| Photos (see all 15 | slideshow) |
| Bryan Brown | ... | Roland 'Rollie' Tyler | |
| Brian Dennehy | ... | Leo McCarthy | |
| Rachel Ticotin | ... | Kim Brandon | |
| Joanna Gleason | ... | Liz Kennedy, Assistant DA | |
| Philip Bosco | ... | Lt. Ray Silak, NYPD | |
| Kevin J. O'Connor | ... | Matt Neely | |
| Tom Mason | ... | Mike Brandon, NYPD | |
| Dominic Zamprogna | ... | Chris Brandon, Mike's Son | |
| Jossie DeGuzman | ... | Marisa Velez, Police Computer Expert | |
| John Walsh | ... | Rado | |
| Peter Boretski | ... | Carl Becker, Medallion Thief | |
| Lisa Fallon | ... | Kylie, Model for Decoy | |
| Lee Broker | ... | DeMarco | |
| Philip Akin | ... | Det. McQuay | |
| Tony De Santis | ... | Det. Santoni | |
| Ross Petty | ... | Consigliere | |
| Dee McCafferty | ... | Norm Chambliss, Neely's Parole Officer | |
| Jeri Craden | ... | Aunt Kate, Kim's Sister | |
| Karie Stone | ... | Beth, Kate's Daughter | |
| Phillip Jarrett | ... | IAD Cop #1 (as Phil Jarrett) | |
| Richard Sali | ... | IAD Cop #2 | |
| James Stacy | ... | Cyborg | |
| Neil Elliot | ... | Fingers, the Movie F / X Man | |
| Leland Crooke | ... | Movie Director | |
| Biff Yeager | ... | Police Sergeant | |
| Foster Fell | ... | Policeman | |
| Jack Orend | ... | Wino in Movie | |
| Jenifer Chatfield | ... | Movie Script Girl | |
| Kurt Reis | ... | Judge | |
| Damir Andrei | ... | Defense Attorney | |
| Charles Ivey | ... | Tony Vargas the Defendant | |
| Caroline Yeager | ... | Desk Sergeant | |
| Arlene Duncan | ... | Hooker | |
| Robert Kennedy | ... | Computer Store Clerk | |
| Dwayne McLean | ... | Mall Guard | |
| Gerry Quigley | ... | Supermarket Manager | |
| Harvey Chao | ... | Chinese Vendor | |
| Harry Booker | ... | Prison Priest | |
| Bob Clout | ... | Confessional Priest | |
| Jack Newman | ... | Art Expert | |
| Walker Boone | ... | Mansion Guard #1 | |
| Michael Rhoades | ... | Mansion Guard #2 | |
| Gene Mack | ... | Mansion Guard #3 | |
| Shane Cardwell | ... | Mobster #1 | |
| Michael Woods | ... | Mobster #2 | |
| Matt Birman | ... | Mobster #3 | |
| Tony Katsaras | ... | Policeman | |
| Dennis Scott | ... | Cop #1 |
Directed by | |||
| Richard Franklin | |||
Writing credits(WGA) | ||
| Robert T. Megginson | (characters) & | |
| Gregory Fleeman | (characters) | |
| Bill Condon | (written by) | |
Produced by | |||
| Bryan Brown | .... | executive producer | |
| Dodi Fayed | .... | producer | |
| Lee R. Mayes | .... | executive producer | |
| Jack Wiener | .... | producer | |
Original Music by | |||
| Lalo Schifrin | |||
Cinematography by | |||
| Victor J. Kemper | |||
Film Editing by | |||
| Andrew London | |||
Casting by | |||
| Gail Levin | |||
| Lauren Lloyd | |||
Production Design by | |||
| John Jay Moore | |||
Art Direction by | |||
| Gregory P. Keen | |||
Set Decoration by | |||
| Gordon Sim | |||
Costume Design by | |||
| Linda Matheson | |||
Makeup Department | |||
| Frank Bianco | .... | hair stylist: New York | |
| Piero Cucchi | .... | hair stylist: Rome | |
| Paul R.J. Elliot | .... | key hair stylist (as Paul Elliot) | |
| Linda Gill | .... | key makeup artist | |
| Lynda Gurasich | .... | hair stylist: Los Angeles | |
| Robert Laden | .... | makeup artist: New York | |
| Carla Palmer | .... | makeup artist: Los Angeles | |
| Roberta Petrini | .... | makeup artist: Rome (as Roberto Petrini) | |
| Donna Cicatelli-Lewis | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Piero Amati | .... | production supervisor: Rome | |
| G. Mac Brown | .... | production manager: New York | |
| Janet E. Cuddy | .... | production manager | |
| Lee R. Mayes | .... | unit production manager: Los Angeles | |
| C. Cory M. McCrum-Abdo | .... | post production supervisor (as C. Cory M. McCrum) | |
Second Unit Director or Assistant Director | |||
| Eric Allard | .... | second unit director | |
| Vic Armstrong | .... | second unit director | |
| Carol D. Bonnefil | .... | second assistant director: Los Angeles (as Carol Bonnefil) | |
| Tony Brandt | .... | first assistant director: Rome | |
| Brian W. Cook | .... | first assistant director (as Brian Cook) | |
| Gary Davis | .... | second unit director (as Gary Charles Davis) | |
| Stephen P. Dunn | .... | first assistant director: Los Angeles (as Steve Dunn) | |
| Carl Goldstein | .... | second assistant director | |
| Andrew London | .... | second unit director | |
| Ron Oxley | .... | third assistant director | |
| Eric S. Potechin | .... | dgc trainee (as Eric Potechin) | |
| Tom Quinn | .... | second assistant director | |
| Randi Richmond | .... | third assistant director | |
| Dodi Lee Rubenstein | .... | DGA trainee: New York (as Dodie Rubenstein) | |
| B. Scott Senechal | .... | second assistant director: second unit, Los Angeles (as Scott Senechal) | |
| Joanne Tickle | .... | dgc trainee | |
| Glen Trotiner | .... | second assistant director: New York | |
Special Effects by | |||
| Eric Allard | .... | special effects producer | |
| Eric Allard | .... | special effects supervisor: All Effects Company | |
| Tony Allard | .... | cyborg & prop technician: All Effects Company | |
| Hunter Anderson | .... | purchasing agent: All Effects Company | |
| Philip Bartko | .... | effects crew location: All Effects Company (as Phil Bartko) | |
| Gary D. Bierend | .... | shop foreman: Los Angeles, All Effects Company (as Gary Bierend) | |
| Larry W. Bowman | .... | cyborg & prop technician: All Effects Company (as Larry Bowman) | |
| Mike Cobos | .... | cyborg & prop technician: All Effects Company | |
| Ralph Cobos | .... | cyborg & prop technician: All Effects Company | |
| Ken Diaz | .... | special effects makeup: Los Angeles | |
| Gunnar Ferdinandsen | .... | cyborg & prop technician: All Effects Company | |
| Nick Fischer | .... | on set: All Effects Company | |
| Scott Forbes | .... | effects crew location: All Effects Company | |
| Ed French | .... | cyborg & prop technician: All Effects Company | |
| Ed French | .... | special effects makeup: Los Angeles | |
| Danny Gill | .... | shop foreman: Toronto, All Effects Company | |
| Bob Hall | .... | on set: All Effects Company | |
| Robert Hanks | .... | cost controller: All Effects Company | |
| Douglas D. Kelley | .... | assistant: Eric Allard, All Effects Company (as Douglas Dean Kelley) | |
| Jeff Kennemore | .... | creature effects foreman: All Effects Company | |
| Bruce Khteian | .... | effects crew location: All Effects Company (as Bruce Khetian) | |
| Eryn Krueger Mekash | .... | cyborg & prop technician: All Effects Company (as Eryn Krueger) | |
| David Lemmen | .... | on set: All Effects Company | |
| Thomas Mertz | .... | special effects foreman: All Effects Company (as Tom Mertz) | |
| Greg Nelson | .... | special effects makeup: Los Angeles | |
| Joe Podnar | .... | cyborg & prop technician: All Effects Company | |
| Joe Reader | .... | cyborg & prop technician: All Effects Company | |
| Dwight Roberts | .... | cyborg & prop technician: All Effects Company | |
| Christopher S. Ross | .... | designer: All Effects Company (as Chris Ross) | |
| Paul Russell | .... | effects crew location: All Effects Company | |
| Rick Stratton | .... | cyborg makeup effects: All Effects Company | |
| Neil Trifunovich | .... | coordinator: Canada, All Effects Company (as Neil N. Trifunovich) | |
| Mark Yuricich | .... | cyborg & prop technician: All Effects Company | |
| Stuart Ziff | .... | cyborg & prop technician: All Effects Company | |
| Scott Forbes | .... | special effects technician (uncredited) | |
| Peter Greenwood | .... | special effects research (uncredited) | |
| Arthur Langevin | .... | special effects technician (uncredited) | |
Stunts | |||
| Brenda Adams | .... | stunts | |
| Lloyd Adams | .... | stunts | |
| Marcel Bérubé | .... | stunts (as Marcel Berube) | |
| Marco Bianco | .... | stunts | |
| Gary Davis | .... | stunt coordinator (as Gary Charles Davis) | |
| David Gonzales | .... | stunts | |
| Ted Hanlan | .... | stunt coordinator: Canada | |
| Ted Hanlan | .... | stunt double: Rollie | |
| Don Hewitt | .... | stunts | |
| Chuck Hicks | .... | stunt double: Leo | |
| Ken Quinn | .... | stunts | |
| Pat Romano | .... | utility stunts | |
| Tye Tyukodi | .... | stunts (as Anton Tykodi) | |
| Edward J. Ulrich | .... | stunt coordinator: Los Angeles (as Ed Ulrich) | |
| Ed Anders | .... | stunts (uncredited) | |
| Roy T. Anderson | .... | stunts (uncredited) | |
| Matt Birman | .... | stunt performer (uncredited) | |
| Randy Butcher | .... | stunts (uncredited) | |
| Shelley Cook | .... | stunt performer (uncredited) | |
| Jim Dunn | .... | stunts (uncredited) | |
| Steve Lucescu | .... | stunts (uncredited) | |
| Pat Romano | .... | stunt rigger (uncredited) | |
| John Stoneham Jr. | .... | utility stunts (uncredited) | |
| Jim Tuck | .... | stunts (uncredited) | |
Casting Department | |||
| Deirdre Bowen | .... | casting: Toronto | |
| Scott Mansfield | .... | extras casting | |
| Linda Phillips-Palo | .... | casting: Los Angeles (as Linda Phillips Palo) | |
| Kim Hardin | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Jerry R. Allen | .... | wardrobe assistant (as Jerry Allen) | |
| Clifford Cassidy | .... | wardrobe: F/X, Los Angeles (as Cliff Cassidy) | |
| Arlene B. Coffey | .... | wardrobe: women, New York (as Arlene Coffey) | |
| Nadia Jarvis | .... | assistant costume designer | |
| Florence Kemper | .... | costume supervisor: Los Angeles | |
| Erla Lank | .... | wardrobe mistress | |
| James Roberts | .... | wardrobe: men, New York (as Jim Roberts) | |
| Joseph Roveto | .... | costumer: Los Angeles | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Jenifer Chatfield | .... | post production assistant | |
| Cherie MacNeill | .... | second assistant editor | |
| Christy Richmond | .... | associate editor | |
| Robin Russell | .... | associate editor | |
| Suzanne Spangler | .... | apprentice editor | |
| Mike Stanwick | .... | color timer (as Michael Stanwick) | |
| Michael Tronick | .... | additional editor | |
Music Department | |||
| Carolyn Bahr | .... | assistant music editor (as Carolyn J. Bahr) | |
| Karl Baumann | .... | performer: "Bluey" | |
| Michael Boddicker | .... | composer: additional music | |
| Frank Capp | .... | music coordinator | |
| Peter J. Granet | .... | music scoring mixer | |
| Don Mack | .... | additional music mixer: Phase II | |
| Don Mack | .... | additional music recordist: Phase II | |
| Cynthia Quinn | .... | performer: "Bluey" | |
| Katherine Quittner | .... | music editor | |
Transportation Department | |||
| Jon Carpenter | .... | transportation coordinator: Los Angeles | |
| Richard Crowder | .... | boat driver | |
| Norm Henderson | .... | driver captain (as Norm Hendersen) | |
| Bruce McLean | .... | picture vehicles | |
| Stuart Mitchell | .... | driver: construction department | |
| Edward O'Donnell | .... | transportation: New York (as Ed O'Donnell) | |
| Nick Sweetman | .... | transportation coordinator | |
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| F/X | Bullitt | Magnum Force | Maniac Cop | Lethal Weapon 2 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
F/X 2 turned out to be a better sequel that I was expecting, as a result of what I had heard people say about it over the years. I was glad to see Bryan Brown and Brian Dennehy share more scenes together this time around (they only had one in the first film), and I was also surprised that the story was pretty good, in the same league as the first. Sure, some parts were predictable (nearly every film has got some predictability to it), but for the most part, it was nicely-paced with some good suspense and mystery. I was hoping for a better usage of special effects by the characters (after all, the series is called F/X), but Brown pretty much just MacGyvers his way through the film, especially in the supermarket sequence, one of the film's standout scenes. My personal favorite was the scene in Brown's apartment, where he uses an animatronic remote-controlled clown to handle an assassin (who, like Cliff DeYoung in the first film, mysteriously vanishes from the movie without a trace), and the battle at the mansion at the end of the film is pretty exciting, with Brown making use of a bunch of effects equipment to stop the bad guys. All-in-all, a pretty decent sequel that has me torn between which of the two films I like more. I really can't decide. I know it's been eleven years, and since this one apparently didn't perform as well at the box office as the first one did, I doubt we'll ever see an F/X 3, but I wouldn't mind seeing it.