| Olympia Dukakis | ... | Emily Miller | |
| Lindsay Wagner | ... | Janet | |
| Jean Stapleton | ... | Henny | |
| Ray Wise | ... | Richard | |
| George Hearn | ... | Arthur | |
| Joan Leslie | ... | Ruthie | |
| Paul Scherrer | ... | Eric | |
| Amzie Strickland | ... | Gladys | |
| Edward Herrmann | ... | Robert | |
| Sheila Allen-Jones | ... | Mrs. Friedan | |
| Martin Goslins | ... | Dr. Jack Bergman | |
| Michele Harrell | ... | Elaine | |
| Denis Heames | ... | Tommy | |
| Tim Conover White | ... | The Yardman | |
| Carol Bivins | ... | Furniture Buyer | |
| Todd Cameron Brown | ... | Young Robert | |
| Issac Clay | ... | Medical Salesman | |
| Kort Falkenberg | ... | Charles | |
| Suzanne Goddard-Smythe | ... | Physical Therapist (as Suzanne Goddard) | |
| Neal Lerner | ... | Furniture Buyer | |
| Don Lewis | ... | Physical Therapist | |
| Lulie Newcomb | ... | Young Emily | |
| Lyndsay Riddell | ... | Young Janet | |
| Robert Rothwell | ... | Minister | |
| Steve Rogers | ... | Young Arthur | |
| Viola Kates Stimpson | ... | Cathryn | |
| rest of cast listed alphabetically: | |||
| Tony Blass | ... | Mourner (uncredited) | |
Directed by | |||
| David Hugh Jones | |||
Writing credits(WGA) | ||
| David J. Hill | (written by) | |
Original Music by | |||
| Arthur Kempel | |||
Cinematography by | |||
| Brian West | |||
Film Editing by | |||
| Pamela Malouf | (as Pamela Malouf-Cundy) | ||
Casting by | |||
| Rachelle Farberman | |||
Production Design by | |||
| Barbara Dunphy | |||
Set Decoration by | |||
| Donald Elmblad | |||
Costume Design by | |||
| Giovanna Ottobre-Melton | |||
Makeup Department | |||
| Richard Arias | .... | makeup artist | |
| Tom Brumberger | .... | makeup artist | |
| Jeffrey Sacino | .... | hair stylist | |
Production Management | |||
| Jonathan Debin | .... | executive in charge of production | |
| Brenda K. Kyle | .... | production supervisor | |
| Sylvia M. White | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jerry Fleck | .... | first assistant director | |
| Barbara M. Ravis | .... | second assistant director | |
Art Department | |||
| Stephen Gibson | .... | props | |
| Christopher Harwood | .... | leadman | |
| Dick Kyker | .... | property master | |
| Dallas L. Prince | .... | assistant property master | |
| Veronica Wirth | .... | assistant production designer: Milano | |
Sound Department | |||
| David E. Fluhr | .... | sound re-recording mixer | |
| George R. Groves Jr. | .... | sound re-recording mixer | |
| Michael C. Gutierrez | .... | supervising sound editor | |
| Bill King | .... | boom operator | |
| Clark King | .... | sound mixer | |
| Jeff Porrello | .... | boom operator | |
| Troy Porter | .... | sound re-recording mixer | |
| Don Sanders | .... | sound mixer | |
Stunts | |||
| Rick Avery | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kevin M. Andersen | .... | electrician: USA | |
| Brian Branigan | .... | key grip | |
| Charlie Edwards | .... | best boy (as Charles Edwards) | |
| Rick Faigh | .... | best boy | |
| John T. Martin | .... | grip | |
| Larry S. Prinz | .... | gaffer | |
| Henry Tirl | .... | first assistant camera: "a" camera | |
| Daniel L. Turrett | .... | camera operator | |
Casting Department | |||
| Liane Dietz | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Renee Alaina Sacks | .... | costume supervisor (as Renee A. Sacks) | |
Editorial Department | |||
| Jim Page | .... | assistant editor | |
| Kim Percival | .... | post-production coordinator (as Kimberly E. Percival) | |
Music Department | |||
| Diana Dru Botsford | .... | music supervisor | |
| James Burt | .... | music editor | |
Transportation Department | |||
| Lawrence Morgan | .... | transportation coordinator | |
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| An Unexpected Life | The Remains of the Day | Empire of the Sun | Sense and Sensibility | Dreams |
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| Full cast and crew | Company credits | News articles |
| IMDb Drama section | IMDb USA section |
Lindsay Wagner is Janet, the daughter of Emily Miller (Olympia Dukakis) a 75 year old former teacher who is becoming less independent as she gets older. A broken hip, the death of her best friend Henny Dutton (Jean Stapleton), and a burglary where she confronts the thief all contribute to Emily's deteriorating spirit. Janet takes her mother to live with her family, but things aren't easy.
Wagner doesn't shy away from the challenge of Dukakis or Edward Herrmann as her failed brother Robert, even if she doesn't look like a relative of either and their theater backgrounds make their acting choices larger than Wagner. However their bigness works for their characters who have more dimension than Janet who is arrogant superiority and anger shrouded in martyrdom. Wearing her hair partly tied in a bun to suggest her control and intellectualism, Wagner is best when chiding her husband Richard (Ray Wise) about his inability to serve food at a party that she has prepared. A scene when Emily and Janet look at a retirement home shows the difference in mugging between Dukakis and Wagner, with Dukakis underplaying her horror and Wagner wide-eyed reacting to Dukakis.
The teleplay by David J Hill explains the title as what Emily's deceased husband Arthur (George Hearn) says she means to him, and Hill opens with the scene that he concludes with, so the outcome is telegraphed. Character delineation is evident in an exchange between Janet and Emily, where Janet tells her `I'm trying to help you' and Emily replies `Right into the next world'.
Director David Jones may have gone overboard with Dukakis' aging makeup, it's a shame Stapleton is killed off so quickly, and he uses black and white footage for Emily's flashbacks which turn to color by the end.