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The Double Life of Veronique (1991)
"La double vie de Véronique" (original title)

7.9
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Ratings: 7.9/10 from 20,845 users  
Reviews: 95 user | 67 critic

Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this... See full summary »

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Title: The Double Life of Veronique (1991)

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Nominated for 1 Golden Globe. Another 8 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Halina Gryglaszewska ...
La Tante
Kalina Jedrusik ...
La femme barjolée
Aleksander Bardini ...
Le chef d'orchestre
Wladyslaw Kowalski ...
Jerzy Gudejko ...
Antek
Janusz Sterninski ...
L'avocat (as Jan Sterninski)
Philippe Volter ...
Alexandre Fabbri
Sandrine Dumas ...
Catherine
Louis Ducreux ...
Le professeur
Claude Duneton ...
Le père de Véronique
...
Claude
Guillaume de Tonquedec ...
Serge
Gilles Gaston-Dreyfus ...
Jean-Pierre
Alain Frérot ...
Le facteur
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Storyline

Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this point, Véronique's life seems to take a turn and she decides not to be a singer... Written by Colin Tinto <cst@imdb.com>

Plot Summary | Add Synopsis

Taglines:

Each of us is matched somewhere in the world, by our exact double - someone who shares our thoughts and dreams


Motion Picture Rating (MPAA)

Rated R for scenes of sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

22 November 1991 (USA)  »

Also Known As:

The Double Life of Veronique  »

Box Office

Gross:

$1,999,955 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The text sung by Weronika in the Concert is actually the beginning of the second Chant of Dante's Paradiso: "O voi che siete in piccioletta barca, desiderosi d'ascoltar, seguiti dietro al mio legno che cantando varca, Non vi mettete in pelago, ché forse, perdendo me, rimarreste smarriti. L'acqua ch'io prendo giá mai non si corse; Minerva spira è conducemi Appollo, è nove Muse mi dimostran l'Orse." Dante, Paradiso, II, 1-9. See more »

Goofs

When Weronika is at the window of the bus, she holds some papers up to Antek, who is on a motorcycle. The angle she's holding the papers at alternates from perfectly straight to slightly askew as the shot alternates repeatedly from back to front. See more »

Quotes

Weronika: What else do you want to know about me?
Alexandre Fabbri: Everything
Weronika: [picks up her purse and gently dumps the contents on the bed in front of him]
See more »

Connections

Referenced in Three Colors: Red (1994) See more »

Soundtracks

Verso il cielo
Music by Zbigniew Preisner
Text from Dante Alighieri (as Dante)
Performed by Le Grand Orchestre de la Radio et Télévision Polonaise de Katowice, Choeurs Philharmonique de Silésie,
Elzbieta Towarnicka (soprano), Jacek Ostaszewski (flute)
Conducted by Antoni Wit
See more »

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User Reviews

 
Beautiful/Complex - An Interesting mixture
29 December 2001 | by See all my reviews

The above statement works not only as an honest description of the film, but also of the character (or characters) portrayed by Irène Jacob. The Double life of Véronique is not a film that allows easy description, it doesn't seem to fit in to any genre or category, it is a film that must be experienced under it's own terms, as a serious, hypnotic work of art. Director Kieslowski sets up the odd dreamlike atmosphere right from the start, using mirror reflections and odd camera distortions to show us the bizarre way that Veronique/Veronika sees the world around her. The use of sepia printing also gives the film an odd distilled look, taking us right out of any "real" reality, giving each of the frames something special. The problem this creates is that it takes away any real connection we have with the characters, we never really feel anything for them or are even that concerned for their outcomes, Kieslowski moves his actors around his "stage" in the same way the marionettes are manipulated in the film, but the film works on such a subtly hypnotic level I don't think that Kieslowski ever wanted us to feel part of this world. Kieslowski follows Veronique/Veronika through Paris and Poland, intimately probing her with close, hand-held camera, the cinema-verite effect of this making the viewer feel almost like a voyeur, following the women's every movements and encounters. The Double Life of Veronique is a film that definitely deserves to be seen and requires multiple viewings if we are to get everything out of it's complex, pre-destined narrative. A film full of beautiful images and haunting moods that you'll remember long after, if only there had been a little more focus on the characters I would certainly give it a 10. Maybe my next viewing will lift its marks. 8/10


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