7.9/10
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The Double Life of Veronique (1991)

La double vie de Veronique (original title)
Two parallel stories about two identical women; one living in Poland, the other in France. They don't know each other, but their lives are nevertheless profoundly connected.

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Nominated for 1 Golden Globe. Another 9 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
La Tante
...
La femme barjolée
...
Le chef d'orchestre
...
...
Antek
Janusz Sterninski ...
L'avocat (as Jan Sterninski)
Philippe Volter ...
Alexandre Fabbri
Sandrine Dumas ...
Catherine
...
Le professeur
Claude Duneton ...
Le père de Véronique
...
Claude
...
Serge (as Guillaume de Tonquedec)
Gilles Gaston-Dreyfus ...
Jean-Pierre
Alain Frérot ...
Le facteur
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Storyline

Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this point, Véronique's life seems to take a turn and she decides not to be a singer... Written by Colin Tinto <cst@imdb.com>

Plot Summary | Add Synopsis

Taglines:

Each of us is matched somewhere in the world, by our exact double - someone who shares our thoughts and dreams


Motion Picture Rating (MPAA)

Rated R for scenes of sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

22 November 1991 (USA)  »

Also Known As:

The Double Life of Veronique  »

Box Office

Gross:

$1,999,955 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The text sung by Weronika in the Concert is actually the beginning of the second Chant of Dante's Paradiso: "O voi che siete in piccioletta barca, desiderosi d'ascoltar, seguiti dietro al mio legno che cantando varca, Non vi mettete in pelago, ché forse, perdendo me, rimarreste smarriti. L'acqua ch'io prendo giá mai non si corse; Minerva spira è conducemi Appollo, è nove Muse mi dimostran l'Orse." Dante, Paradiso, II, 1-9. See more »

Goofs

When Weronique dies singing on the stage and some one took her wrist and exclaims "she is dead" her pulse can be seen clearly. See more »

Quotes

Weronika: Is that me?
Alexandre Fabbri: Of course it's you.
Weronika: Why two?
Alexandre Fabbri: Because during performances I handle them a lot. They damage easily.
See more »

Connections

Edited into Final Cut: Ladies and Gentlemen (2012) See more »

Soundtracks

Verso il cielo
Music by Zbigniew Preisner
Text from Dante Alighieri (as Dante)
Performed by Le Grand Orchestre de la Radio et Télévision Polonaise de Katowice, Choeurs Philharmonique de Silésie,
Elzbieta Towarnicka (soprano), Jacek Ostaszewski (flute)
Conducted by Antoni Wit
See more »

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User Reviews

 
Divine
2 June 1999 | by (Spain) – See all my reviews

Probably the best film of the decade. These are some keywords I think best suit this film: Religious, Fatherhood, Duplicity, Fullness, Sensuality, Offbeat

Due to the blasphemous american rants below (I can´t imagine a single movie from the USA in the 90s better than this one, sorry for that), I decided to write about this peculiar film. I think the film is more accessible for european viewers, the same way Dawn by law might be for american viewers (I can´t bear that pretentious american underground movies at all, with cool men swearing all the time, trying to be funny... I can´t identify with most of nineties american characters). There are many american art house films buffs as well, so I can´t say this is a general fact, it´s just my view anyway.

Regarding the development of the characters, Tsylia probably couldn´t understand at the beginning of the film how both women are described so poeticly. Weronicka is watching at the stars, while Veronique is watching the leaves fall. I see this is not evident but it says a lot about the two. Weronicka is more spiritual, magical, and Veronique is more practical, more "down to earth". If you cannot see the metaphores throughout the film you will not grasp anything about the development of the characters, that´s for sure. Furthermore, Irene Jacob performance is sublime, you can see on her face so many "difficult to express" sensations, she´s not just a beautiful face as it has been stated below (I can name hundreds of pretty american girls on stupid films, I was shocked to read Irene Jacob is just pretty, couldn´t these people see she´s a valuable actress as well). In any case she´s pretty in the sense Catherine Deneuve is, I mean she´s not the common beatiful woman, you can see by his gestures that she feels alone in the world, that she feels the fullness of life, ... She sometimes seems like an angel in this film (Weronicka).

I´m an atheist, but I admit the religious or spiritual feeling of the film engages anyone. The film evokes the idea that gifted people such this soprano singer have a spare part somewhere in the world, the same way the puppetier has a spare marionette for the one he uses most.

God is not mentioned but the scenes are revealing: Veronique caresses the bark of a thick tree in the very last scene, which could signify her real father as well, or just the idea of fatherhood.

The music is ten out of ten, if you feel nothing while listening to Preisner´s masterpiece, you´d better not say you´re sensitive anymore. This is his best for me alongside with the music for Short story of a killing and Damage soundtrack which sounds cruel and mysterious to me.

I can´t think of any other film more precious and lyrical than this one.


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