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The Doors (1991)

The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.

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(as J. Randal Johnson),
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Cast

Cast overview, first billed only:
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Josh Evans ...
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Dog
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Cat
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Engineer - Last Session
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Mom
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Dad
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Storyline

Oliver Stone's homage to 1960s rock group The Doors also doubles as a biography of the group's late singer, the "Electric Poet" Jim Morrison. The movie follows Morrison from his days as a film student in Los Angeles to his death in Paris, France at age 27 in 1971. The movie features a tour-de-force performance by Val Kilmer, who not only looks like Jim Morrison's long-lost twin brother, but also sounds so much like him that he did much of his own singing. It has been written that even the surviving Doors had trouble distinguishing Kilmer's vocals from Morrison's originals. Written by Denise P. Meyer <dpm1@cornell.edu>

Plot Summary | Plot Synopsis

Taglines:

The Ultimate Story of Sex, Drugs & Rock 'N' Roll See more »


Motion Picture Rating (MPAA)

Rated R for heavy drug content, and for strong sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 March 1991 (USA)  »

Also Known As:

Ha-Dlatot  »

Box Office

Budget:

$38,000,000 (estimated)

Gross:

$35,183,792 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(analog 70 mm prints)| (digital 35 mm and 70 mm prints)| (analog 35 mm prints)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Ian Astbury,lead singer of British rock band 'the cult' was originally offered the role of morrison See more »

Goofs

As with most biopics, some of the events did not occur exactly as they are portrayed in the film, or may have happened at a different time. Some did not take place at all and are included purely for dramatic purposes. See more »

Quotes

[during their peyote trip in the desert]
Jim Morrison: Close your eyes. We'll see the snake; see the serpent appear. His head is ten feet long and five feet wide. He has one red eye and one green eye. He's seven miles long. Deadly. I see all the history of the world on his scales, all people, all actions. We're all just little pictures on his scales. God, he's big, he's moving, devouring consciousness, digesting power. Monster of energy. It's a monster. We're going to kiss the snake on the tongue. Kiss the ...
[...]
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Soundtracks

Strange Days
Written and Performed by The Doors
Elektra Records
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User Reviews

 
A refreshing cinematic breakthrough in an era in which cinema seems all but forgotten!
3 December 2000 | by (Dallas, Tx) – See all my reviews

This film is truly a gem. The Doors is easily the best film of the rock n' roll genre and at least one of the most important films of its era. Though I am not an Oliver Stone fan I must give credit where it is due. Stone really does a terrific job with this film, and shows what he is capable of when he actually knows about the subject he is attempting to comment on. A few of the scenes in the film are almost exact recreations of actual events. However, the magnificent thing about this film is that it manages to recreate a certain amount of reality while simultaneously realizing that for a film to possess its own vitality it must transcend the preexisting reality, move beyond the surface, beyond everything that is obvious, and express and explore something deeper. Val Kilmer delivers a powerful performance in which he almost seems to be channeling the energy of Jim Morrison, and though I've seen many of Meg Ryan's films this is the only one I can recollect where she does such a good job that she makes you really forget about her and focus on the character. The cinematography of the film by Robert Richardson (Platoon, Wall Street, Born on The Fourth of July, Natural Born Killers, Casino, Bringing out the Dead, and many more) is bold and unique making the film one of the most distinct visual films I've ever seen. This film is truly one of a kind, and breaks through into new cinematic territory, giving priority to the visual aspects of the film in an era where there are so few films that even give much consideration to the single most important aspect of the motion picture. The genius of this film is that it is visual-audio as opposed to audio-visual and is more concerned with expressing something than simply impressing the audience. The Doors is a refreshing cinematic breakthrough in an era in which cinema seems all but forgotten.


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