| Photos (See all 13 | slideshow) | Videos (see all 2) |
| Robert Townsend | ... | Duck | |
| Michael Wright | ... | Eddie | |
| Leon | ... | J.T. | |
| Harry Lennix | ... | Dresser | |
| Tico Wells | ... | Choirboy | |
| Diahann Carroll | ... | Eleanor Potter | |
| Harold Nicholas | ... | Sarge | |
| Tressa Thomas | ... | Duck's Baby Sister | |
| John Canada Terrell | ... | Michael 'Flash' Turner | |
| Chuck Patterson | ... | Jimmy Potter | |
| Hawthorne James | ... | Big Red | |
| Roy Fegan | ... | Bird | |
| Troy Byer | ... | Baby Doll (as Troy Beyer) | |
| Carla Brothers | ... | Tanya Sawyer | |
| Deborah Lacey | ... | Rose | |
| Theresa Randle | ... | Brenda | |
| John Witherspoon | ... | Wild Rudy | |
| Anne-Marie Johnson | ... | Sydney Todd | |
| Lisa Mende | ... | Marcia Sayles | |
| Bobby McGee | ... | Leon | |
| Don Barnes | ... | Lester | |
| O.L. Duke | ... | Monroe | |
| Lamont Johnson | ... | Bobby Cassanova | |
| Arnold Johnson | ... | Mr. Matthews | |
| Veronica Redd | ... | Mrs. Matthews | |
| David McKnight | ... | Pastor Stone | |
| Phyllis Applegate | ... | Myra Stone | |
| Paul Benjamin | ... | Mr. King | |
| Marilyn Coleman | ... | Mrs. King | |
| Norma Donaldson | ... | Mrs. Sawyer | |
| Harris Peet | ... | Phil Shumway | |
| Kasi Lemmons | ... | Cookie | |
| Monique Mannen | ... | Sandra Tillman | |
| Suzanne Suter | ... | The Crystals | |
| Gigi Bolden | ... | The Crystals | |
| Kathleen Mitchell | ... | The Crystals | |
| Ron Jaxon | ... | The Ebony Sparks (as Ron Jaxson) | |
| Recoe Walker | ... | The Ebony Sparks | |
| Wayne 'Crescendo' Ward | ... | The Ebony Sparks | |
| Gregory 'Popeye' Alexander | ... | The Midnight Falcons | |
| Bobby Mardis | ... | The Midnight Falcons (as Bob Mardis) | |
| Jimmy Woodard | ... | The Midnight Falcons | |
| Brian Bradley | ... | The Five Horsemen | |
| Michael Conn | ... | The Five Horsemen (as Mike Conn) | |
| Barry Diamond | ... | The Five Horsemen | |
| Carl Edwards | ... | The Five Horsemen | |
| Joey Gaynor | ... | The Five Horsemen | |
| Roger Rose | ... | The Five Horsemen | |
| James Anderson | ... | Big Red's Guys | |
| Fred Asparagus | ... | Big Red's Guys (as Freddie Asparagus) | |
| Randy Harris | ... | Big Red's Guys (as Randy 'Roughhouse' Harris) | |
| Al Simon | ... | Big Red's Guys | |
| Tammy Townsend | ... | Matthew's Kids | |
| Shannon Chambers | ... | Matthew's Kids | |
| Devin C. Huff | ... | Matthew's Kids | |
| Lakisha Luke | ... | Matthew's Kids | |
| Jeannel Phillips White | ... | Matthew's Kids | |
| Kamar Phillips White | ... | Matthew's Kids | |
| Brandon Wright | ... | Matthew's Kids | |
| Christopher Bradley | ... | Theater Security | |
| Aaron J. Galang | ... | Theater Security | |
| Harry Stanback | ... | Speakeasy Guy | |
| Tiffanique Webb | ... | Speakeasy Girl | |
| Eugene Robert Glazer | ... | David Green (as Eugene Glazer) | |
| Timmie Rogers | ... | Buddy Lewis | |
| Craig Eisner | ... | Jimmy's Doorman | |
| Tommy Redmond Hicks | ... | Pastor Blake | |
| David Drummond | ... | Policeman | |
| Griff Ruggles | ... | Policeman | |
| Joel Weiss | ... | St. George Hotel Doorman | |
| Regina McLeod | ... | Jackie | |
| Shanel Cason | ... | J.T.'s Little Girl | |
| Jimmy Jackson | ... | Little Duck | |
| Alexis Johnson | ... | Little Girl | |
| John Pittman | ... | Hitman | |
| Vincent J. Isaac | ... | Hitman (as Vince Isaac) | |
| Ron Smith | ... | Poker Player | |
| Frank Fontaine | ... | Poker Player | |
| Donnie Simpson | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Sam Dobbins | ... | Jimmy potters doorman (as Craig Eisner) | |
| Robin Ray Eller | ... | Heartbeat Dancer (uncredited) | |
| Eddie Griffin | ... | Ventriloquist (uncredited) | |
| Michael Peters | ... | (uncredited) | |
| Gina Ravera | ... | (uncredited) | |
Directed by | |||
| Robert Townsend | |||
Writing credits(WGA) | ||
| Robert Townsend | (written by) & | |
| Keenen Ivory Wayans | (written by) | |
Produced by | |||
| Kokayi Ampah | .... | associate producer | |
| Loretha C. Jones | .... | producer | |
| Christina Schmidlin | .... | associate producer | |
| Robert Townsend | .... | producer | |
Original Music by | |||
| Stanley Clarke | |||
Cinematography by | |||
| Bill Dill | |||
Film Editing by | |||
| John Carter | |||
Production Design by | |||
| Wynn Thomas | |||
Art Direction by | |||
| Don Diers | |||
Set Decoration by | |||
| Susan Raney | |||
| Samara Schaffer | |||
Costume Design by | |||
| Ruth E. Carter | |||
Makeup Department | |||
| Susan A. Cabral | .... | makeup artist: Diahann Carroll | |
| Frank Fontaine | .... | assistant hair stylist | |
| Arthur Johns | .... | hair stylist for Diahann Carroll | |
| June Josef | .... | assistant makeup artist | |
| LaLette Littlejohn | .... | assistant makeup artist | |
| Edna Sheen | .... | makeup artist (as Edna Mae Sheen) | |
| Ronald W. Smith | .... | key hair stylist (as Ron Smith) | |
| Laini Thompson | .... | key makeup artist | |
Production Management | |||
| Nancy Israel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sandra M. Middleton | .... | second assistant director | |
| Joel Wang | .... | dga trainee | |
| Richard A. Wells | .... | first assistant director | |
Sound Department | |||
| Sara Bolder | .... | dialogue editor | |
| Lynn Bopeley | .... | boom operator | |
| David Brownlow | .... | production sound mixer | |
| Tom Caton | .... | boom operator (as Huckleberry Caton) | |
| Dan Engstrom | .... | assistant sound editor | |
| Frank E. Eulner | .... | assistant sound editor | |
| Ken Fischer | .... | sound effects editor | |
| Rob Fruchtman | .... | dialogue editor | |
| J.R. Grubbs | .... | assistant sound editor | |
| Jane Hudson | .... | adr typist | |
| Richard Hymns | .... | supervising sound editor | |
| Donna Jaffe | .... | assistant sound editor | |
| Tom Johnson | .... | sound re-recording mixer | |
| Mary Helen Leasman | .... | foley editor | |
| Brad Marshall | .... | sound: video crew | |
| Marnie Moore | .... | foley artist | |
| Tom Myers | .... | foley recordist | |
| Michael Silvers | .... | dialogue editor | |
| Gary Summers | .... | sound re-recording mixer | |
| Dennie Thorpe | .... | foley artist (as Dennis Thorpe) | |
| Christina Tucker | .... | adr mixer (as Chris Tucker) | |
| James Allen | .... | sound re-recordist (uncredited) | |
Stunts | |||
| John Branagan | .... | stunts | |
| Alonzo Brown Jr. | .... | stunts | |
| Harold Burns | .... | stunts | |
| Bob K. Cummings | .... | stunts | |
| Gregg Dandridge | .... | stunts | |
| Mike De Luna | .... | stunts | |
| Greg Wayne Elam | .... | additional stunt coordinator | |
| Ousaun Elam | .... | stunts | |
| Jimmy Lewis Jr. | .... | stunts | |
| Irving E. Lewis | .... | stunts | |
| Rusty McClennon | .... | stunts | |
| Mark Orrison | .... | stunts | |
| Rick Seaman | .... | stunts | |
| John Sherrod | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Art Adams | .... | additional second assistant camera | |
| Brian Adams | .... | additional second assistant camera | |
| Dasal Banks | .... | camera operator: video crew | |
| Brian Bernstein | .... | additional first assistant camera | |
| Findlay Bunting | .... | additional first assistant camera | |
| Joseph W. Calloway | .... | camera operator | |
| Philippe Carr-Forster | .... | additional camera operator | |
| Richard Clarkson | .... | first assistant camera | |
| Michelle Colbert | .... | electrician | |
| Ken Fisher | .... | assistant Steadicam operator | |
| Warren Fox | .... | electrician | |
| Aaron J. Galang | .... | grip | |
| Vincent Galindez | .... | additional first assistant camera | |
| Kirk R. Gardner | .... | Steadicam operator | |
| Alan Gitlin | .... | additional first assistant camera | |
| Mark Gutterud | .... | additional first assistant camera | |
| Emil Hampton | .... | assistant Steadicam operator | |
| Elisha Harris | .... | gaffer | |
| Wendell Harris | .... | swing electrician | |
| Chris Hayes | .... | additional camera operator | |
| Frank James | .... | electrician | |
| Frank James | .... | rigging gaffer | |
| Stephanie F. Johnson | .... | electrician | |
| Stan Keitt | .... | second assistant camera | |
| Bob Leitelt | .... | grip | |
| Cliff Lipson | .... | additional still photographer | |
| Willie Mann | .... | best boy grip | |
| Mike Moad | .... | dolly grip | |
| Donald O'Hare | .... | video assist operator | |
| Marie Pedersen | .... | first assistant camera | |
| Les Percy | .... | key grip | |
| Brian T. Pitts | .... | additional second assistant camera | |
| Mark Rappaport | .... | grip | |
| Eli Reed | .... | unit photographer | |
| John Simmons | .... | additional camera operator | |
| Adam Milo Smalley | .... | playback operator (as Adam Smalley) | |
| Charles Smith | .... | grip | |
| Kathina Szeto | .... | additional second assistant camera | |
| Suzanne Tenner | .... | additional still photographer | |
| Anthony Troy | .... | swing electrician | |
| Joe Viles | .... | additional still photographer | |
| O'Shana Walker | .... | best boy electric (as Oshanna Walker) | |
| Riccardo Walker | .... | swing electrician | |
| Philip Alan Waters | .... | additional camera operator (as Phil Waters) | |
| Bob Witkowski | .... | additional still photographer | |
| Tom Yatsko | .... | additional first assistant camera | |
| Elizabeth Ziegler | .... | Steadicam operator | |
Casting Department | |||
| Michael G. Abrams | .... | casting associate: New York | |
| Chemin Sylvia Bernard | .... | casting associate | |
| Darin D. Brown | .... | casting assistant | |
| Victor David | .... | extras casting assistant | |
| C. Josetta Evans | .... | extras casting assistant | |
| Sarah Hyde Hamlet | .... | additional casting associate: New York (as Sarah Hyde-Hamlet) | |
| Dwayne Hargray | .... | extras casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Robyn M. Mitchell | .... | casting assistant | |
| Marti Reese | .... | extras casting assistant | |
| Ima Sumac Rosario | .... | extras casting | |
Costume and Wardrobe Department | |||
| Darlene Jackson | .... | wardrobe supervisor | |
| Darryle Johnson | .... | costumer | |
| John Lemons | .... | costumer (as John K. Lemons) | |
| Sharlene Williams | .... | costumer | |
| Ceci | .... | assistant costume designer (uncredited) | |
| April Hunter | .... | costumer (uncredited) | |
Editorial Department | |||
| Glenn Bell | .... | post-production assistant | |
| Mia Farrell | .... | post-production assistant | |
| Joanne Higgins | .... | post-production assistant | |
| Kevin Lindstrom | .... | assistant editor | |
| Donald Rounds | .... | editorial production assistant | |
| Rex Stewart | .... | assistant editor | |
| Darrell Upshaw | .... | assistant editor | |
Music Department | |||
| Terry Coffey | .... | composer: additional music | |
| Jeff Marsh | .... | orchestrator | |
| David Slusser | .... | music editor | |
| Adam Milo Smalley | .... | music editor (as Adam Smalley) | |
| Brad Gilderman | .... | music mixer (uncredited) | |
Transportation Department | |||
| Ted Basso | .... | production van driver | |
| Greg Bauer | .... | driver | |
| Louise Del Araujo | .... | driver | |
| D.J. Gardiner | .... | driver | |
| Krister C. Johnson | .... | driver | |
| Chaz Merriam | .... | driver | |
| Griff Ruggles | .... | transportation coordinator | |
| Danny Westerberg | .... | driver | |
| Craig Williams | .... | driver | |
| Terry York | .... | driver: honeywagon | |
| Jason Belsky | .... | transportation captain (uncredited) | |
Thanks | |||
| Solomon J. LeFlore | .... | special thanks | |
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| Ray | Dreamgirls | The Commitments | I'm Not There. | Imitation of Life |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The movie was not intended to create an atmosphere of racism, but rather keep the movie in prospective given the era of it's setting. Many artist in those days were subjected to unfair treatment by the mainstream record labels in those days. Here are a few examples:
1. Frankie Lyman and The Teenagers were a group that was comprised of numerous ethnicities. One member of the group who Chris Montes (who was latino), was cut from the group by the label's producer because he was too ethnic. Chris Montes did later go on to record a few hits of his own such "Do You Want To Dance".
2. American Bandstand which first in 1952 played mostly Rock and Roll which, was pioneered and played by mostly black artist. However, it wasn't until 1957 that Johnny Nash, Jackie Wilson, and other African American singers performed on the show.
3. The Temptations, The Four Tops, The Dells, and many other such groups were restricted to playing all black venues during the 50's and early 60's in the south. This gave rise to would later become know as "The Chitterling Circuit", as the venues were mostly nightclubs, and juke-joints. These artist received harrassment from local law enforcement agencies, and townspeople on a regular basis whenever they came to the highly segregated south.
As far the scene where the record company brings a white group called The Four Horsemen, that's not really a stretch. Most of the time what would happen is that a black group would write or even release a song to the black audience, while the record company would have that same song "covered" by a white group to be released to the "mainstream" audience. The covered version of these songs were the ones that normally got air play from disc jockeys. The best example I can give of that is the 1955 hit by The Platters "Only You (And You Alone)". This song was released on Mercury Records, while one of their subsidiary labels Dot Records released a covered version of the same song by a group called The Hilltopper's who hailed from Western Kentucky College (all white school...segregation you know.) The Hilltopper's version of Only You hit number eight on the pop charts six weeks after the release of the Platters version. The Platters version however reached number on the R&B charts, and crossed over to the pop charts were it number five. A few months later in 1956 The Platters hit #1 on the pop charts with The Great Pretender, which was covered by Stan Freberg in the same year without the same success.
All of that is to say that the movie has its facts straight about what black artist went through in those days, but it's about much more than that. It's about the rise, fall, and resurrection of a talented group, and the proof that love and friendship can withstand all of life's ups and downs.