Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this... See full summary »
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his ... See full summary »
Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this point, Véronique's life seems to take a turn and she decides not to be a singer... Written by
Colin Tinto <firstname.lastname@example.org>
The text sung by Weronika in the Concert is actually the beginning of the second Chant of Dante's Paradiso: "O voi che siete in piccioletta barca, desiderosi d'ascoltar, seguiti dietro al mio legno che cantando varca, Non vi mettete in pelago, ché forse, perdendo me, rimarreste smarriti. L'acqua ch'io prendo giá mai non si corse; Minerva spira è conducemi Appollo, è nove Muse mi dimostran l'Orse." Dante, Paradiso, II, 1-9. See more »
When Weronika is at the window of the bus, she holds some papers up to Antek, who is on a motorcycle. The angle she's holding the papers at alternates from perfectly straight to slightly askew as the shot alternates repeatedly from back to front. See more »
Like Last Year at Marienbad this is a film so beautiful that its worth viewing even if there is no meaning to it. The use of light and shadow is spectacular, the music is divine, and the camera is constantly seeking and finding beauty in every shot.
Looking at the postings so far it seems everyone has a different explanation, so I might as well throw mine into the mix. To me Veronique/Weronika are twin angels being manipulated (guided might be a better choice of word) by God (or an abstract Divine) for some unfathomable purpose. Consider the use of the puppeteer as a metaphor for the condition, look at how he says he makes two because they are fragile and break easily (just as Weronika breaks in her concert). Veronique speaks of how she always knows what to do in every situation as if her life is leading up to something. Theres a telling scene about midway through the film where Veronique walks between shadows through a slender path of light her face gazing rapturously at the the sun. Both V's appreciate and reflect the beauty around them: light, shadows, the falling rain, ... highly reminiscent to me of the 'fallen' angels in Wings of Desire.
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