The plot couldn't be simpler or its attack on capital punishment (and the act of killing in general) more direct - a senseless, violent, almost botched murder is followed by a cold, ... See full summary »
It's 1982: Poland is under martial law, and Solidarity is banned. Ulla, a translator working on Orwell, suddenly loses her husband, Antek, an attorney. She is possessed by her grief, and ... See full summary »
Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen... See full summary »
1970. After discussions and dishonest negotiations, a decision is taken as to where a large new chemical factory is to be built and Bednarz, an honest Party man, is put in charge of the ... See full summary »
Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this point, Véronique's life seems to take a turn and she decides not to be a singer... Written by
Colin Tinto <email@example.com>
The text sung by Weronika in the Concert is actually the beginning of the second Chant of Dante's Paradiso: "O voi che siete in piccioletta barca, desiderosi d'ascoltar, seguiti dietro al mio legno che cantando varca, Non vi mettete in pelago, ché forse, perdendo me, rimarreste smarriti. L'acqua ch'io prendo giá mai non si corse; Minerva spira è conducemi Appollo, è nove Muse mi dimostran l'Orse." Dante, Paradiso, II, 1-9. See more »
A heavy rainfall occurs at the beginning of the film. Unfortunately, as the camera pans up to show a large statue in the back of a pickup truck, the "rain" is revealed to be water being sprayed from the side. See more »
Superb! Existential feast of ideas from the Master!
Kieslowski drives me to hyperbole, but I am not exaggerating when I say that this film is truly one of the best films ever made. It's an exploration of identity, presentiments, relationships (with the "self" and others) and the soul. Such themes could be messed around, but in the hands of such talented people, these so-called "irrationalities" are brought to life with beauty, subtlety and intelligence.
The music is amazing, the cinematography is stunning and Irene Jacob is wonderful. This is one of greatest films to explore the idea of the soul - and one of the best films, in general. If you haven't seen it, prepare to be moved by the metaphysical, the mysterious, and the humanity of the piece. If you like the Trois Couleurs trilogy, you'll surely love this too and maybe even feel like you've returned home, to the tree, to life, to the beginning
Kieslowski had the ability to move us all in such ways. Enjoy his
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