A Grande Arte (1991)
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- R
- 1h 44min
- Drama, Thriller
- 14 Nov 1992 (Japan)
- Movie
An American photographer in Rio de Janeiro becomes involved in the world of "knife culture" when he sets out to find the killer of one of his models.
Director:
Writers:
Stars:
Awards:
- 4 wins.
- See more »
Photos and Videos
Cast verified as complete
Peter Coyote | ... |
Peter Mandrake
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Tchéky Karyo | ... |
Hermes
(as Tcheky Karyo)
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Amanda Pays | ... |
Mariet
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Raul Cortez | ... |
Lima Prado
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Giulia Gam | ... |
Gisela
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Paulo José | ... |
Detective
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Eduardo Conde | ... |
Roberto Mitry
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René Ruiz | ... |
José Zakkai - Iron Nose
(as Rene Ruiz)
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Tonico Pereira | ... |
Rafael
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Miguel Ángel Fuentes | ... |
Camilo Fuentes
(as Miguel Angel Fuentes)
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Cássia Kis | ... |
Mercedes
(as Cassia Kiss)
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Iza Do Eirado | ... |
Zélia
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Tony Tornado | ... |
Iron Nose's Bodyguard
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Eduardo Waddington | ... |
Knife Dealer
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Alvaro Freire | ... |
Evilásio - Mitry's Butler
(as Álvaro Freire)
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Maria Alves | ... |
Hotel Attendant
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Peté Marchetti | ... |
Singer at Lesbos Nightclub
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Katia Bronstein | ... |
Woman Killed in Hotel
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Conny Renny | ... |
Lima Prado's Secretary
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Silvia De Carvalho | ... |
Couple Fighting
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Don Marco Maguila | ... |
Couple Fighting
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Maria Gladys | ... |
Woman Under Billboards
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Roberto Lee | ... |
Man Fighting with Hermes
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Vanessa França | ... |
Girl at Bar
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Henrique Vasconcellos | ... |
Policeman
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Mauro Mendonça | ... |
Policeman
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Beth Prado | ... |
Distraught Woman
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Rest of cast listed alphabetically: | |||
Ruth de Souza | ... |
Old Woman Kissing (uncredited)
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Directed by
Walter Salles | ... | (as Walter Salles Jr.) |
Written by
Rubem Fonseca | ... | (written by) |
Rubem Fonseca | ... | (novel "High Art") |
Matthew Chapman | ... | (screenplay: English version) |
Matthew Chapman | ... | (additional dialogue) |
Produced by
Paulo Carlos De Brito | ... | executive producer |
Alberto Flaksman | ... | producer |
Music by
Todd Boekelheide | ||
Jürgen Knieper |
Cinematography by
José Roberto Eliezer |
Editing by
Isabelle Rathery |
Casting By
Graça Motta |
Production Design by
Beto Cavalcanti | ||
Nico Faria | ||
Oswaldo Lioi | ... | (uncredited) |
Art Direction by
Rita Ivanissevich | ||
Marlise Storchi |
Costume Design by
Mari Stockler |
Makeup Department
Steve Johnson | ... | makeup special effects artist |
Nilo Feliciano Machia | ... | hair stylist |
Jaque Monteiro | ... | makeup artist (as Jaque Jordao Monteiro) |
Bob Paulino | ... | assistant makeup artist |
Thomas Floutz | ... | special makeup effects artist (uncredited) |
Production Management
Lalo Caetano | ... | location manager |
Augusto Casé | ... | unit production manager (as Paulo Augusto Casé) |
Rômulo Marinho Jr. | ... | unit production manager: second unit |
Barbara McQuaid | ... | unit production manager: second unit |
Ary Pini | ... | executive in charge of production |
Bruno Wainer | ... | production manager |
Fernando Zagallo | ... | unit production manager: second unit |
Second Unit Director or Assistant Director
Rodolfo Brandão | ... | first assistant director: second unit |
José Luis Ferreiro | ... | second assistant director: second unit |
José Henrique Fonseca | ... | second assistant director |
Lance Hoffman | ... | second assistant director: second unit |
Izabel Jaguaribe | ... | second assistant director (as Isabel Jaguaribe) |
Marcos Loyaiza | ... | second assistant director: second unit |
Juarez Precioso | ... | first assistant director |
Art Department
Maria Helena Alvarenga | ... | set dresser |
Wagner Barbosa | ... | assistant property master |
J.L. Cristôfaro | ... | construction foreman |
Jorge Rezende da Silva | ... | carpenter |
Levi Domingos | ... | assistant property master (as Levi Domingos da Silva) |
Renato Endres | ... | construction coordinator |
Edilson Oliveira de Lima | ... | swing gang |
Helena Pessoa | ... | set dresser |
Óscar Ferreira Pilar | ... | carpenter |
Sebastião Ramos | ... | swing gang |
Albertine Sharples | ... | property buyer |
Patricia Spyer | ... | property master |
Sound Department
Lula Silva Araújo | ... | boom operator |
Orlando Biani | ... | adr engineer: Alamo Studio Sao Paulo |
Sara Bolder | ... | dialogue editor |
Jeff Courtie | ... | adr engineer: Directors Sound Los Angeles |
Frank E. Eulner | ... | assistant sound editor (as Frank Eulner) |
Ernie Fosselius | ... | sound effects editor |
Marjorie L. Hagar | ... | assistant sound editor |
James Lebrecht | ... | additional sound effects (as James LeBrecht) |
Anne McGlynn | ... | apprentice sound editor |
Jennifer Myers | ... | foley artist |
John Nutt | ... | sound supervisor |
Thomas O'Shea | ... | assistant sound editor |
Larry Oatfield | ... | re-recording mixer (as E. Larry Oatfield) |
Jenny Oznowicz | ... | assistant sound editor |
Didier Palce | ... | adr engineer: Simo Doublage Paris (as Didier Salce) |
Rolf Pardula | ... | sound mixer |
Theodore A. Parker III | ... | Brazilian Birds Recorded by |
David Parker | ... | supervising re-recording mixer |
Martha Pike | ... | dialogue editor |
Joan Rowe | ... | foley artist |
Jorge Saldanha | ... | sound mixer: second unit |
Paige Sartorius | ... | dialogue editor |
Michael Semanick | ... | re-recording mixer |
Michael Silvers | ... | dialogue editor |
Eric Thompson | ... | adr engineer: Fantasy Studios Berkeley |
Orlando Biani | ... | sound editor (uncredited) |
Jeff Courtie | ... | sound editor (uncredited) |
John Nutt | ... | supervising sound editor (uncredited) |
Didier Palce | ... | sound editor (uncredited) |
Eric Thompson | ... | sound editor (uncredited) |
Special Effects by
Eugene Cornelius | ... | special effects |
Stunts
Phil Culotta | ... | stunt coordinator |
Camera and Electrical Department
Luiz Acerbi | ... | electrician |
Joaquim Azevedo | ... | grip |
Francisco Carlos Barreto | ... | grip |
Paulo Cesar Bicalho | ... | electrician |
Walter Carvalho | ... | photography: second unit |
John Conwell | ... | assistant camera |
Marcos Alves da Cunha | ... | grip |
Waldir Monteiro de Souza | ... | rigging |
Raymond Depardon | ... | still photographer: "San Clemente" |
Marco Antonio Dos Santos | ... | video operator |
Moacyr Estevão | ... | key grip (as Moacir Estevão da Cunha) |
Alexandre Fonseca | ... | photography: second unit |
José Guerra | ... | camera operator |
Jadeyr Guimarães | ... | chief lighting technician |
Pedro Vargas Ionescu | ... | second assistant camera |
Michael Kelem | ... | camera operator |
Georg Krause | ... | still photographer: "Shadow" |
Stephen Lighthill | ... | photography: second unit |
Oswaldo Maia | ... | steadicam assistant |
Carlos Moreira | ... | grip (as Luís Carlos Moreira) |
Lena Mugliati | ... | still photographer: Chet Baker pictures |
Cintia Pessoa | ... | second assistant camera |
Demerval Peçanha | ... | electrician |
Marcia Ramalho | ... | still photographer: Peter Mandrake pictures |
José Tadeu Ribeiro | ... | additional photographer / still photographer |
Sebastião Salgado | ... | still photographer: "Drought in Eastern Sudan" |
Jeanloup Sieff | ... | still photographer: "Shanghai 1937" |
Jacob Solitrenick | ... | assistant camera |
Edison Alves Virginio | ... | gaffer (as Edson Alves Virginio) |
Flávio Zangrandi | ... | video camera |
Casting Department
Mário Vairão de França | ... | casting assistant |
José Augusto de Souza | ... | casting assistant |
Sérgio Luz | ... | casting assistant |
Costume and Wardrobe Department
Giorgio Armani | ... | costumes: Eduardo Conde |
Marivaldo Dos Santos | ... | seamstress |
Reynaldo Elias | ... | costume producer |
Maria Helena Ferreira | ... | seamstress |
Cláudia Montenegro | ... | costumes trainee |
Music Department
Mark Adler | ... | composer: additional music |
Luís Cabral | ... | music consultant |
Script and Continuity Department
Rita Erthal | ... | script supervisor |
Additional Crew
Roberto Antunes | ... | production accountant |
James Bontempo | ... | acting consultant |
Angela Guaspari de Brito | ... | special consultant |
Edgar do Nascimento | ... | catering supervisor |
Antônio Carlos dos Santos | ... | assistant accountant |
Tânia Freitas | ... | production secretary |
Maria Dulce Gaspar | ... | consultant: archaeology |
Christopher Kent | ... | knife fighting coach |
Graça Neves | ... | caterer |
Robert 'Bobby Z' Zajonc | ... | helicopter pilot (as Bob Zajoc) |
Rosângela Órfão | ... | production assets |
Production Companies
Distributors
- Miramax (1991) (United States) (theatrical)
- Aquarius TV (2001) (Greece) (tv)
- Abril Vídeo (Brazil) (VHS)
- C/FP Video (1992) (Canada) (video)
- Cineglobe (1992) (Canada) (VHS)
- Divisa Home Video (2012) (Spain) (DVD)
- Entertainment in Video (1994) (United Kingdom) (VHS)
- Excalibur Benelux (1992) (Belgium) (VHS)
- Home Box Office Home Video (HBO) (1992) (United States) (VHS)
- RCA/Columbia Pictures International Video (1992) (Germany) (VHS)
- Screen Media Ventures (1995) (World-wide)
- The Home Cinema Group (1992) (Australia) (video)
- Umbrella Entertainment (2007) (Australia) (video) (VOD)
- Videosonic (1991) (Mexico) (VHS)
Special Effects
Other Companies
- Alamo Studios (acknowledgement: ADR services)
- Cornell Lab of Ornithology, Ithaca (thanks)
- Directors Sound (acknowledgement: ADR services)
- Fantasy Studios (acknowledgement: ADR services)
- Interformat (titles and opticals)
- Sapex Scripts (post-production script services)
- Saul Zaentz Film Center (Sound Mixed at)
- Saul Zaentz Film Center (post-production sound services)
- Simo Doublage (acknowledgement: ADR services)
- Société Intercontinentale de Matériel Optiphone (SIMO) (dubbing)
- Société Intercontinentale de Matériel Optiphone (SIMO) (post-production sound services)
- The Casting Company (extras casting)
Storyline
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | Feature directorial debut for documentary filmmaker Walter Salles Jr. See more » |
Goofs | The knife dealer says the Applegate-Fairbairn knife is used by British commandos. Actually the knife is a redesign of the Fairbairn-Sykes fighting knife that was widely used in WWII, the Applegate-Fairbairn wasn't issued to any armed forces to this day. See more » |
Movie Connections | References Cul-de-sac (1966). See more » |
Soundtracks | The Photographer (A Gentleman's Honor) See more » |
Quotes |
Peter Mandrake:
All my life, I've been looking for something... different. See more » |