IMDb > For the Boys (1991)
For the Boys
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For the Boys (1991) More at IMDbPro »

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For the Boys (1991) -- Clip: Apology song

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Overview

User Rating:
5.7/10   2,151 votes
MOVIEmeter: ?
Up 1% in popularity this week. See why on IMDbPro.
Director:
Writers (WGA):
Neal Jimenez (story) &
Lindy Laub (story) ...
more
Contact:
View company contact information for For the Boys on IMDbPro.
Release Date:
22 November 1991 (USA) more
Genre:
Tagline:
Laughter and tears. Tragedy and triumph. They lived it all. For the boys.
Plot:
With the help of the singer and dancer Dixie Leonhard US-Entertainer Eddie Sparks wants to bring some fun to the soldiers during World War II... more | add synopsis
Plot Keywords:
Awards:
Nominated for Oscar. Another 1 win & 1 nomination more
NewsDesk:
Meet Jasper Warren Paisley!
 (From People - CelebrityBabies. 11 September 2009, 2:00 PM, PDT)

User Comments:
Overlong show biz drama is showcase for Bette Midler... more (34 total)

Cast

  (Cast overview, first billed only)

Bette Midler ... Dixie Leonard

James Caan ... Eddie Sparks

George Segal ... Art Silver
Patrick O'Neal ... Shephard
Christopher Rydell ... Danny Leonard

Arye Gross ... Jeff Brooks
Norman Fell ... Sam Schiff
Rosemary Murphy ... Luanna Trott

Bud Yorkin ... Phil
Dori Brenner ... Loretta
Jack Sheldon ... Wally Fields
Karen Martin ... Victoria Lee
Shannon Wilcox ... Margaret Sparks
Michael Greene ... Maj. Gen. Scott
Melissa Manchester ... Corrine
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Additional Details

Runtime:
138 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints)

Fun Stuff

Trivia:
Many reviewers noted that James Caan seemed miscast in the role of comedian Eddie Sparks (a caricature of Bob Hope) and wondered why co-star George Segal, who as an actor had proved equally adept at comedy and drama, wasn't cast in the role instead. The truth is that Caan's career was hot again after the success of Misery (1990) and Segal was not, so Caan got the lead and Segal the supporting role. more
Goofs:
Factual errors: When Dixie arrives in England in December of 1942, there is a P-51 Mustang on the ramp. This airplane was not in service in December 1942. Also this airplane has the black and white identification stripes not used until June 6, 1944. more
Quotes:
Eddie: Look at this. I'm 91 years old. 50 years I've been waiting for this chance. Dixie, please let's go upstairs.
Dixie: What, to your room?
Eddie: Yeah.
Dixie: And then we get undressed?
Eddie: Yeah.
Dixie: And then we get into bed?
Eddie: Yeah.
Dixie: And then what?
more
Movie Connections:
References Casablanca (1942) more
Soundtrack:
Land of 1000 Dances more

FAQ

This FAQ is empty. Add the first question.
5 out of 5 people found the following comment useful.
Overlong show biz drama is showcase for Bette Midler..., 28 May 2007
5/10
Author: Neil Doyle from U.S.A.

FOR THE BOYS manages to be entertaining although there are a lot of things wrong with it--notably, the make-up job for Midler's aging process and some vulgarity in the lines she utters that seem like anachronisms given the time period begins with the '40s-era and women in show biz weren't quite that vulgar in front of U.S. troops.

JAMES CAAN does a snappy job of playing her self-absorbed, sexist song-and-dance husband who treats the various wars like a chance to strut his stuff before appreciative audiences, while Midler's character comes to understand the seriousness of war and what it does to America's finest young men, especially when her own son is killed during their act in Korea.

Midler is especially good in the early sequences where she gets to do pretty much the sort of brassy routines she started out doing in show business. Here she plays a U.S.O. singer who joins a World War II tour run by Caan. It's not exactly a case of love at first sight--in fact, it's a clash of two strong egos that remains pretty tumultuous throughout the film.

Patterned obviously after the careers of show biz troupers like Bob Hope and the sort of shows he put on for servicemen throughout the various wars, it's entertaining despite its length and owes most of its ability to hold interest due to Midler's self-confident central performance. She's a real trouper and steals just about every scene she's in. GEORGE SEGAL does a nice job as a writer mistreated by Caan who gets his revenge at an unusual Christmas party playing Santa.

Midler is at her best when singing a few songs in her own inimitable style but the film drags whenever it deals with the more serious aspects of the story. CHRISTOPHER RYDELL (the director Mark Rydell's son) is terribly miscast as Midler's son and furthermore, looks nothing like the two youngsters that play him as a young boy. He's inept in a key scene where he talks about the horrors of war.

It's an ambitious saga of show biz and war, but something about it seems awfully clichéd and artificial no matter how artfully director Mark Rydell has directed certain scenes.

Summing up: A must for Midler fans and James Caan is good too as the aging scoundrel.

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