Critic Reviews



Based on 19 critic reviews provided by Metacritic.com
Seattle Post-Intelligencer
An excessive, expressionistic, agreeably nonjudgmental period biography that carries with it an enormous emotional wallop. [01 Mar 1991]
Portland Oregonian
As writer/director, he manages to make both Morrison and the period seem real without being self-conscious, an observed milieu rather than a film set. [01 Mar 1991]
The Doors is a thrilling spectacle - the King Kong of rock movies - featuring a starmaking, ball-of-fire performance by Val Kilmer as Morrison.
Boston Globe
Stone's film rolls off the screen with affection and authority, even when Morrison's life enters its sodden, bummed-out finale, and Val Kilmer does an uncanny job of identifying with Morrison. [01 Mar 1991]
The Globe and Mail (Toronto)
The Doors is excessive, unsubtle, emotionally brutal and stylistically sadistic, but that's exactly right for the dark side of the sixties Morrison and his band embodied. [01 Mar 1991]
Los Angeles Times
It's one hell of a ride and a real, roaring rock movie. [01 Mar 1991]
The experience of watching The Doors is not always very pleasant.
USA Today
Kilmer seems less dangerous than Morrison, but it's a blessing in the most uncompromising bio of a please- don't-move-next-door type since "Raging Bull." [01 Mar 1991]
Val Kilmer is extraordinary as Morrison, holding the centre with a demonic charisma, while Stone recreates the late '60s milieu with vibrant versimilitude.
Chicago Tribune
Hysteria, however skillfully maintained, should never be mistaken for art-a caution that applies equally to Stone and his subject. [01 Mar 1991]
By recreating things too well, the film itself becomes as boring, indulgent and over-stuffed as its hero.

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