4 items from 2016
The Film Society of Lincoln Center announces Ava DuVernay’s documentary The 13th as the Opening Night selection of the 54th New York Film Festival (September 30 – October 16), making its world premiere at Alice Tully Hall. The 13th is the first-ever nonfiction work to open the festival, and will debut on Netflix and open in a limited theatrical run on October 7.
Chronicling the history of racial inequality in the United States, The 13th examines how our country has produced the highest rate of incarceration in the world, with the majority of those imprisoned being African-American. The title of DuVernay’s extraordinary and galvanizing film refers to the 13th Amendment to the Constitution—“Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States . . . ” The progression from that second qualifying clause to the horrors of mass incarceration and »
- Kellvin Chavez
If the languid summer tentpole season has you down, fear not, as the promising fall slate is around the corner and today brings the first news of what we’ll see at the 2016 New York Film Festival. For the first time ever, a non-fiction film will open The Film Society of Lincoln Center’s festival: Ava DuVernay‘s The 13th. Her timely follow-up to Selma chronicles the history of racial inequality in the United States and will arrive on Netflix and in limited theaters shortly after its premiere at Nyff, on October 7.
“It is a true honor for me and my collaborators to premiere The 13th as the opening night selection of the New York Film Festival,” Ava DuVernay says. “This film was made as an answer to my own questions about how and why we have become the most incarcerated nation in the world, how and why we regard »
- Jordan Raup
In a career with no shortage of grand cinematic works — the “Three Colors” trilogy, “The Double Life Of Veronique” — there are few who would argue that Krzysztof Kieslowski‘s “The Decalogue” isn’t his crowning achievement. And while it is currently available in a decent DVD box set from Facets, a release from The Criterion Collection has […]
- Kevin Jagernauth
Polish director Krzysztof Kieslowski is undoubtedly one of the most influential modernist filmmakers of all time. His prolific career, which spanned barely 20 years, produced some of the most lush, moving, and important films of his era — especially in Poland. After continuously battling with Polish authorities over the content of his documentaries and feature films, Kieslowski exploded into the international spotlight with “The Double Life Of Veronique,” only to follow that film up with his magnum opus, ‘The Three Colors’ trilogy. Read More: The Essentials: Krzysztof Kieslowski Two years after Kieslowski’s self-imposed retirement, following the biggest film of his career, “Three Colors: White,” the revolutionary auteur sadly passed away. At the time of his death, and despite his retirement, Kieslowski was chugging away on the script for another trilogy with his longtime writing partner Krzysztof Piesiewicz, which only hammers home the talent that we lost far too soon, and »
- Gary Garrison
4 items from 2016
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