Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a "serious" writer, Jenny writes a feminist manifesto at an ... See full summary »
George Roy Hill
Mary Beth Hurt,
After hearing a popular DJ rail against yuppies, a madman carries out a massacre in a popular New York bar. Dejected and remorseful, the DJ strikes up a friendship with Parry, a former professor who became unhinged and then homeless after witnessing his wife's violent death in the bar shooting. The DJ seeks redemption by helping Parry in his quest to recover an item that he believes is the Holy Grail and to win the heart of the woman he loves. Written by
Jim Sanders and Determined Copy Editor
The front window of the video store features a poster for director Terry Gilliam's previous film The Adventures of Baron Munchausen (1988). A poster for Brazil (1985) (also directed by Gilliam) appears on the wall in the first video store scene. Almost all of the posters and video tape boxes in the video store are from RCA/Columbia Pictures Home Video, the video arm of TriStar Pictures, which released the film. See more »
Jack and Anne have a violent quarrel, upon which he grabs her from behind to calm her down. In the next shot, Anne is in Jack's arms facing him. See more »
This movie is really exceptional in a lot of ways. It's got one of those plots, full of ironic reversals and personal struggle, that's been turned into melodramatic trash in every creative medium ever invented. With Robin Williams as the magic crazy guy and Jeff Bridges in an 80s ponytail, the ways the basic concept could have gone awry (in other hands) are truly frightening to contemplate. But with Terry Gilliam at the helm, The Fisher King speaks to your emotions more directly and powerfully than 90% of the movies out there without degenerating into sappiness.
Perhaps the most brilliant acheivement of this movie is the way it takes Robin Williams' crazy-improvisational persona and makes it an integral part of the story. Instead of being a tacked-on adjunct to the "real" movie, Williams' stream-of-consciousness patter is essential to the work as a whole.
At the same time, Gilliam is making an almost-mainstream movie for the first time in his career, while explicitly referencing his past (the Holy Grail). It all comes together into a movie you will never forget.
44 of 52 people found this review helpful.
Was this review helpful to you?