A mysterious diver hiding in Amsterdam's canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city's best detective, who doesn't ... See full summary »
Monique van de Ven,
In January 1945, during the 2nd world-war, the Dutch resistance kills a collaborator in the street where the 12 year old Anton Steenwijk lives. The man was shot in front of his neighbors ... See full summary »
Derek de Lint,
Marc van Uchelen,
Monique van de Ven
Sort of a cross between "Love Story" and an earthy Rembrandt painting, this movie stars Rutger Hauer as a gifted Dutch sculptor who has a stormy, erotic, and star-crossed romance with a ... See full summary »
Monique van de Ven,
This is the story of a man who travels to Brussels, and meets some people with whom he spends a few days. When they all go on a day trip to the "slanting plane" of Ronquieres, all sorts of bottled up frustrations flare up.
God is disappointed with the human race and wants his stone tablets back. An angel is given the assignment and, with Gabriëls help, tries to manipulate several humans on earth to get his ... See full summary »
Six young filmmakers were each given the chance to shoot a short on a common theme. Combined, their efforts result in a feature. The idea is to tell an alternative history of Antwerp, based on tall stories, rumors and events.
Eline Vere is a neurotic young woman with a turbulent family. Eline is the victim of the narrow-mindedness which permeated The Hague at the beginning of the 19th century. In this film Kümel opposes magnificent images of the stiff, snow-covered with the colorful and vivid Brussels. Adaptation of Couperus' intriguing novel, Eline Vere. Written by
This movie does not do justice to the beautiful book by Louis Couperus. Let that be said first and foremost. But even for those who have not read the book, Eline Vere is a tedious movie. The main reason for that is that the dialogues have been translated into normal Dutch with debilitating effect. And the acting is just abysmal. Marianne Basler is totally lost in this role. And as for Monique van der Ven, well she is the miscast of the millennium. She is far too common and low-brow to be able to pull off her role of a wealthy socialite. It all just goes to prove that it takes a hell of a lot more than carriages and costumes to make a good period film. My suggestion: rent ANY BBC costume drama series to see how it should be done. And find a translation for Eline Vere, a beautiful novel.
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