Revolving around Truvy's Beauty Parlor in a small parish in modern-day Louisiana, STEEL MAGNOLIAS is the story of a close-knit circle of friends whose lives come together there. As the ... See full summary »
A young tomboy, Watts, finds her feelings for her best friend, Keith, run deeper than just friendship when he gets a date with the most popular girl in school. Unfortunately, the girl's old... See full summary »
Mary Stuart Masterson,
Evelyn Couch is having trouble in her marriage, and no one seems to take her seriously. While in a nursing home visiting relatives, she meets Ninny Threadgoode, an outgoing old woman, who tells her the story of Idgie Threadgoode, a young woman in 1920's Alabama. Through Idgie's inspiring life, Evelyn learns to be more assertive and builds a lasting friendship of her own with Ninny. Written by
In July 2008, afterellen.com reported that Mary-Louise Parker said that she, her costar Mary Stuart Masterson, and screenwriter (and original novel author) Fannie Flagg were all strong advocates for depicting in the film the lesbian relationship between Ruth and Idgie that had appeared in the book, but the director, Jon Avnet, and the producers of the film chose instead to excise the romance and just make the two characters into friends. In the DVD extras, Avnet does say that he considered Idgie and Ruth's food fight scene in the movie as an analogy for a love scene between the two that he chose not to include. See more »
In the beginning of the movie when Ed and Evelyn are lost at the Whistle Stop searching for their Aunt Vesta's retirement home and are looking on the map, Ed mistakenly calls Evelyn "Ruth". See more »
This is a film you are bound to fall in love with. All of its characters feel real, intense, reaching out to touch with their passion and the film's nostalgic feel.
It contains some of my favorite performances of all time: Masterson, Parker, Tandy, and Bates give their very best, bringing two life fictional women who feel real, strong, and powerful. The film is very emotional, never maudlin, never disrespecting any of its components or the audience. It allows us to feel we are part of a world that might not exist anymore. What I like most about the film is how it embraces a passion for living.
There is much to be admired about the technical aspects of the film as well. It travels back and forth in time, with a structure that is hard to describe but a joy to watch as it shows how the main relationships were born, developed, and eventually were transformed into something more spiritual. The music is haunting and quite suitable to the delicate relationships, and the photography makes everyone and everything lovely, dreamlike at times.
The film will live on and will eventually be regarded as a classic. It deserves it so.
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