| Photos (see all 10 | slideshow) | Videos (see all 11) |
| Josie Lawrence | ... | Lottie Wilkins | |
| Miranda Richardson | ... | Rose Arbuthnot | |
| Alfred Molina | ... | Mellersh Wilkins | |
| Neville Phillips | ... | Vicar | |
| Jim Broadbent | ... | Frederick Arbuthnot | |
| Michael Kitchen | ... | George Briggs | |
| Joan Plowright | ... | Mrs. Fisher | |
| Polly Walker | ... | Caroline Dester | |
| Stephen Beckett | ... | Jonathan | |
| Matthew Radford | ... | Patrick | |
| Davide Manuli | ... | Beppo | |
| Vittorio Duse | ... | Domenico | |
| Adriana Facchetti | ... | Francesca | |
| Anna Longhi | ... | Costanza |
Directed by | |||
| Mike Newell | |||
Writing credits | ||
| Elizabeth von Arnim | (novel) | |
| Peter Barnes | (writer) | |
Produced by | |||
| Matthew Hamilton | .... | associate producer | |
| Simon Relph | .... | executive producer | |
| Ann Scott | .... | producer | |
| Mark Shivas | .... | executive producer | |
Original Music by | |||
| Richard Rodney Bennett | |||
Cinematography by | |||
| Rex Maidment | |||
Film Editing by | |||
| Dick Allen | |||
Production Design by | |||
| Malcolm Thornton | |||
Costume Design by | |||
| Sheena Napier | |||
Makeup Department | |||
| Deanne Turner | .... | makeup designer | |
Production Management | |||
| Adam Park | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Mervyn Gill-Dougherty | .... | first assistant director | |
| Jessica Nettleton | .... | second assistant director | |
| Melanie Panario | .... | second assistant director | |
Art Department | |||
| Rosalind Dallas | .... | graphic designer | |
| Anna Dargavel | .... | design assistant | |
| David Morris | .... | property buyer | |
Sound Department | |||
| John Crossland | .... | sound assistant | |
| Lee de Lang | .... | post-production sound | |
| Peter Maxwell | .... | dubbing mixer | |
| John Pritchard | .... | sound recordist | |
| Robyn Rogers | .... | dubbing editor | |
| David Sleight | .... | dubbing editor | |
Special Effects by | |||
| Chris Reynolds | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Colin Mapson | .... | visual effects designer | |
Camera and Electrical Department | |||
| Keith Broome | .... | assistant camera | |
| Pat Deveney | .... | gaffer | |
| Dave Scott | .... | grip | |
Casting Department | |||
| Susie Figgis | .... | casting advisor | |
Costume and Wardrobe Department | |||
| Janine Marr | .... | costume assistant (uncredited) | |
Music Department | |||
| Neil Richardson | .... | conductor | |
Other crew | |||
| Pauline Bullock-Webster | .... | production assistant | |
| Martin Carley | .... | production operative supervisor | |
| Silvano Cifollina | .... | garden consultant | |
| Jackie Wright | .... | finance assistant | |
| Terry Wright | .... | location manager: UK | |
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| Tea with Mussolini | The English Patient | Henry VIII and His Six Wives | Il postino | Where Angels Fear to Tread |
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I always tell people that "Enchanted April" is an adult movie with no cussing, no sex, and no violence. One might think of it as "the ultimate chick flick", but I bet there are one or two enlightened men out there who love it too. Don't invite the kids, though. This movie is very low-key.
Seeing "Enchanted April" is a very healing experience. The sound track and gorgeous scenery, along with the ladies' gentle manners, bring to mind the peace and beauty of a pre-Raphaelite painting.
Lest anyone think yours truly only watches one kind of movie, I will paraphrase a line I heard once on "Saturday Night Live" and say that my two favorite movies are "The Deer Hunter" and "Enchanted April".