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The Double Life of Veronique (1991)
"La double vie de Véronique" (original title)

R  |   |  Drama, Fantasy, Music  |  22 November 1991 (USA)
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Ratings: 7.9/10 from 25,474 users  
Reviews: 104 user | 72 critic

Two parallel stories about two identical women; one living in Poland, the other in France. They don't know each other, but their lives are nevertheless profoundly connected.

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Nominated for 1 Golden Globe. Another 8 wins & 7 nominations. See more awards »



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Cast overview, first billed only:
Halina Gryglaszewska ...
La Tante
Kalina Jedrusik ...
La femme barjolée
Aleksander Bardini ...
Le chef d'orchestre
Wladyslaw Kowalski ...
Jerzy Gudejko ...
Janusz Sterninski ...
L'avocat (as Jan Sterninski)
Philippe Volter ...
Alexandre Fabbri
Sandrine Dumas ...
Louis Ducreux ...
Le professeur
Claude Duneton ...
Le père de Véronique
Guillaume de Tonquedec ...
Gilles Gaston-Dreyfus ...
Alain Frérot ...
Le facteur


Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this point, Véronique's life seems to take a turn and she decides not to be a singer... Written by Colin Tinto <>

Plot Summary | Add Synopsis


Each of us is matched somewhere in the world, by our exact double - someone who shares our thoughts and dreams

Motion Picture Rating (MPAA)

Rated R for scenes of sexuality | See all certifications »

Parents Guide:




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Release Date:

22 November 1991 (USA)  »

Also Known As:

The Double Life of Veronique  »

Box Office


$1,999,955 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.66 : 1
See  »

Did You Know?


The text sung by Weronika in the Concert is actually the beginning of the second Chant of Dante's Paradiso: "O voi che siete in piccioletta barca, desiderosi d'ascoltar, seguiti dietro al mio legno che cantando varca, Non vi mettete in pelago, ché forse, perdendo me, rimarreste smarriti. L'acqua ch'io prendo giá mai non si corse; Minerva spira è conducemi Appollo, è nove Muse mi dimostran l'Orse." Dante, Paradiso, II, 1-9. See more »


When Weronika is at the window of the bus, she holds some papers up to Antek, who is on a motorcycle. The angle she's holding the papers at alternates from perfectly straight to slightly askew as the shot alternates repeatedly from back to front. See more »


Weronika: What else do you want to know about me?
Alexandre Fabbri: Everything
Weronika: [picks up her purse and gently dumps the contents on the bed in front of him]
See more »


Edited into Final Cut: Ladies and Gentlemen (2012) See more »


Verso il cielo
Music by Zbigniew Preisner
Text from Dante Alighieri (as Dante)
Performed by Le Grand Orchestre de la Radio et Télévision Polonaise de Katowice, Choeurs Philharmonique de Silésie,
Elzbieta Towarnicka (soprano), Jacek Ostaszewski (flute)
Conducted by Antoni Wit
See more »

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User Reviews

The Movie & the Music
17 June 2002 | by (Bergen, Norway) – See all my reviews

Only a few of the previous comments on this movie has mentioned the use of music. Just like in Trois Couleurs Bleu, the music of La Double vie de Véronique is very indivisible from the film: the visual and the auditive form a united whole and also elements of it are directly part of the story. And when it comes to music made for film, Zbigniew Preisner's powerful score for this one is as good as it gets.

When there is little dialogue, it is not just the images and expressions on Irène Jacob's face that tells the story, but also the powerful strains of music intermingled with it.

Even with just these elements in place, it would be a movie worth seeing, though obviously a narrative based in little extent on dialogue and with less emphasis on a clear-cut story than your average American movie is unfortunately lost on some of the earlier commentators.

And even this seemingly sparingly laid out narrative reveals itself to the careful watcher to be a rich tapestry of symbols, metaphors and hidden meanings. Kiéslowski, just as in his other movies, demands participation of the viewer, and the one who expects passive entertainment has found the wrong film to watch.

Krzysztof never liked discussing meaning when it came to his movies, but liked keeping that up to the viewers, and few other directors have ever been able to lay out more food for thought and fruitful interpretation than him.

I saw the Three Colours trilogy before seeing Véronique, and the many similarities, both musical and in visual narrative, makes it feel like it almost belongs together with those three to form a quartet. In some ways it has more in common with Blue than Red and White do.

Had Juliette Binoche also been cast in the role of Véronique, as I understand that Krzysztof originally had intended, the similarities had been even greater. She was, however, occupied with shooting Les Amants du Pont-Neuf at the time I believe, and so Krzysztof opted for the less experienced Irène. I don't think the film is any worse for it: she is brilliant, and not just a pretty face as some people put it, but a very intelligent and aware actress as anyone who has seen her interview for the Red DVD release should discover if they haven't already.

In short: a wonderful film, wonderful music, great acting. But not a movie for everyone.

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