| George C. Scott | ... | Max Mittelmann | |
| rest of cast listed alphabetically: | |||
| Jose Alcala | ... | Luis | |
| Christina Baumann | ... | Karina | |
| Joe Berryman | ... | Ernie | |
| Julie Carmen | ... | Elena | |
| Raul V. Carrera | ... | Older Trujillo Brother | |
| Julio Cedillo | ... | Hector | |
| Dina Chavez | ... | Rosa | |
| Hector Elizondo | ... | Ruben | |
| Eddie Flores | ... | Miguel | |
| Beverly Garland | ... | Arlene | |
| Geoff Garza | ... | Younger Trujillo Brother | |
| Al Gonzalez | ... | Martin | |
| Jerry Haynes | ... | Doctor | |
| David Hussey | ... | Cliff | |
| Willie Minor | ... | Guard | |
| Matthew Posey | ... | Inspector | |
| Anthony Ramirez | ... | Ins Officer | |
| Sylvia Caplan Rawley | ... | Grandmother (as Sylvia Rawley) | |
| Richard Reyes | ... | Carlos | |
| Robert F. Cawley | ... | Shuttle Driver (uncredited) | |
| Vernon Reeves | ... | INS Agent (uncredited) | |
Directed by | |||
| Rod Holcomb | |||
Writing credits(WGA) | ||
| George Raphael Small | (novel) | |
| Scott Swanton | (teleplay) | |
Produced by | |||
| Peter K. Duchow | .... | producer | |
| Rod Holcomb | .... | producer | |
| Scott Swanton | .... | producer | |
Original Music by | |||
| Lee Holdridge | |||
Cinematography by | |||
| Neil Roach | |||
Film Editing by | |||
| Paul Rubell | |||
Production Design by | |||
| Anthony Cowley | |||
Set Decoration by | |||
| Susan Mina Eschelbach | |||
Makeup Department | |||
| Del Acevedo | .... | makeup department head | |
| Ron Clark | .... | key makeup artist | |
Production Management | |||
| Mack Bing | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Craig Beaudine | .... | first assistant director | |
| Melanie Grefe | .... | second assistant director (as Melanie Grefe-Feder) | |
Art Department | |||
| Lance Cheatham | .... | set dresser | |
| Stephanie Emery | .... | set dressing buyer | |
| Roy Metcalf | .... | construction coordinator (as Roy D. Metcalf) | |
| Mike Parsons | .... | property master (as Michael Parsons) | |
Sound Department | |||
| Gary C. Bourgeois | .... | sound re-recording mixer (as Gary Bourgeois) | |
| Stacy Brownrigg | .... | production sound mixer | |
| Tim Chilton | .... | foley artist | |
| Scott Millan | .... | sound re-recording mixer | |
| Andy Napell | .... | sound re-recording mixer | |
| David A. Smith | .... | boom operator | |
Camera and Electrical Department | |||
| Dan Delgado | .... | gaffer | |
| Gary Jay | .... | first assistant camera | |
| Tony Poston | .... | key grip | |
Casting Department | |||
| Barbara Blanchette | .... | extras casting: Texas | |
| Florence Figueroa | .... | casting: Los Angeles | |
| Rody Kent | .... | casting: Texas | |
Costume and Wardrobe Department | |||
| Vincent Lapper | .... | men's costumer | |
| Robin Lewis West | .... | costume supervisor (as Robin Lewis) | |
| Dottie Vielle | .... | women's costumer | |
Editorial Department | |||
| Lucy Hofert | .... | assistant editor (as Lucy Hofert Rose) | |
Music Department | |||
| Tom Gleason | .... | music editor | |
Transportation Department | |||
| Tim Buchanan | .... | production driver | |
| Daniel T. Dickerson | .... | transportation captain (as Dan Dickerson) | |
| Alvin Milliken | .... | transportation coordinator | |
Other crew | |||
| Kwesi Collisson | .... | production assistant | |
| Anna Downing | .... | assistant accountant | |
| Avi Levy | .... | production accountant | |
| Mamie Mitchell | .... | script supervisor | |
| Wanda Mull | .... | production coordinator | |
| Sandra Palacios-Plugge | .... | location manager | |
| Scott A. Reeder | .... | production assistant | |
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| The English Patient | The House of the Spirits | Random Harvest | Broken Flowers | The Best Years of Our Lives |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section |
Unique storyline, with a possible nod to Lost Horizon, as a man going through a crisis gets amnesia, wanders into a village / camp of Mexican migrant workers and starts anew. As always Hector Elizondo steals every scene he's in and film provides another reason to love Beverly Garland. George C.brings along his Oscar winning ways and every performance here brims with sincere honesty. What a shame that this film is lingering in the vaults and not released on video or DVD. Nice location work in Texas brings a strong sense of reality to the storyline and the hard-line situations of the characters. Film grabs the viewer from start to finish and I didn't want the film to end.