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Europa (1991)
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Overview
User Rating:
Release Date:
27 June 1991 (Germany) morePlot:
Just after WW2, an American takes a railway job in Germany, but finds his position politically sensitive with various people trying to use him. full summary | full synopsisAwards:
16 wins & 4 nominations moreNewsDesk:
(9 articles)
Cannes Winners for 2009 (From FilmExperience. 25 May 2009, 4:49 AM, PDT)
'Antichrist' Making Waves at Cannes
(From FEARnet. 19 May 2009, 9:27 AM, PDT)
User Comments:
Back to 1945 Germany moreCast
(Cast overview, first billed only)| Jean-Marc Barr | ... | Leopold Kessler | |
| Barbara Sukowa | ... | Katharina Hartmann | |
| Udo Kier | ... | Lawrence Hartmann | |
| Ernst-Hugo Järegård | ... | Uncle Kessler | |
| Erik Mørk | ... | Pater | |
| Jørgen Reenberg | ... | Max Hartmann | |
| Henning Jensen | ... | Siggy | |
| Eddie Constantine | ... | Colonel Harris | |
| Max von Sydow | ... | Narrator (voice) | |
| Benny Poulsen | ... | Steleman | |
| Erno Müller | ... | Seifert | |
| Dietrich Kuhlbrodt | ... | Inspector | |
| Michael Phillip Simpson | ... | Robins | |
| Holger Perfort | ... | Mr. Ravenstein | |
| Anne Werner Thomsen | ... | Mrs. Ravenstein |
Additional Details
MPAA:
Rated R for mature treatment of holocaust issues.Parents Guide:
View content advisory for parentsRuntime:
112 minAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby SRCertification:
Argentina:16 | Australia:M | Chile:18 | Finland:K-16 | Italy:T | Singapore:NC-16 | South Korea:18 | Spain:13 | Sweden:15 | UK:15 | USA:R | Germany:16Fun Stuff
Trivia:
The final film in Lars von Trier's 'Europa' trilogy which illuminates the traumas of Europe in the future. The two other parts are Forbrydelsens element (1984) and Epidemic (1987). moreQuotes:
Leopold Kessler: I think I understand unemployment in Germany much better now. People just can't afford to work here. moreSoundtrack:
Europa Aria moreFAQ
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By watching this movie I discovered an artist that I waited too long to discover. Playing with multiple cinematographic tricks Trier not only bring us back in history but he also adopt the style that movie had in the time where the action is depicted. Also, with the rear screen projection, Trier had the chance to give his movie a unique depth of field and by the way to mix color and B&W and therefore make a magical masterpiece that can be appreciated by the dumb movie eaters that most of us are.