Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this... See full summary »
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his ... See full summary »
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »
Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this point, Véronique's life seems to take a turn and she decides not to be a singer... Written by
Colin Tinto <email@example.com>
The text sung by Weronika in the Concert is actually the beginning of the second Chant of Dante's Paradiso: "O voi che siete in piccioletta barca, desiderosi d'ascoltar, seguiti dietro al mio legno che cantando varca, Non vi mettete in pelago, ché forse, perdendo me, rimarreste smarriti. L'acqua ch'io prendo giá mai non si corse; Minerva spira è conducemi Appollo, è nove Muse mi dimostran l'Orse." Dante, Paradiso, II, 1-9. See more »
When Weronika is at the window of the bus, she holds some papers up to Antek, who is on a motorcycle. The angle she's holding the papers at alternates from perfectly straight to slightly askew as the shot alternates repeatedly from back to front. See more »
Superb! Existential feast of ideas from the Master!
Kieslowski drives me to hyperbole, but I am not exaggerating when I say that this film is truly one of the best films ever made. It's an exploration of identity, presentiments, relationships (with the "self" and others) and the soul. Such themes could be messed around, but in the hands of such talented people, these so-called "irrationalities" are brought to life with beauty, subtlety and intelligence.
The music is amazing, the cinematography is stunning and Irene Jacob is wonderful. This is one of greatest films to explore the idea of the soul - and one of the best films, in general. If you haven't seen it, prepare to be moved by the metaphysical, the mysterious, and the humanity of the piece. If you like the Trois Couleurs trilogy, you'll surely love this too and maybe even feel like you've returned home, to the tree, to life, to the beginning
Kieslowski had the ability to move us all in such ways. Enjoy his
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