It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find... See full summary »
Johnny on his release from his jail joins the restaurant where Frankie works. Johnny discovered his talent for cooking when in jail. Love at first sight bites Johnny on seeing Frankie. He makes direct attempts to get her heart. But deep a wound in Frankie's heart would not let her give her heart to Johnny. Johnny's divorced wife and kids have moved to a new world of a different person. Frankie opens up her tragic story and Johnny promises to be with her in difficult times. Written by
Thejus Joseph Jose
Kathy Bates, who had originated the role of Frankie on stage, was passed over in favor of Michelle Pfeiffer, a fate that often seemed to befall her stage characters when transferred to the screen, which delayed her eventual success on film. Ironically, in this case, it was Marshall's former brother-in-law, Rob Reiner, who gave Bates her big-screen break in Misery (1990), from which she ended up better-off, as she won A Best Actress Academy Award (Oscar) for the film. See more »
When Johnny and Cora have just finished having sex, there is a shot of Cora looking down on Johnny with her hair very disheveled, and her make up all undone, and she looks very hot and bothered. The scene cuts to Johnny on the bed for a few seconds, then back to Cora whose face and hair now suddenly looks completely redone, her make up is fine, her hair is beautifully in place, and she looks totally calm and cool. See more »
Why do you want to kill yourself sometimes?
I want to kill myself sometimes when I think that I'm the only person in the world and that part of me that feels that way is trapped inside this body, that only bumps into other bodies, without ever connecting to the only other person in the world trapped inside of them. We have to connect. We just have to.
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The first time I saw this movie, I fell in love. The second time around, I was already in love, watching it with my love who also fell in love and now we're all in love. All because of this movie.
Set in New York, the movie deals with loneliness, different ways of coping or letting go, it deals with love, the yearning for it and also the fear of it, this magical feeling you almost don't dare hope for. The simple but genuine approach to these important themes makes the story stand out and makes you want to believe, because deep inside you already do.
You can tell the movie is based on a play, primarily because of the special atmosphere created by the careful progression of the story, scene by scene, not to mention the wonderful and individual characters we get acquainted with. Both Michelle Pfeiffer and Al Pacino make outstanding performances and the on screen chemistry between the two is perfect.
This is an absolute must see for all you dreamers out there, and if you ever come across the play, you probably should check that out as well. Remember, the elephant must face the window and a VCR will never be a substitute for love. Sit down with this movie, and I promise you, from the first shot of the Greyhound accompanied by Terence Trent D'Arby's wonderful title track, you'll never want it to end.
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