F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills ...
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In this low key satirical farce, a CEO is released from prison and rejoins his family, who have a difficult time with his complete change in character, moving from a captain of industry to an eccentric innocent.
Like Vanya, in Malle's last film, Milou never left the family estate. His mother dies during the May 1968 student uprising in Paris. The brother who is the London correspondent for Le Monde... See full summary »
Early one morning Valerie has to tell her unemployed boyfriend Remi that she is pregnant. She has decided to keep the child, but they argue whether they should break up or not. That same ... See full summary »
To be Chosen. That is the most important life goal in the strict religious environment of Katelijne. For her, though, reading and stories are much more important. Is she thus risking her 'Grace period'?
Tallulah Hazekamp Schwab
Steven van Watermeulen
A poet of forty wanders about the beach, changes his clothes when he feels like it, reads his poetry, reminisces engagingly, and reflects on life. Looking rather like Max Bygraves gone to ... See full summary »
F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike. Mike's boss, Silak says it was the killer who killed Mike but Rollie knows it wasn't. Obviously, Silak is involved with Mike's death, so he calls on Leo McCarthy, the cop from the last movie, who is now a P.I., for help and they discover it's not just Silak they have to worry about. Written by
Director Richard Franklin's last American film before returning to his native country of Australia. See more »
(at around 1h 19 mins) In the church confessional scene, the background audio has the priest reading from the Gospel according to Luke Chapter 23 Verse 24 ("Father forgive them for they know not what they do"). If this is St. Patrick's Cathedral, a Catholic church, this section of Luke would be read out loud only during Palm Sunday Mass (or at Mass during Holy Week) in observance of the Passion of Christ, (the verse is from the part of the Gospel describing the Crucifixion). With such an important reading going on, there would be no priests available to hear confession at that time, they'd all be celebrating the Mass. See more »
F/X 2 turned out to be a better sequel that I was expecting, as a result of what I had heard people say about it over the years. I was glad to see Bryan Brown and Brian Dennehy share more scenes together this time around (they only had one in the first film), and I was also surprised that the story was pretty good, in the same league as the first. Sure, some parts were predictable (nearly every film has got some predictability to it), but for the most part, it was nicely-paced with some good suspense and mystery. I was hoping for a better usage of special effects by the characters (after all, the series is called F/X), but Brown pretty much just MacGyvers his way through the film, especially in the supermarket sequence, one of the film's standout scenes. My personal favorite was the scene in Brown's apartment, where he uses an animatronic remote-controlled clown to handle an assassin (who, like Cliff DeYoung in the first film, mysteriously vanishes from the movie without a trace), and the battle at the mansion at the end of the film is pretty exciting, with Brown making use of a bunch of effects equipment to stop the bad guys. All-in-all, a pretty decent sequel that has me torn between which of the two films I like more. I really can't decide. I know it's been eleven years, and since this one apparently didn't perform as well at the box office as the first one did, I doubt we'll ever see an F/X 3, but I wouldn't mind seeing it.
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