draw the parallel. And the chasm. It's no accident the opening sequence shifts from black and white to color either). If you view the blacks in this movie as ‘token' – you may want to reassess YOUR angst. You may be seeing only black and white yourself, eh. Just a thought.


56 of 63 people found this review helpful.  Was this review helpful to you?

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